Lloyd Scott (born August 22, 1902 [1] in Springfield, Ohio) was an American jazz drummer and bandleader.
In the 1920s Lloyd and his brother Cecil Scott co-led an ensemble which initially played locally in Ohio, then moved on to play in Pittsburgh and then Harlem. At various times they performed as Cecil Scott and His Bright Boys and Lloyd Scott's Symphonic Syncopators, changing their name often (as was common among early jazz ensembles). [2] [3] Among the sidemen in this ensemble were Dicky Wells, Frankie Newton, Bill Coleman, Roy Eldridge, Johnny Hodges, and Chu Berry. As Lloyd Scott and His Orchestra, they recorded in 1927; these were Wells's first appearance on record. After 1929 Lloyd gave up active performance in the band and became its manager, and it performed as Cecil Scott's Bright Boys until its dissolution.
While Cecil went on to perform widely as a sideman, Lloyd did little further work in music and was generally forgotten until a resurgence in interest in Harlem Renaissance jazz bands in the 1980s.
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated, or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Cecil Percival Taylor was an American pianist and poet.
Mary Lou Williams was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records. Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.
James Melvin Lunceford was an American jazz alto saxophonist and bandleader in the swing era.
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
Giuseppe "Joe" Venuti was an American jazz musician and pioneer jazz violinist.
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
Hezekiah Leroy Gordon Smith, better known as Stuff Smith, was an American jazz violinist. He is well known for the song "If You're a Viper".
Jazz music has a long history in Australia. Over the years jazz has held a high-profile at local clubs, festivals and other music venues and a vast number of recordings have been produced by Australian jazz musicians, many of whom have gone on to gain a high profile in the international jazz arena.
William Johnson Coleman was an American jazz trumpeter.
Teddy Hill was an American big band leader and the manager of Minton's Playhouse, a seminal jazz club in Harlem. He played a variety of instruments, including drums, clarinet, soprano and tenor saxophone.
Fletcher Allen was an American jazz saxophonist, clarinetist, and composer.
Karen Borca is an American avant-garde jazz and free jazz bassoonist.
The Wolverines were an American jazz band. They were one of the most successful territory bands of the American Midwest in the 1920s.
Cecil Scott was an American jazz clarinetist, tenor saxophonist, and bandleader.
Paul Leroy "Ox Blood" Howard was an American jazz saxophonist and clarinetist.
William Rogers Campbell "Sonny" Clay was an American jazz pianist, drummer, and bandleader, who had an unusual impact on the development of Australian jazz.
Clyde Edric Barron Bernhardt was an American jazz trombonist.
Terry Waldo is an American pianist, composer, and historian of early jazz, blues, and stride music, and is best known for his contribution to ragtime and his role in reviving interest in this form, starting in the 1970s. Says Wynton Marsalis in his introduction to Waldo's book: "He teaches Ragtime, he talks about Ragtime, he plays it, he embodies it, he lives it, and he keeps Ragtime alive." The book, This is Ragtime, published in 1976, grew out of the series of the same title that Waldo produced for NPR in 1974. Waldo is also a theatrical music director, producer, vocalist, and teacher. He is noted for his wit and humor in performance, as "a monologist in the dry, Middle Western tradition." Eubie Blake describes his first impression of Waldo's performance thus: "I died laughing...that's one of the hardest things to do—make people laugh. Terry's ability to do this, combined with his musicianship, actually reminds me of Fats Waller."