Theophil Franz Xaver Scharwenka was a German pianist, composer and teacher of Polish descent. He was the brother of Ludwig Philipp Scharwenka (1847–1917), who was also a composer and teacher of music.
E major is a major scale based on E, consisting of the pitches E, F♯, G♯, A, B, C♯, and D♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes it impractical to use.
Giovanni Sgambati was an Italian pianist and composer.
G major is a major scale based on G, with the pitches G, A, B, C, D, E, and F♯. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor.
D major is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps. The D major scale is:
A major is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on requires both a flat and a natural accidental.
F-sharp major is a major scale based on F♯, consisting of the pitches F♯, G♯, A♯, B, C♯, D♯, and E♯. Its key signature has six sharps.
A-flat major is a major scale based on A♭, with the pitches A♭, B♭, C, D♭, E♭, F, and G. Its key signature has four flats.
D-flat major is a major scale based on D♭, consisting of the pitches D♭, E♭, F, G♭, A♭, B♭ and C. Its key signature has five flats.
G-flat major is a major scale based on G♭, consisting of the pitches G♭, A♭, B♭, C♭, D♭, E♭, and F. Its key signature has six flats.
E minor is a minor scale based on E, consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major.
B minor is a minor scale based on B, consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major.
F-sharp minor is a minor scale based on F♯, consisting of the pitches F♯, G♯, A, B, C♯, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major.
C-sharp minor is a minor scale based on C♯, with the pitches C♯, D♯, E, F♯, G♯, A, and B. Its key signature consists of four sharps.
G-sharp minor is a minor scale based on G♯, consisting of the pitches G♯, A♯, B, C♯, D♯, E, and F♯. Its key signature has five sharps.
F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has six sharps and the double sharp F, which makes it impractical to use.
B-flat minor is a minor scale based on B♭, consisting of the pitches B♭, C, D♭, E♭, F, G♭, and A♭. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used.
A-flat minor is a minor scale based on A♭, consisting of the pitches A♭, B♭, C♭, D♭, E♭, F♭, and G♭. Its key signature has seven flats. Its relative major is C-flat major, its parallel major is A-flat major, and its enharmonic equivalent is G-sharp minor.
The Organ Symphony No. 3 in F-sharp minor, Op. 28, is an organ symphony by Louis Vierne. He composed it in 1911, and it was first performed in March 1912. It was first published by Éditions Durand the same year. It has been described as the most inspired and best structured of his six organ symphonies.
