Donald Eugene Cherry was an American jazz trumpeter. Beginning in the late 1950s, Cherry had a long tenure performing in the bands of saxophonist Ornette Coleman, as on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). He also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
Pharoah Sanders was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world".
Alice Coltrane, also known by her adopted Sanskrit name Turiyasangitananda, was an American jazz musician, composer and swamini.
Journey in Satchidananda is the fourth solo album by Alice Coltrane. Four of the album's tracks were recorded at the Coltrane home studios in Dix Hills, New York, in November 1970, while the remaining track was recorded live at the Village Gate in July of that year. It was released by Impulse! Records in 1971. On the album, Coltrane appears on piano and harp, and is joined by saxophonist Pharoah Sanders, bassists Cecil McBee and Charlie Haden, and drummer Rashied Ali. Vishnu Wood also appears on oud on the live track, while the studio recordings also feature Majid Shabazz on bells and tambourine and Tulsi on tanpura.
Illuminations is a 1974 collaboration between Alice Coltrane and Carlos Santana. Saxophonist/flautist Jules Broussard, keyboardist Tom Coster, drummer Jack DeJohnette, percussionist Armando Peraza and bassist Dave Holland also contributed to the album.
Aashish Khan Debsharma is an Indian classical musician, a player of the sarod. He was nominated for a Grammy Award in 2006 in the 'Best World Music' category for his album "Golden Strings of the Sarode". He is also a recipient of the Sangeet Natak Akademi Award. Besides being a performer, composer, and conductor, he is also an adjunct professor of Indian classical music at the California Institute of the Arts, and the University of California at Santa Cruz, in the United States.
Translinear Light is the final studio album by American jazz pianist Alice Coltrane, released in September, 2004 on Impulse Records. It was produced by her son Ravi Coltrane, who also played saxophone for the album as did her third son Oran. In addition to original compositions, it includes two by her husband John Coltrane and four interpretations of traditional songs.
World Galaxy is the sixth solo album by Alice Coltrane. It was recorded in November 1971 in New York City, and was released in 1972 by Impulse! Records. On the album, Coltrane appears on piano, organ, harp, tamboura, and percussion, and is joined by saxophonist Frank Lowe, bassist Reggie Workman, drummer Ben Riley, timpanist Elayne Jones, and a string ensemble led by David Sackson. Violinist Leroy Jenkins also appears on soloist on one track, and Swami Satchidananda provides narration. World Galaxy features a trilogy of original compositions bookended by "My Favorite Things" and "A Love Supreme", two pieces for which her husband John Coltrane was known. It was the second in a series of three albums on which Coltrane appeared with an ensemble of strings.
Eternity is an album by Alice Coltrane. It was recorded in August through October, 1975, and was released in 1976 by Warner Records, her first release with the label. On the album, Coltrane is joined by ensembles of varying size. It was Coltrane's first album following both her move to California and her decision to become a monastic.
Transcendence is an album by Alice Coltrane, recorded in California in May 1977, and released later that year by Sepia Tone Records. On the album, Coltrane is heard in a variety of instrumental combinations. "Vrindavana" is a solo track, while on "Radhe-Shyam" and "Transcendence", Coltrane appears on harp accompanied by a string ensemble. The remaining tracks are among the earliest examples of her use of Hindu devotional hymns called bhajans, and feature Coltrane on keyboards joined by large groups of singers who also clap and play hand instruments.
Infinity is an album credited to John Coltrane, released on Impulse! Records in 1972. It features overdubs with strings of Coltrane's pieces recorded in 1965 and 1966, at the hands of Alice Coltrane. Her controversial "re-imagining" of her husband's late works was criticised by both fans and critics, as she took his original performances and superimposed them over lush orchestral backgrounds and re-dubbed rhythm section parts, as well as recording new solos on piano, organ, harp and timpani.
Anupam Shobhakar is an Indian musician, composer, instrumentalist, record producer, and classically trained sarodist currently living in Brooklyn, New York. He has released three world fusion albums, and one classical Indian music album. He has performed live around the world at various venues and for charitable causes. Shobhakar's track "Water" made it to the first round of the Grammy Awards.
Elevation is a live album by American saxophonist and composer Pharoah Sanders, released in 1973 on the Impulse! label.
The Elements is an album by the American saxophonist Joe Henderson, released in 1974 on Milestone. The musicians included violinist Michael White, bassist Charlie Haden, drummer Leon Chancler, percussionist Kenneth Nash, and featured guest Alice Coltrane on keyboards & harp.
In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodiya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated jugalbandi (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
Tana Mana is an album by Indian musician Ravi Shankar, originally credited to "the Ravi Shankar Project" and released in 1987. The album is an experimental work by Shankar, mixing traditional instrumentation with 1980s electronic music and sampling technology. Shankar recorded much of Tana Mana in 1983 with sound effects innovator Frank Serafine, but it remained unreleased until Peter Baumann, head of new age record label Private Music, became attached to the project. The album title translates to mean "body and mind".
Shanti was a world music band who played a fusion of Indian and rock music in the United States in the early 1970s.
Spiritual jazz is a sub-genre of jazz that originated in the United States during the 1960s. The genre is hard to characterize musically but draws from free, avant-garde and modal jazz and thematically focuses on transcendence and spirituality. John Coltrane's 1965 album A Love Supreme is considered landmark in the genre.
Carnegie Hall '71 is a live album by Alice Coltrane. It was recorded at Carnegie Hall in New York City on February 21, 1971, and was released in 2018 by the Hi Hat label. On the album, Coltrane appears on piano and harp, and is joined by saxophonists Pharoah Sanders and Archie Shepp, bassists Jimmy Garrison and Cecil McBee, and drummers Ed Blackwell and Clifford Jarvis.
William Clifford "Vishnu" Wood, also known as Vishnu Bill Wood, is an American double bass player and educator. Born in Wilkesboro, North Carolina, he moved to Detroit when he was ten, where he started playing trumpet and later taking up double bass. After studying at the Detroit Institute of Musical Arts he worked with Dorothy Ashby in 1957 and then with Yusef Lateef and Joe Henderson.
