This is a complete list of the stage works of the Italian composer Lorenzo Ferrero (born 1951).
Title | Genre | Subdivisions | Libretto | Composition | Première date | Place, theatre |
---|---|---|---|---|---|---|
Le Néant où l'on ne peut arriver | oratorio | on a text by Blaise Pascal | 1976 | 16 October 1976 | Graz, Graz Cathedral | |
Invito a nozze | ballet | 1978 | 28 June 1978 | Teatro Comunale Florence | ||
Rimbaud, ou Le Fils du soleil | quasi un melodramma | 3 acts | Louis-François Caude | 1978 | 24 July 1978 | Festival d'Avignon |
Marilyn | scenes from the '50s | 2 acts | by the composer and Floriana Bossi | 1979 | 23 February 1980 | Teatro dell'Opera di Roma |
La figlia del mago | giocodramma melodioso | 2 acts | Marco Ravasini | 1981 | 31 July 1981 | Montepulciano, Teatro Poliziano |
Mare nostro | comic opera | 2 acts | Marco Ravasini | 1985 | 11 September 1985 | Alessandria, Teatro Comunale |
Night | opera | 1 act | by the composer, after Novalis | 1985 | 8 November 1985 | Munich, Bavarian State Opera |
Lotus Eaters | ballet | 1985 | December 1985 | New York City, Joyce Theatre | ||
Salvatore Giuliano | opera | 1 act | Giuseppe Di Leva | 1985 | 25 January 1986 | Teatro dell'Opera di Roma |
Nebbia di latte | incidental music | composed for a performance of Gianni Colosimo's eponymous play | 1987 | 6 January 1988 | Turin, Cabaret Voltaire | |
La cena delle beffe | incidental music | composed for a performance of Sem Benelli's play of the same name | 1988 | 6 December 1988 | Perugia, Teatro Morlacchi | |
Charlotte Corday | opera | 3 acts | Giuseppe Di Leva | 1988 | 21 February 1989 | Teatro dell'Opera di Roma |
Le Bleu-blanc-rouge et le noir | marionette opera | J.P. Carasso, after Anthony Burgess | 1989 | 15 November 1989 | Paris, Centre Pompidou | |
Maschere | incidental music | composed for a performance of Carlo Goldoni's comedy Le massere | 1993 | 6 February 1993 | Teatro Stabile del Veneto | |
La nascita di Orfeo | musical action | 1 act | by the composer, with fragments from Euripides and Simonides | 1996 | 19 April 1996 | Verona, Teatro Filarmonico |
La Conquista | opera | 2 acts | by the composer and Frances Karttunen | 2002–2004 | 12 March 2005 | Prague National Theatre |
Lontano dagli occhi | theatre piece | Vincenzo De Vivo | 2005 | 28 August 2005 | Città di Castello | |
Mozart a Recanati | theatre piece | Vincenzo De Vivo | 2006 | 9 September 2006 | Jesi, Teatro Pergolesi | |
Franca Florio, regina di Palermo | ballet | 2 acts | Luciano Cannito | 2007 | 22 November 2007 | Palermo, Teatro Massimo |
Le piccole storie: Ai margini delle guerre | chamber opera | 1 act | Giuseppe Di Leva | 2007 | 9 December 2007 | Teatro Comunale Modena |
Risorgimento! | opera | 1 act | Dario Oliveri | 2010 | 26 March 2011 | Teatro Comunale Modena |
Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.
The Messa per Rossini is a Requiem Mass composed to commemorate the first anniversary of Gioachino Rossini's death. It was a collaboration among 13 Italian composers, initiated by Giuseppe Verdi. The composition was intended to be performed on 13 November 1869 in the Basilica of San Petronio, Bologna, where Rossini grew up and spent a large part of his life.
Concertino is the diminutive of concerto, thus literally a small or short concerto.
Giulio Ricordi was an Italian editor and musician who joined the family firm, the Casa Ricordi music publishing house, in 1863, then run by his father, Tito, the son of the company's founder Giovanni Ricordi. Upon his father's death in 1888, Giulio became the head of the company until his death.
Lorenzo Ferrero is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.
Giovanni Ricordi was an Italian violinist and the founder of the classical music publishing company Casa Ricordi. The musicologist Philip Gossett described him as "a genius and positive force in the history of Italian opera".
House of Ricordi is a 1954 French-Italian historical melodrama film based on the early history of the Italian music publishing house Casa Ricordi. It is directed by Carmine Gallone and stars Märta Torén, Marcello Mastroianni and Micheline Presle. The Ricordi family's interactions with many of the great composers of the nineteenth century are portrayed. The film's sets were designed by Mario Chiari. It was shot at the Cinecittà Studios and on location in Milan, Paris and Rome.
Risorgimento! is an opera in one act by Lorenzo Ferrero set to an Italian-language libretto by Dario Oliveri, based on a scenario by the composer. It was completed in 2010 and first performed at the Teatro Comunale Modena on 26 March 2011.
Mare nostro is a comic opera in two acts composed by Lorenzo Ferrero to an Italian-language libretto by Marco Ravasini, loosely based on Vittorio Alfieri's 1804 comedy L'antidoto . The work was completed in 1985 and first performed at the Teatro Comunale, Alessandria on 11 September 1985.
Salvatore Giuliano is an opera in one act by Lorenzo Ferrero to an Italian-language libretto by Giuseppe Di Leva, which was conceived to be performed in tandem with Pietro Mascagni's Cavalleria rusticana. The work was commissioned by the Teatro dell'Opera di Roma and premiered there on 25 January 1986.
La Conquista is an opera in two acts by Lorenzo Ferrero set to a trilingual libretto by the composer and Frances Karttunen, based on a concept by Alessandro Baricco. It depicts the major episodes of the Spanish conquest of the Aztec Empire in 1521 and the subsequent destruction of the Aztec civilization. The libretto (English-Spanish-Nahuatl) is a blend of historical and literary sources drawn from transcriptions of indigenous and European literature, both kept, with some exceptions, in their original languages. The texts are taken from The Truthful History of the Conquest of New Spain by Bernal Díaz del Castillo, the Book XII of the Florentine Codex, the works of Juan Boscán Almogáver, Bernardino de Sahagún, Lope de Vega, Heinrich Heine, and from Aztec prayers, songs and poems as collected in Cantares Mexicanos and Romances de los señores de Nueva España.
Charlotte Corday is an opera in three acts by Lorenzo Ferrero to an Italian-language libretto by Giuseppe Di Leva, written on commission from the Teatro dell'Opera di Roma for the 200th anniversary of the French Revolution which was commemorated in 1989.
La figlia del mago is a children's opera in two acts by Lorenzo Ferrero set to an Italian-language libretto by Marco Ravasini. It was completed in 1981 and subtitled giocodramma melodioso, a wordplay on melodramma giocoso. The libretto, inspired by Mario Lavagetto's book Quei più modesti romanzi: il libretto nel melodramma di Verdi, is written in an imaginary language which emphasises the element of play. The music is a sequence of closed numbers "which spoof the most common operatic conventions." The aim of the opera is to show children how Italian opera functions. Alongside professional singers, children take mime roles.
Marilyn: Scenes from the '50s in two acts, is an opera by Lorenzo Ferrero set to a bilingual libretto by Floriana Bossi and the composer. The text consists of a collection of fragments taken from original political, social and cultural documents and has two different linguistic levels: English for the sung parts, and the language of the country in which the performance takes place for the spoken parts.
Franca Florio, regina di Palermo is a full-length narrative ballet in two acts, with music by Lorenzo Ferrero and scenario, choreography and staging by Luciano Cannito. A commission by the Teatro Massimo in Palermo, the work premiered there on 22 November 2007 with Carla Fracci in the title role, and was restaged in June 2010.
Le piccole storie, subtitled Ai margini delle guerre, is a one-act chamber opera for young people by Lorenzo Ferrero set to an Italian-language libretto by Giuseppe Di Leva. Some episodes are loosely based on Guy de Maupassant's 1884 short story "Le Lit 29" and on William Shakespeare's play Julius Caesar. The stories do not touch directly upon the subject of war but depict moments in the lives of involuntary victims who subsist, as the subtitle suggests, on the margins of wars.
Dik Dik is an Italian beat-pop-rock band, named after the antelope Dik-dik, formed in the 1960s and still in activity. They were most popular in the late 1960s, when they released a string of hit singles with the contribution of renowned lyric-writer Mogol and songwriter Lucio Battisti, their greatest successes being "Sognando la California" and "Senza luce", respectively covers of "California Dreamin'" by The Mamas and Papas and "A Whiter Shade of Pale" by Procol Harum. While their early production is mostly inspired by The Beatles, in the 1970s they also experimented in other genres, including progressive rock. They went on hiatus in the 1980s but later returned to the scene, mostly in revival television shows and live performances.
Glamorama Spies for flute, clarinet, violin, violoncello and piano is a chamber-music work by Italian composer Lorenzo Ferrero, written in 1999.
An oboe-bassoon-piano trio is a chamber music ensemble made up of one oboe, one bassoon, and one piano, or the name of a piece written for such a group.
La Nueva España is a set of six symphonic poems by Lorenzo Ferrero written between 1990 and 1999, which is dedicated to the Spanish conquest of Mexico in 1519–21. The suite can be considered a kind of preparatory study to the opera La Conquista. This story—says the composer—is of great relevance and reminds us that cultural diversity is a precious asset that must not be squandered.