This is a list of symphonies in G major written by notable composers.
Composer | Symphony | Notes and refs. |
---|---|---|
Carl Friedrich Abel | Symphony op. 1 no. 6 / WK 6 | |
Symphony op. 4 no. 5 / WK 11 | ||
Symphony op. 7 no. 1 / WK 13 | ||
Symphony op. 14 no. 5 / WK 29 | ||
Symphony op. 17 no. 6 / WK 36 | ||
Edmund Angerer | Toy Symphony [1] | |
Carl Philipp Emanuel Bach | Symphony Wq.173 / H648 | |
Symphony Wq.180 / H655 | ||
Symphony Wq.182:1 / H657 | ||
Symphony Wq.183:4 / H666 | ||
Symphony H 667 | ||
Johann Christian Bach | Symphony op. 3 no. 6 / W C6 | |
Symphony op. 6 no. 1 / W C7a | ||
Symphony W C7b | ||
Symphony op. 8 no. 2 / W C13 | ||
Franz Ignaz Beck | Sinfonia, op. 1 no. 5 (Callen 5) | published 1758 [2] |
Luigi Boccherini | Symphony G576 | |
Hjalmar Borgstrøm | Symphony No. 1 , Op. 5 | 1890 |
Alan Bush | Symphony No. 2 "The Nottingham Symphony", op. 33 | 1949 |
Christian Cannabich | Sinfonia (1760) | |
Sinfonia, op. 10 no. 2 (no. 47) | by 1772 [3] | |
Sinfonia, no. 67 | [4] | |
Muzio Clementi | Symphony "no. 3" Grand National Symphony | incomplete |
Eric DeLamarter | Symphony | 1920 [5] |
Felix Draeseke | Symphony No. 1, Op. 12 | 1868–69/revised 1871–72 [6] |
Antonín Dvořák | Symphony No. 8, op. 88, B. 163 | 1889 |
George Dyson | Symphony | 1937 |
Jean Françaix | Symphony in G | 1953 [7] |
François Joseph Gossec | Symphony op. 12 no. 2 (RH 36) | published 1769 [8] [9] |
Theodore Gouvy | Symphony op. 58 (Symphonie brève; variations et rondo pour orchestre) | |
Christoph Graupner | GWV 578–611 | All in this key (see List of symphonies by Christoph Graupner.) |
Friedrich Gulda | Jazz Symphony | 1970 |
Asger Hamerik | Symphony No. 6, op. 38 "Symphonie spirituelle" | 1897 |
Joseph Haydn | Symphony No. 3 | composed by 1762 |
Symphony No. 8, Le Soir | 1761 | |
Symphony No. 18 | composed by 1766 | |
Symphony No. 23 | 1764 | |
Symphony No. 27 | composed by 1766 | |
Symphony No. 47 "Das Palindrom" | composed by 1772 | |
Symphony No. 54 | 1774 | |
Symphony No. 81 | composed by 1784 | |
Symphony No. 88 | late 1780s | |
Symphony No. 92 "Oxford" | 1791 | |
Symphony No. 94 "Surprise" | 1791 | |
Symphony No. 100 "Military" | 1794 | |
Michael Haydn | Symphony No. 1C, MH 26 | 1758 |
Symphony No. 3, (Divertimento) | 1763 | |
Symphony No. 12, MH 108, Perger 7 | 1768 | |
Symphony No. 25, MH 284, Perger 16 | 1783. Given an introduction by Mozart, who conducted it the same year and for a while regarded as Mozart's Symphony No. 37, K. 444 | |
Symphony No. 35, MH 474, Perger 27 | 1788 | |
Friedrich Koch | Symphony No. 2, op. 10 | published 1891 |
Leopold Kozeluch | Symphony P I: 8, op. 24 no. 3 | |
Symphony P I: G1 | ||
Gustav Mahler | Symphony No. 4 | 1899-1900 |
John Marsh | Symphony No. 8 (9) | 1778 [10] |
Wolfgang Amadeus Mozart | Symphony No. 10, K. 74 | |
Symphony No. 12, K. 110 | ||
Symphony No. 15, K. 124 | 1772 | |
Symphony No. 17, K. 129 | 1772 | |
Symphony No. 27, K. 199 | 1773 | |
Symphony No. 32 "Overture in the Italian style", K. 318 | 1779 | |
Ole Olsen | Symphony in G , Op. 5 | 1875-78 |
George Onslow | Symphony No. 4, op. 71 | 1846 [11] |
Carlo d'Ordoñez | Symphony, Bryan | G0 [12] |
Hubert Parry | Symphony No. 1 | c. 1880–82 [13] |
Hans Pfitzner | Little Symphony, op. 44 | 1946 |
Ignaz Pleyel | Symphony Ben.130 | [14] |
Symphony Ben.156/op. 68 | 1804 [14] [15] | |
Napoléon Henri Reber | Symphony No. 4 | by 1850 |
Anton Reicha | Symphony No. 1 | ca. 1808 |
Jean Rivier | Symphony No. 3, for strings | 1938, pub. 1939 [16] |
Chevalier de Saint-Georges | Symphony Op. 11 No. 1 G.73 | |
Vadim Salmanov | Symphony No. 2 | 1959 |
Louis Spohr | Symphony No. 6 "Historical Symphony in the Style and Taste of Four Different Periods", op. 116 | 1839 [17] |
Symphony No. 8, op. 137 | 1847 [17] | |
Alice Mary Smith | Symphony in G major | [18] |
Johann Stamitz | Symphony, op. 3 no. 1 (Wolf G2) | probably written between 1751–54; published 1757 [19] |
Symphony, op. 3 no. 3 (Wolf G3) | probably written between 1751–54; published 1757 [20] | |
Symphony, op. 8 no. 3 (Wolf G5) | probably written 1745–49; published 1763 [21] | |
Johann Baptist Wanhal | Symphony, Bryan G1 | [22] |
Symphony, Bryan G2 | [23] | |
Symphony, Bryan G4 | [24] | |
Symphony, Bryan G6 | [25] | |
Symphony, Bryan G8 | [26] | |
Symphony, Bryan G10 | [27] | |
Symphony, Bryan G11 | [28] | |
Symphony, Bryan G13 | [29] | |
Ralph Vaughan Williams | Symphony No. 2 "A London Symphony" | 1914 |
Mieczysław Weinberg | Symphony No. 2, op. 30 | 1946 |
Felix Weingartner | Symphony No. 1, op. 23 | 1898 |
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: CS1 maint: multiple names: authors list (link) (notes have a list of the nine published Spohr symphonies, with dates of composition or completion.)Carl Philipp Stamitz was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School.
Mannheim school refers to both the orchestral techniques pioneered by the court orchestra of the Elector Palatine in Mannheim in the latter half of the 18th century and the group of composers of the early classical period, who composed for the orchestra of Mannheim. The father of the school is considered to be the Bohemian composer Johann Stamitz. Besides him, two generations of composers wrote compositions for the orchestra, whose reputation was due to its excellent discipline and the individual skill of its players; the English traveler Charles Burney called it "an army of generals". Their performance style included new dynamic elements, crescendos and diminuendos. Composers of the Mannheim school played an important role in the development of the classical period's genres and of the classical symphony form.
Carl Ditters von Dittersdorf was an Austrian composer, violinist, and silvologist. He was a friend of both Haydn and Mozart. His best-known works include the German Singspiele Doktor und Apotheker and a number of programmatic symphonies based on Ovid's Metamorphoses.
Johann Christian Innocenz Bonaventura Cannabich, was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.
Anton Thadäus Johann Nepomuk Stamitz was a German composer and violinist.
Franz Ignaz Beck was a German violinist, composer, conductor and music teacher who spent the greater part of his life in France, where he became director of the Grand Théâtre de Bordeaux. Possibly the most talented pupil of Johann Stamitz, Beck is an important representative of the second generation of the so-called Mannheim school. His fame rests on his 24 symphonies that are among the most original and striking of the pre-Classical period. He was one of the first composers to introduce the regular use of wind instruments in slow movements and put an increasing emphasis on thematic development. His taut, dramatic style is also remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing.
Leopold Hofmann was an Austrian composer of classical music.
London Mozart Players (LMP) are a British chamber orchestra founded in 1949. LMP are the longest-established chamber orchestra in the United Kingdom. Since 1989, the orchestra has been Resident Orchestra at Fairfield Halls, Croydon.
The Orchestral Trios, Op. 1 was the first publication of a work by Jan Václav Stamic and one of the two prints issued during his lifetime. It was a famous and influential set of six orchestral trios. Most likely its composition dates from the 1750s.