Luz Esther Benítez Rosado, also known as Lucecita, is a Puerto Rican singer, part of the country's new wave popular music. Born in Bayamon, a large city in Puerto Rico, she participated in amateur radio shows.
Guillermo Portabales was a Cuban singer-songwriter and guitarist who popularized the guajira style of Cuban music from the 1930s through the 1960s. His languid, melancholy, intensely lyrical guajiras and his elegant, stylish singing made him popular throughout Latin America, where he is still revered.
Héctor Juan Pérez Martínez, better known as Héctor Lavoe, was a Puerto Rican salsa singer. Lavoe is considered to be possibly the best and most important singer and interpreter in the history of salsa music because he helped to establish the popularity of this musical genre in the decades of 1960s, 1970s and 1980s. His personality, style and the qualities of his voice led him to a successful artistic career in the whole field of Latin music and salsa during the 1970s and 1980s. The cleanness and brightness of his voice, coupled with impeccable diction and the ability to sing long and fast phrases with total naturalness, made him one of the favorite singers of the Latin public.
José Martín Antonio Gautier Benítez was a Puerto Rican poet of the Romantic Era.
Rafael Hernández Marín was a Puerto Rican songwriter, author of hundreds of popular songs in the Latin American repertoire. He specialized in Cuban styles such as the canción, bolero and guaracha. Among his most famous compositions are "Lamento Borincano", "Capullito de alhelí", "Campanitas de cristal", "Cachita", "Silencio", "El cumbanchero", "Ausencia" and "Perfume de gardenias".
Pedro Ortiz Dávila, better known as Davilita, was a popular Puerto Rican singer of boleros and patriotic songs. He was the first artist to record the Rafael Hernández standard "Lamento Borincano".
Roberto "Bobby" Valentín, is a musician and salsa bandleader. He is known as "El Rey del Bajo".
"En mi Viejo San Juan" is a composition by Puerto Rican composer and singer Noel Estrada. Interpreted by numerous singers and translated into various languages, the song is "widely known around the world". There are musical interpretations in German, English and French. Over 1,000 distinct recordings of the song have been made worldwide.
The following outline is provided as an overview of and topical guide to Puerto Rico:
Gilberto "Pulpo" Colón Jr. is a pianist, composer, and band leader. He is credited for working with all three of the "Big 3".
Miguel Poventud a.k.a. "El Niño Prodigio de Guayama" and "Miguelito", was a Puerto Rican musician, singer, actor and composer of Boleros. Among the singers who have interpreted his musical compositions are Johnny Albino, Héctor Lavoe and Daniel Santos.
Instituto de Música Juan Morel Campos, formerly known as Escuela Libre de Música de Ponce, is a musical arts institution in Ponce, Puerto Rico. It is an institution of the Ponce Municipal Government. Its first director was Librado Net Pérez. The building had been the former location of the Ponce regional headquarters of Bomberos de Puerto Rico.
"Lamento Borincano" is Rafael Hernández Marín's acclaimed composition in Puerto Rico's patriotic tradition. It takes its name from the free musical form Lament, and from Borinquen, an indigenous name for the island. Hernández released the song in 1929 to illustrate the economic precariousness that had engulfed the Puerto Rican farmer since the late-1920s' Puerto Rico. It became an instantaneous hit in Puerto Rico and its popularity soon followed in many Latin American countries. Renowned international artists have sung it and featured it in their repertoire.
"Preciosa" is a 1937 patriotic composition by Puerto Rican composer Rafael Hernández Marín.
Barbarito Díez was a Cuban singer who specialized in danzón. He began his career as the singer for Graciano Gómez and Isaac Oviedo's son group, before joining Antonio María Romeu's orchestra. As the lead vocalist for Romeu's ensemble for 20 years, he established himself as one of the main exponents of the sung danzón. He continued singing with his own charanga, as well as other groups, for another 30 years. He also toured and recorded in Venezuela and Puerto Rico before retiring in the early 1990s, when complications from diabetes prevented him from performing and eventually resulted in his death in 1995. A naturally-gifted tenor, he was known for his sense of rhythm, correct diction and romantic style.
Héctor Lavoe is a 6-foot tall bronze statue dedicated to the memory of salsa singer Héctor Lavoe who reached his professional height during the 1970s. The bronze statue is located at the sea-front recreational complex Complejo Recreativo y Cultural La Guancha in Barrio Playa, Ponce, Puerto Rico. The statue is the work of by Puerto Rican artist Severo Romero and was unveiled in 2014.
This article includes an overview of the major events and trends in Latin music in the 1980s, namely in Ibero-America. This includes recordings, festivals, award ceremonies, births and deaths of Latin music artists, and the rise and fall of various subgenres in Latin music from 1980 to 1989.
This article includes an overview of the major events and trends in Latin music in the 1970s, namely in Ibero-America. This includes recordings, festivals, award ceremonies, births and deaths of Latin music artists, and the rise and fall of various subgenres in Latin music from 1970 to 1979.
José Mangual Jr. is an American Salsa percussionist of Puerto Rican Descent, singer and composer best known for his recordings with Willie Colón and Héctor Lavoe during the 1960s and 1970s salsa boom in New York.
Jon Evan Fausty was an American multiple Grammy Award-winning sound and recording engineer best known for his work on some of the most successful Latin albums ever recorded.
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