Live Nude Girls Unite!

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Live Nude Girls Unite! is a 2000 documentary film about a group of strippers at San Francisco's Lusty Lady , who try to form a labor union.

Contents

The film was written and directed by Julia Query (one of the employees of the Lusty Lady) and Vicky Funari. It premiered at the 2000 SXSW film festival. [1]

Reception

In the New York Times , A. O. Scott commended the film for "effectively mak[ing] the case that work, whatever you wear or don't wear when you're doing it, is still work", and observed that "as filmed from the dancers' own point of view, it's not terribly erotic", with the "real thrill" being in the unionization efforts and contract negotiations. Scott also emphasized the drama resulting from Query's attempts to conceal her job as an exotic dancer from her mother (AIDS physician Joyce Wallace, known for her efforts in outreach to sex workers). [2]

Writing in the Los Angeles Times , Kevin Thomas praised it as "lively and provocative — mainly in the intellectual sense of the word", and stated that Query's interactions with Wallace were "unexpectedly ironic" and "[gave] the picture an extra punch". [3]

Roger Ebert awarded the documentary three stars out of four, and noted that although the film is "not slick" and "sometimes looks like a home movie", it is "never boring"; as well, he called the confrontation between Query and Wallace "one of the more unusual mother-daughter arguments in movie history". [4]

The AV Club considered it to be "entertaining instead of evenhanded", criticizing Query for portraying herself and the other workers as individuals while not doing the same for management, and assessing her confrontation with Wallace as "morally (...) [and] artistically iffy". [5] Amy Taubin, in The Village Voice , considered that same confrontation to be evidence that Query dealt with "the mesh of personal and political in her conflict with [Wallace] a bit too gingerly", and observed that she explicitly described her decision to tell Wallace that she was a sex worker — on camera, in public, at a conference on prostitution where they were both invited speakers — as a "plot device". [6]

Cinéaste faulted its production values, with "simplistic, amateur-night esthetics", and "noticeably abysmal sound and nonsensically bizarre camera placements", comparing it to "a distinctly second-rate episode of VH1's Behind the Music ", but nonetheless found it to provide "a valuable lesson about how to form a society in which all of its members, sex workers included, are treated with dignity and respect, and are paid a living wage". [7]

The Austin Chronicle described it as "frequently inspiring in its rabble-rousing good humor", but also as "a sagging pockmarked mess" that "suffers from an aggravating one-sidedness", castigating Query's use of segments from her own standup comedy performances, and deeming her "the dullest" of all the Lusty Lady's employees. [1]

History

Early unionization efforts at the Lusty Lady, which included picketing and a lockout, drew media attention; however, much of this attention was humorous, and Query became concerned that the situation might serve as the basis of a historical drama that misrepresented events. At the suggestion of "a relative who works in the movie business", and with no training other than a single university course in film theory, she decided to document the situation herself. She subsequently said that "If I had known how difficult it was to make a film, I wouldn't have done it." [8]

Recognition

Live Nude Girls Unite! won the Best Documentary Audience Award at the San Francisco International Film Festival. [9]

References

  1. 1 2 Live Nude Girls Unite!, reviewed by Kimberly Jones; in The Austin Chronicle ; published October 27, 2000; retrieved February 3, 2026
  2. FILM REVIEW; Throw Off The Yoke, But Keep The G-String: FILM REVIEW, by A. O. Scott, in The New York Times ; published October 20, 2000; retrieved February 3, 2026
  3. Movie Review; Sex Workers Try to Unionize in 'Live Nude Girls Unite!'; Documentary follows a peep-show dancer's venture in collective bargaining and her relationship with mom., by Kevin Thomas; at the Los Angeles Times ; published March 23, 2001; retrieved February 3, 2026
  4. Live Nude Girls Unite!, reviewed by Roger Ebert; at RogerEbert.com; published June 22, 2001; retrieved February 3, 2026
  5. Live Nude Girls Unite!, reviewed by Tasha Robinson, at The AV Club ; published March 29, 2002; retrieved February 3, 2026
  6. Peep shows and prison showmanship, by Amy Taubin; in The Village Voice ; published October 24, 2000; retrieved February 3, 2026
  7. Live Nude Girls Unite!, reviewed by Saul Austerlitz, in Cinéaste ; vol. 27, no. 1, p. 64
  8. You have nothing to lose but your G-strings: Nudity becomes secondary in documentary about female strippers' union, by Brenda Bouw, in the National Post ; published April 10, 2001; retrieved February 3, 2026
  9. MORE THAN A PEEP SHOW 'LIVE NUDE GIRLS' PUTS HUMAN FACES ON STRIPPERS' BODIES; by Claudia Provencio; in The Arizona Republic ; published February 1, 2001; retrieved February 3, 2026