Little Boy Blue (1912 film)

Last updated

Little Boy Blue (1912 film)
LittleBoyBluePic01.jpg
Lubin Magazine ad for movie
Produced by Lubin Manufacturing Company
Starring
Production
company
Distributed by General Film Company
Release date
  • May 6, 1912 (1912-May-06)(USA)
Running time
  • 1 reel
  • 1036'
  • 15 minutes
CountryUnited States
LanguagesSilent
English intertitles

Little Boy Blue is a 1912 silent one-reel film produced by Lubin Manufacturing Company and distributed by the General Film Company. The movie was released on May 6, 1912. The movie featured child actor Raymond Hackett assuming the role of Harold (Little Boy Blue) and Marie Wierman playing Elizabeth, Harold's older sister.

Contents

Plot

A group of small boys make up the Star baseball team. They are having a practice game in a vacant lot. The boy, Harold, is at the plate when he hits the baseball through the window of a small cottage. Harold goes to the house to apologize for the broken window. Once inside the home, he realizes the residents are a couple in their senior years, Mr. and Mrs. Stone. Harold says he is sorry for breaking their window, and the couple returns his baseball.

The landlord walks into the house while Harold is talking to the Stones. He is insisting on receiving the money for his rent. The Stones are short on funds to pay their landlord. Since they cannot cover the rent, the landlord insists they vacate by the month's end. Harold returns to the boys and tells them of the old couple's situation. The boys are struggling to determine how to help the old couple. They decide to seek advice from Harold's older sister, Elizabeth.

They find Elizabeth entertaining the Girls' Friendly Society of the Grace Church. Following their discussion, they decide that the girls' society and the boys' baseball team will give a Mother Goose Bazaar in the church vestry. They will donate the proceeds to the old couple to help them pay their rent. The participants are in Mother Goose costumes. Harold is wearing the Little Boy Blue costume. His display area has a small haystack, and Harold sells popcorn. Two Italian organ grinders arrive at the bazaar, and the children dance around them. After the organ grinders leave, Harold is exhausted. Finally, he crawls under his booth's haystack and falls asleep.

The event was a great success. The bazaar winds down, customers leave, and the youngsters count their earnings. As they prepare to go home, an anxious Elizabeth realizes Harold is missing. She turns to her boyfriend, Paul, seeking his advice. Paul suggests that the organ grinders abducted him. They rush outside and then tell a police officer about the missing boy and the musicians. A quick search finds the organ grinders performing at a different street intersection. After a short talk, the street musicians convince the police officer they do not know where Harold is.

They return to the Stone's cottage. They ask Mrs. Stone, a seasoned mother, for her guidance. Mrs. Stone feels Harold is still in the church and offers to assist them in their search. They return to the church vestry, seeking Harold. Mrs. Stone discovers Little Boy Blue "under the haystack, fast asleep". [1]

Cast

ActorRole
Raymond Hackett Harold (Little Boy Blue)
TheaterAdLittleBoyBlue1912.jpg
Mrs. George W. WaltersMrs. Stone
James HumphreyMr. Stone
Marie Wierman Elizabeth (Harold's Sister)
Martin J. Faust Paul (Elizabeth's Sweetheart)
Richard Morris The Organ Grinder
Roswell "Buster" JohnsonChild (uncredited)

Production

Casting

Story

This film is based on the English nursery rhyme Little Boy Blue. [14]

Director

The director of this production is unknown. In 1912, the Lubin Company had eight production units, each with a assigned producer-director.
These are possible candidates for the director of this picture:

Scenario

Around this time in the history of film, a dual writing process was used in silent films. The scenario writer develops the storyline. [lower-alpha 3] The title writer creates Intertitles (title cards), which show spoken words that appear on-screen; explain actions relevant to the story; indicate the time and place settings of the story; and provide context.

The scenario writer for this film is unknown. According to an article in the July 1913 issue of The Billboard, Lubin had a dedicated scenario department. A scenarist from this pool of writers was probably selected to create the script. [lower-alpha 4]

Studio

The Lubin Manufacturing Company was an American motion picture production company founded by Siegmund Lubin. In 1896, Lubin started distributing films for Thomas Edison, and in 1897, he started the production of films for commercial release. The Lubin Manufacturing Company was created in 1902 and incorporated in 1909 in Philadelphia, Pennsylvania. In 1910, Siegmund Lubin constructed a state-of-the-art studio on the corner of Indiana Avenue and Twentieth Street in Philadelphia. This studio was recognized as Lubinville. It stood as one of the world's innovative studios, featuring stages with manufactured lighting, editing rooms, laboratories, and workshops. After producing over a thousand motion pictures, the Lubin Film Company was forced into bankruptcy. On September 1, 1916, the Lubin Manufacturing Company closed its doors for good. [23]

Release and reception

Official release

The official film release date to U.S. theaters was May 6, 1912. [24] The film was released in the United Kingdom on July 4, 1912. [25]

The Preface of the publication — Copyright Office * The Library of Congress Catalog of Copyright Entries, printed in 1951 reads:

Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912, and December 31, 1939. Prior to that period motion pictures were registered in the category of photographs. These earlier works have not been included in this catalog because of the difficulty of identifying the motion pictures so registered. [26]

Since this move was released in May 1912, there is no entry in this publication for a copyright. A further explanation is offered here. [lower-alpha 5]

Reviews

The critiques featured in assorted trade publications proved invaluable when deciding to watch or book a newly released movie. However, a fan or theater owner's decision can be challenging even after reading multiple movie reviews, especially when critics have contrasting reviews. In the end, it depends on personal perspectives and the importance assigned to the movie review and the reviewer.

"A very pleasing picture, full of children. The Little Boy Blue is played by a youngster who has appeared before in Lubin pictures, and who made a hit recently, when as the son of a sick man, he induced a president of an insurance company to come to his father's relief. In this picture he will also make friends. Mr. Geo. B. Walkers is again very lovable in a grandmother's part. Boy Blue's big sister and brother also do good work."

"Little Boy Blue" Lubin's greatest, freshest and brightest film of childhood theme, will be presented at the Grand today, heading a star bill, which will include the Vitagraph's masterpiece, "The Greatest Thing in the World." Every child should see "Little Boy Blue" though it will also furnish a beautiful feast for the older folks".

Other boy blues

1912 proved to be a competitive year for projects named "Little Boy Blue."

Preservation status

Many silent-era films did not survive for reasons as explained on this Wikipedia page. [lower-alpha 7] Since no records detail this film's status, it is presumed all copies of this film are lost.

Notes

  1. The family lived a short distance from the studio. When Raymond and his brother were not engaged, they returned home for schooling. The route to and from the studio passed through a tough neighborhood. On one occasion, he had a call for four o'clock at the studio. He was wearing a Buster Brown haircut and was playing the part of "Little Boy Blue." On the way to work, he got into an altercation with eight or nine kids his age. Later, Hackett appeared on the set with a swollen black eye and a bleeding split lip. Production was halted for several days while he healed. [3]
  2. "Film historian Linda Kowall wrote to the author in 1988: "Barry O'Neil, one of Lubin's main directors, was reported by all who remembered him as quite a pompous, know-it-all fellow who fancied himself a DeMille before there was a DeMille - complete with puttees, megaphone, and the whole bit. For the making of the 1914 Lubin feature The Wolf, he put cast and crew through a nightmarish experience at Saranac Lake in midwinter in the name of 'realism.' O'Neil was fond of putting his company at risk to achieve striking results."
  3. "The history of the screenplay begins [. . .] in the 1910s, around the time Thomas Harper Ince began making films. [. . .] Under Ince's guidance, 'writing for film became truly efficient for the first time . . . and developed into the indispensable core of the filmmaking system.' The written text that guided a film's production became a literary form. The text rendered the shots that the director later realized." [21]
  4. Lubin Scenario Department: [22]
    Scenario Editor:
    • Lawrence S. McCloskey
    Writers:
    • Edwin Barbour
    • Shannon Fife
    • Clay Green
    • George Terwilliger
    • Emmett Campbell Hall
  5. Quoted from LOC article by Wendi Maloney
    "A hundred years ago, a new category of work became subject to copyright protection: motion pictures. The Townsend Amendment to the U.S. copyright law took effect Aug. 24, 1912, creating one class for dramatic motion pictures and one class for newsreels and similar material.
    The first year the Copyright Office accepted motion-picture applications, it registered 892 movies. One of the earliest was "The Charge of the Light Brigade" registered by famed inventor Thomas Edison on Sept. 26, 1912.
    Before inclusion of motion pictures in the copyright law, copyright owners typically registered their movies as a collection of still photographs, which the law had covered since 1865. More than 3,000 paper copies of films in that format were deposited with the Copyright Office. Many of these early films—transferred to film stock in the 1950s—are now accessible in the Library's collections."
    [27]
  6. The little toy dog is covered with dust,
    But sturdy and staunch he stands;
    And the little toy soldier is red with rust,
    And his musket molds in his hands.
    Time was when the little toy dog was new,
    And the soldier was passing fair;
    And that was the time when our Little Boy Blue
    Kissed them and put them there.
    — From the poem by Eugene Field
  7. Film is history. With every foot of film lost, we lose a link to our culture, the world around us, each other, and ourselves.Martin Scorsese, filmmaker, director NFPF Board [34]
    A report by Library of Congress film historian and archivist David Pierce estimates that:
    • around 75% of original silent-era films have perished;
    • only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;
    • 11% survive only in full-length foreign versions or film formats of lesser image quality. [35]

Related Research Articles

<span class="mw-page-title-main">Lubin Manufacturing Company</span> American silent motion picture production company

The Lubin Manufacturing Company was an American motion picture production company that produced silent films from 1896 to 1916. Lubin films were distributed with a Liberty Bell trademark.

In the Name of the Law is a 1922 American silent melodrama directed by Emory Johnson with Dick Posson acting as assistant director. FBO released the film in August 1922. The film's "All-Star" cast included Ralph Lewis, Johnnie Walker, and Claire McDowell. The cast also included Johnson and his wife, Ella Hall. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. In the Name of the Law was the first picture in Johnson's eight-picture contract with FBO.

<span class="mw-page-title-main">Emory Johnson</span> American actor, director, producer, and writer

Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.

<i>The Devils Bondwoman</i> 1916 film by Lloyd B. Carleton

The Devil's Bondwoman is a 1916 American silent Melodrama directed by Lloyd B. Carleton. The film was based on the story by F. McGrew Willis and scenarized by Maie B. Havey and Fred Myton. The movie features Dorothy Davenport and Emory Johnson and employed the same cast seen in other Red Feather films, e.g., Barriers of Society, Black Friday.

<i>A Yoke of Gold</i> 1916 film directed by Lloyd Carleton

A Yoke of Gold is a 1916 American silent black and white melodrama directed by Lloyd B. Carleton and starring Dorothy Davenport and Emory Johnson. Based on an original story by Rob Wagner, it is a period piece set in the early days of the California missions.

<i>Doctor Neighbor</i> 1916 movie by Lloyd B. Carleton

Doctor Neighbor is a 1916 American silent feature film black and white melodrama. The film was directed by Lloyd B. Carleton. It stars Hobart Bosworth and pairs Dorothy Davenport and Emory Johnson in leading roles.

<i>The Yaqui</i> The Yaqui is a 1916 melodrama movie directed by Lloyd B. Carleton

The Yaqui is a 1916 American silent Black and white Melodrama directed by Lloyd B. Carleton and starring Hobart Bosworth, Gretchen Lederer and Emory Johnson. The film depicts Yaqui Indians entrapped by nefarious elements into enslavement for a wealthy plantation owner. They struggle in captivity, eventually rebelling against their owner's oppression.

<span class="mw-page-title-main">Dawson Film Find</span> 1978 discovery of 533 silent-era films

The Dawson Film Find (DFF) was the accidental discovery in 1978 of 372 film titles preserved in 533 reels of silent-era nitrate films in the Klondike Gold Rush town of Dawson City, Yukon, Canada. The reels had been buried under an abandoned hockey rink in 1929 and included lost films of feature movies and newsreels. A construction excavation inadvertently uncovered the forgotten cache of discarded films, which were unintentionally preserved by the permafrost.

Maie B. Havey, born Marie Judge, was an American screenwriter active during the earliest years of Hollywood. During her decade in the industry, she is credited with 70 screenplays.

<i>The Ringtailed Rhinoceros</i> 1915 film by George Terwilliger

The Ringtailed Rhinoceros is a lost 1915 American silent comedy-drama film that depicted the ruinous effects of alcohol on a good-natured man and on the lives of the people around him. Like snakes and "pink elephants" that have been used in many societies to symbolize heavy drinking or been associated with the hallucinations of drunkards, the main character in this "'photophantasy'" blamed instead a "Ringtailed Rhinoceros" for his excessive use of wine and liquor.

<i>Flaming Waters</i> 1925 film

Flaming Waters is a 1925 American silent drama film directed by F. Harmon Weight and starring Malcolm McGregor, Pauline Garon, and Mary Carr.

<span class="mw-page-title-main">Mary Warren (actress)</span> American actress

Mary Warren (1893–1956), born Marie Elizabeth Wierman, was an American actress who appeared in silent films.

<i>Her Husbands Faith</i> 1916 movie by Lloyd B. Carleton

Her Husband's Faith is a 1916 American silent short film directed by Lloyd B. Carleton. The film is based on a story by Paul Machette. Eugene De Rue developed the screenplay. This domestic society drama's features Dorothy Davenport, T. D. Crittenden and Emory Johnson.

<i>Heartaches</i> (1916 film) 1916 movie by Lloyd B. Carleton

Heartaches is a 1916 American silent short film directed by Lloyd B. Carleton. The film is based on a story by Grant Carpenter. This drama's features Dorothy Davenport, Alfred Allen, and Emory Johnson.

<span class="mw-page-title-main">Richard Morris (actor)</span> American actor and opera singer

Richard Morris (1862–1924) was an American opera singer, stage performer, and silent film actor. Morris was born on January 30, 1862, in Charlestown, Massachusetts. He was 62 when he died in Los Angeles, California on October 11, 1924. Between 1912 and 1924, Richard Morris acted in 59 films.

<i>Two Mothers</i> (1916 film) 1916 movie by Lloyd B. Carleton

Two Mothers is a 1916 American silent short film directed by Lloyd B. Carleton. The film is based on a story by I.A.R. Wylie. Calder Johnstone developed the adaptation for the screen. The drama's features Dorothy Davenport, Alfred Allen and Emory Johnson.

<i>The Way of the World</i> (1916 film) 1916 film by Lloyd B. Carleton

The Way of the World is a 1916 American silent Feature film. The film was directed by Lloyd B. Carleton, while F. McGrew Willis adapted the screenplay from Clyde Fitch's play. The cast of this drama includes Hobart Bosworth, Dorothy Davenport, and Emory Johnson.

<i>Black Friday</i> (1916 film) Lost 1916 film directed by Lloyd Carleton

Black Friday was a 1916 American silent Feature film directed by Lloyd B. Carleton. Universal based the film on the novel written by Frederic S. Isham and adapted for the screen by Eugenie Magnus Ingleton. The drama stars Dorothy Davenport, Emory Johnson, and a cast of Universal contract players.

<i>Her Souls Song</i> 1916 movie by Lloyd B. Carleton

Her Soul's Song is a 1916 American silent short film directed by Lloyd B. Carleton. The film is based on a story by Betty Schade. Calder Johnstone developed the screenplay. This drama's features Dorothy Davenport and Emory Johnson.

<i>The Human Gamble</i> 1916 movie directed by Lloyd Carleton

The Human Gamble was a 1916 American silent Short film directed by Lloyd B. Carleton. The film is based on the story and screen adaptation by Calder Johnstone. The drama stars Dorothy Davenport, Emory Johnson, and a cast of Universal contract players.

References

  1. "Licensed Film Stories - Lubin - Little Boy Blue (May 6)". Moving Picture World. New York, Chalmers Publishing Company. May 4, 1912. p. 443. Archived from the original on July 13, 2011. Retrieved February 29, 2024.
  2. Marty Faust at the American Film Institute Catalog
  3. "The Return of the Native- by Samuel Richard Mook". Picture Play Magazine. New York, Street. June 1930. p. 43. Archived from the original on June 14, 2012. Retrieved March 8, 2024. Though a young man, Raymond Hackett remembers the good, old days of the movies, because he spent his boyhood in the studios
  4. Raymond Hackett at the American Film Institute Catalog
  5. Buster Johnson at the American Film Institute Catalog
  6. Richard Morris at the American Film Institute Catalog
  7. "Greenroom Jottings - Little Whisperings From Everywhere in Playerdom". Motion Picture Story Magazine. The Motion Picture Publishing Co. August 1912. p. 139. Archived from the original on August 15, 2012. Retrieved February 27, 2024.
  8. "Mary Stanton Walters Dead". Moving Picture World. New York : The World Photographic Publishing Company. March 18, 1916. p. 1833. Archived from the original on September 3, 2014. Retrieved February 27, 2024.
  9. Mrs George W Walters at the American Film Institute Catalog
  10. "California, U.S., Death Index" . California Department of Public Health – Vital Records. 2000. Retrieved March 11, 2024.
  11. "Stifling the Tears". Photoplay Magazine. MacFadden Publishing Inc. September 1918. Archived from the original on June 23, 2021. Retrieved March 9, 2024.
  12. "New York State Marriage Index" . New York State Department of Health; Albany, NY, USA. 2017. Retrieved March 11, 2024.
  13. "The Why and Wherefore of Mary Warren – by Grace Lamb". Motion Picture Magazine. The Motion Picture Publishing Co. August 1918. pp. 31–32, 107. Archived from the original on August 15, 2012. Retrieved March 11, 2024.
  14. "A Short Analysis of the 'Little Boy Blue' Nursery Rhyme". Interesting Literature. November 27, 2018. Retrieved March 3, 2024.
  15. Eckhardt 1997, p. 102.
  16. Motion Picture News. Motion Picture News Incorporated. 1912. p. 21. Retrieved March 1, 2024.
  17. Eckhardt 1997, p. 101.
  18. "O'NEIL, Barry - Director (1909-1911)". www.thanhouser.org. Q. David Bowers. 1995. Retrieved February 29, 2024. Thanhouser Films: An Encyclopedia and History - Volume III: Biographies
  19. Vazzana 2001.
  20. Motion Picture News Incorporated 1912, p. 2-PA21.
  21. Boon 2008, p. 3.
  22. "Moving Picture Artists". The Billboard. Prometheus Global Media. July 12, 1913. p. 55. Archived from the original on August 6, 2020. Retrieved March 20, 2024. A partial list of photoplayers and the executive staffs of the companies with whom they are affiliated - additions to this list to be made from week to week
  23. "Lubin's Life". Digital history from the libraries of Mongomery county community college. March 31, 2023. Retrieved February 26, 2024. Timeline of Lubin's Life & Work
  24. "Lubin Films". Moving Picture World. New York, Chalmers Publishing Company. May 4, 1912. p. 440. Archived from the original on July 13, 2011. Retrieved March 6, 2024. Calendar of Licensed Releases
  25. "Film releases - this week, next week, and the week after. (June 23rd to July 14th.)". The Bioscope. The Bioscope - London. June 27, 1912. p. 37. Archived from the original on June 15, 2022. Retrieved March 10, 2024. Little Boy Blue; UK release; July 4, 1912
  26. "Catalog of Copyright Entries-Cumulative Series". Motion Pictures. 1912–1939. Library of Congress, Copyright Office. 1951. Retrieved February 18, 2024.
  27. Maloney, Wendi A. (October 12, 2012). "Centennial of Cinema Under Copyright Law". Library of Congress Blogs. library of Congress. Retrieved February 28, 2024. Article from the September-October 2012 issue of the Library's new magazine, LCM, highlighting 100 years of Copyright law.
  28. "Comments on the Films - Licensed". Moving Picture World. New York : The World Photographic Publishing. May 6, 1912. p. 629. Archived from the original on July 28, 2014. Retrieved February 25, 2024.
  29. "Theater section" . The Wilmington Dispatch. Wilmington, North Carolina. May 23, 1912. p. 2. Retrieved March 1, 2024 via Newspapers.com.
  30. "Comments on the Films". Moving Picture World. New York, Chalmers Publishing Company. April 1914. p. 304. Archived from the original on July 13, 2011. Retrieved March 4, 2024.
  31. "Henry W. Savage, Producer, is dead" . The New York Times. New York, New York. November 30, 1927. p. 25. Retrieved March 5, 2024 via timesmachine.nytimes.com/.
  32. Henry W. Savage at the Internet Broadway Database
  33. Little Boy Blue at the Internet Broadway Database
  34. "Preservation Basics". filmpreservation.org. Retrieved December 16, 2020. Movies have documented America for more than one hundred years
  35. Pierce, David. "The Survival of American Silent Films: 1912-1929" (PDF). Library Of Congress. Council on Library and Information Resources and the Library of Congress. Retrieved November 18, 2020.

Bibliography