Little Boy Blue (1912 film) | |
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Produced by | Lubin Manufacturing Company |
Starring | |
Production company | |
Distributed by | General Film Company |
Release date |
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Running time |
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Country | United States |
Languages | Silent English intertitles |
Little Boy Blue is a 1912 silent one-reel film produced by Lubin Manufacturing Company and distributed by the General Film Company. The movie was released on May 6, 1912. The movie featured child actor Raymond Hackett assuming the role of Harold (Little Boy Blue) and Marie Wierman playing Elizabeth, Harold's older sister.
A group of small boys make up the Star baseball team. They are having a practice game in a vacant lot. The boy, Harold, is at the plate when he hits the baseball through the window of a small cottage. Harold goes to the house to apologize for the broken window. Once inside the home, he realizes the residents are a couple in their senior years, Mr. and Mrs. Stone. Harold says he is sorry for breaking their window, and the couple returns his baseball.
The landlord walks into the house while Harold is talking to the Stones. He is insisting on receiving the money for his rent. The Stones are short on funds to pay their landlord. Since they cannot cover the rent, the landlord insists they vacate by the month's end. Harold returns to the boys and tells them of the old couple's situation. The boys are struggling to determine how to help the old couple. They decide to seek advice from Harold's older sister, Elizabeth.
They find Elizabeth entertaining the Girls' Friendly Society of the Grace Church. Following their discussion, they decide that the girls' society and the boys' baseball team will give a Mother Goose Bazaar in the church vestry. They will donate the proceeds to the old couple to help them pay their rent. The participants are in Mother Goose costumes. Harold is wearing the Little Boy Blue costume. His display area has a small haystack, and Harold sells popcorn. Two Italian organ grinders arrive at the bazaar, and the children dance around them. After the organ grinders leave, Harold is exhausted. Finally, he crawls under his booth's haystack and falls asleep.
The event was a great success. The bazaar winds down, customers leave, and the youngsters count their earnings. As they prepare to go home, an anxious Elizabeth realizes Harold is missing. She turns to her boyfriend, Paul, seeking his advice. Paul suggests that the organ grinders abducted him. They rush outside and then tell a police officer about the missing boy and the musicians. A quick search finds the organ grinders performing at a different street intersection. After a short talk, the street musicians convince the police officer they do not know where Harold is.
They return to the Stone's cottage. They ask Mrs. Stone, a seasoned mother, for her guidance. Mrs. Stone feels Harold is still in the church and offers to assist them in their search. They return to the church vestry, seeking Harold. Mrs. Stone discovers Little Boy Blue "under the haystack, fast asleep". [1]
Actor | Role | |
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Raymond Hackett | Harold (Little Boy Blue) | |
Mrs. George W. Walters | Mrs. Stone | |
James Humphrey | Mr. Stone | |
Marie Wierman | Elizabeth (Harold's Sister) | |
Martin J. Faust | Paul (Elizabeth's Sweetheart) | |
Richard Morris | The Organ Grinder | |
Roswell "Buster" Johnson | Child (uncredited) | |
This film is based on the English nursery rhyme Little Boy Blue. [14]
The director of this production is unknown. In 1912, the Lubin Company had eight production units, each with a assigned producer-director.
These are possible candidates for the director of this picture:
Around this time in the history of film, a dual writing process was used in silent films. The scenario writer develops the storyline. [lower-alpha 3] The title writer creates Intertitles (title cards), which show spoken words that appear on-screen; explain actions relevant to the story; indicate the time and place settings of the story; and provide context.
The scenario writer for this film is unknown. According to an article in the July 1913 issue of The Billboard, Lubin had a dedicated scenario department. A scenarist from this pool of writers was probably selected to create the script. [lower-alpha 4]
The Lubin Manufacturing Company was an American motion picture production company founded by Siegmund Lubin. In 1896, Lubin started distributing films for Thomas Edison, and in 1897, he started the production of films for commercial release. The Lubin Manufacturing Company was created in 1902 and incorporated in 1909 in Philadelphia, Pennsylvania. In 1910, Siegmund Lubin constructed a state-of-the-art studio on the corner of Indiana Avenue and Twentieth Street in Philadelphia. This studio was recognized as Lubinville. It stood as one of the world's innovative studios, featuring stages with manufactured lighting, editing rooms, laboratories, and workshops. After producing over a thousand motion pictures, the Lubin Film Company was forced into bankruptcy. On September 1, 1916, the Lubin Manufacturing Company closed its doors for good. [23]
The official film release date to U.S. theaters was May 6, 1912. [24] The film was released in the United Kingdom on July 4, 1912. [25]
The Preface of the publication — Copyright Office * The Library of Congress Catalog of Copyright Entries, printed in 1951 reads:
Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912, and December 31, 1939. Prior to that period motion pictures were registered in the category of photographs. These earlier works have not been included in this catalog because of the difficulty of identifying the motion pictures so registered. [26]
Since this move was released in May 1912, there is no entry in this publication for a copyright. A further explanation is offered here. [lower-alpha 5]
The critiques featured in assorted trade publications proved invaluable when deciding to watch or book a newly released movie. However, a fan or theater owner's decision can be challenging even after reading multiple movie reviews, especially when critics have contrasting reviews. In the end, it depends on personal perspectives and the importance assigned to the movie review and the reviewer.
"A very pleasing picture, full of children. The Little Boy Blue is played by a youngster who has appeared before in Lubin pictures, and who made a hit recently, when as the son of a sick man, he induced a president of an insurance company to come to his father's relief. In this picture he will also make friends. Mr. Geo. B. Walkers is again very lovable in a grandmother's part. Boy Blue's big sister and brother also do good work."
"Little Boy Blue" Lubin's greatest, freshest and brightest film of childhood theme, will be presented at the Grand today, heading a star bill, which will include the Vitagraph's masterpiece, "The Greatest Thing in the World." Every child should see "Little Boy Blue" though it will also furnish a beautiful feast for the older folks".
1912 proved to be a competitive year for projects named "Little Boy Blue."
Many silent-era films did not survive for reasons as explained on this Wikipedia page. [lower-alpha 7] Since no records detail this film's status, it is presumed all copies of this film are lost.
The Lubin Manufacturing Company was an American motion picture production company that produced silent films from 1896 to 1916. Lubin films were distributed with a Liberty Bell trademark.
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Maie B. Havey, born Marie Judge, was an American screenwriter active during the earliest years of Hollywood. During her decade in the industry, she is credited with 70 screenplays.
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Though a young man, Raymond Hackett remembers the good, old days of the movies, because he spent his boyhood in the studios
Thanhouser Films: An Encyclopedia and History - Volume III: Biographies
A partial list of photoplayers and the executive staffs of the companies with whom they are affiliated - additions to this list to be made from week to week
Timeline of Lubin's Life & Work
Calendar of Licensed Releases
Little Boy Blue; UK release; July 4, 1912
Article from the September-October 2012 issue of the Library's new magazine, LCM, highlighting 100 years of Copyright law.
Movies have documented America for more than one hundred years