Live in 1965 | ||||
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Live album by | ||||
Released | January 21, 2003 | |||
Recorded | 1965 at Chess Mate in Detroit, Michigan | |||
Genre | Freak folk | |||
Length | 44:55 | |||
Label | DBK Works (original release) ESP-Disk (reissue) Don Giovanni (reissue) | |||
Producer | Tom Abbs | |||
The Holy Modal Rounders chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Rolling Stone | [2] |
Live in 1965 a live album by psychedelic folk band The Holy Modal Rounders, released on January 21, 2003, through DBK Works.
All songs are traditional, except where noted.
No. | Title | Writer(s) | Length |
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1. | "Fishin' Blues" | 2:58 | |
2. | "Rum Mountain" | 3:02 | |
3. | "Hold the Woodpile Down" | 3:08 | |
4. | "Random Canyon" | 2:56 | |
5. | "Skin Game" | Steve Weber | 1:53 |
6. | "Indian War Whoop" | 3:01 | |
7. | "Uncle Joe" | 2:05 | |
8. | "Flop Eared Mule" | 3:21 | |
9. | "Crowley Waltz" | 1:59 | |
10. | "Going to Memphis" | Johnny Cash, Holly Dew, Alan Lomax | 2:51 |
11. | "Monday Morning" | 2:55 | |
12. | "Baltimore Fire" | 3:49 | |
13. | "Sugar in the Gourd" | 2:15 | |
14. | "Melinda" | 3:31 | |
15. | "My Mind Capsized" | Steve Weber | 2:50 |
16. | "Black Eyed Suzy" | 2:33 |
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The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture.
The Rolling Stones are an English rock band formed in London in 1962. Active across seven decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader of the band. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. The Jagger–Richards partnership became the band's primary songwriting and creative force.
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Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.
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Out of Our Heads is a 1965 album by the English rock band the Rolling Stones, released in two editions with different covers and track listings. In the US, London Records released it on 30 July 1965 as the band's fourth American album, while Decca Records released its UK edition on 24 September 1965 as the third British album.
"Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.
Live Licks is a 2004 double CD by The Rolling Stones, their ninth official live album. Coming six years after No Security, it features performances from the 2002–2003 Licks Tour in support of the career-spanning, fortieth anniversary retrospective Forty Licks. The album includes "an entire side of songs never before recorded live", and features only one song recorded after 1981's Tattoo You.
The English rock group The Rolling Stones have released 31 studio albums, 13 live albums, 28 compilation albums, 3 extended plays, 122 singles, 31 box sets, 51 video albums, 2 video box sets and 77 music videos. Throughout their career, they have sold over 200 million records worldwide, making them one of the best-selling music artists of all time. Billboard ranked them as the 2nd Greatest artist of all time. The Rolling Stones have scored 38 top-10 albums on the Billboard 200 and 8 No. 1 hits on the Billboard Hot 100. According to the Recording Industry Association of America, they have sold 66.5 million albums in the US, making them the 16th best-selling group in history.
December's Children (And Everybody's) is the fifth American studio album by the English rock band the Rolling Stones, released in December 1965. It is primarily compiled from different released tracks from across the band's recording career up to that point, including the UK version of Out of Our Heads. Bassist Bill Wyman quotes Jagger in 1968 calling the record "[not] an album, it's just a collection of songs." Accordingly, it is only briefly detailed in Wyman's otherwise exhaustive book Rolling with the Stones. It features their then-recent transatlantic hit single "Get Off of My Cloud", as well as their own remake of Marianne Faithfull's Jagger/Richards-penned hit "As Tears Go By", which was released as the album's second single in the US.
David Fricke is an American music journalist who serves as the senior editor at Rolling Stone magazine, where he writes predominantly about rock music. One of the best known names in rock journalism, his career has spanned over 40 years. In the 1990s, he was the magazine's music editor before stepping down.
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"Gimme Shelter" is a song by the English rock band the Rolling Stones. Written by Jagger–Richards, it is the opening track of the band's 1969 album Let It Bleed. The song covers the brutal realities of war, including murder, rape, and fear. It features prominent guest vocals by American singer Merry Clayton.
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