Loop recording

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Loop recording is the process of recording audio continuously to an endless tape (if magnetic tape is used) or to computer memory, or recording video feeds (such as from video surveillance or camera signals) on a video server. [1] This process is a never-ending one: at the end of the internal disk drive, the recording process continues to record at the beginning, erasing the previously recorded material and replacing it with the new content.

Generally, it is possible to write-protect some selected parts (as video clips) to prevent erasure.

This process is used on video servers to allow continuous recording, and instant access to any material ingested in the previous hours. This guarantees that the recorder will never miss an action in some live events such as live sports.

Video servers

This process is used in:

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<span class="mw-page-title-main">Magnetic tape</span> Medium used to store data in the form of magnetic fields

Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape could with relative ease record and playback audio, visual, and binary computer data.

<span class="mw-page-title-main">Digital Audio Tape</span> Digital audio cassette format developed by Sony

Digital Audio Tape is a signal recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. The recording is digital rather than analog. DAT can record at sampling rates equal to, as well as higher and lower than a CD at 16 bits quantization. If a comparable digital source is copied without returning to the analogue domain, then the DAT will produce an exact clone, unlike other digital media such as Digital Compact Cassette or non-Hi-MD MiniDisc, both of which use a lossy data-reduction system.

<span class="mw-page-title-main">Tape recorder</span> Machine for recording sound

An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage.

In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.

<span class="mw-page-title-main">Video editing</span> Editing live television and video production

Video editing is the manipulation and arrangement of video shots. Video editing is used to structure and present all video information, including films and television shows, video advertisements and video essays. Video editing has been dramatically democratized in recent years by editing software available for personal computers. Editing video can be difficult and tedious, so several technologies have been produced to aid people in this task. Pen based video editing software was developed in order to give people a more intuitive and fast way to edit video.

A hard disk recorder (HDR) is a system that uses a high-capacity hard disk to record digital audio or digital video. Hard disk recording systems represent an alternative to reel-to-reel audio tape recording and video tape recorders, and provide non-linear editing capabilities unavailable using tape recorders. Audio HDR systems, which can be standalone or computer-based, are typically combined with provisions for digital mixing and processing of the audio signal to produce a digital audio workstation (DAW).

<span class="mw-page-title-main">Ampex</span> American company that pioneered the use of videotape

Ampex Data Systems Corporation is an American electronics company founded in 1944 by Alexander M. Poniatoff as a spin-off of Dalmo-Victor. The name AMPEX is a portmanteau, created by its founder, which stands for Alexander M. Poniatoff Excellence. Ampex operates as Ampex Data Systems Corporation, a subsidiary of Delta Information Systems, and consists of two business units. The Silicon Valley unit, known internally as Ampex Data Systems (ADS), manufactures digital data storage systems capable of functioning in harsh environments. The Colorado Springs, Colorado, unit, referred to as Ampex Intelligent Systems (AIS), serves as a laboratory and hub for the company's line of industrial control systems, cyber security products and services and its artificial intelligence/machine learning technology.

<span class="mw-page-title-main">Tape loop</span>

In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound.

<span class="mw-page-title-main">Reel-to-reel audio tape recording</span> Audio recording using magnetic tape spooled on open reels

Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1412, 1, or 2 inches wide, which normally moves at 3+347+12, 15 or 30 inches per second. Domestic consumer machines almost always used 14 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+78 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.

<span class="mw-page-title-main">Video tape recorder</span> Tape recorder designed to record and play back video and audio material on magnetic tape

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

<span class="mw-page-title-main">D-VHS</span> Magnetic tape-based format meant for the distribution of digital HD movies

D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in December of 1997, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications.

<span class="mw-page-title-main">Sound recording and reproduction</span> Recording of sound and playing it back

Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.

<span class="mw-page-title-main">Loop bin duplicator</span>

A loop bin duplicator is a specialized audio tape machine used in the duplication of pre-recorded audio cassettes and 8-track cartridges.

Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A Merzbox Sampler was released in 1997.

<span class="mw-page-title-main">Closed-circuit television camera</span>

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The history of sound recording - which has progressed in waves, driven by the invention and commercial introduction of new technologies — can be roughly divided into four main periods:

<span class="mw-page-title-main">Delay (audio effect)</span> Echo-like effect

Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo.

<span class="mw-page-title-main">EVS Broadcast Equipment</span> Belgian manufacturing company

EVS Broadcast Equipment SA is a Belgian company that manufactures live outside broadcast digital video production systems. Their XT-VIA production video servers enable the creation, editing, exchange, and playout of audio and video feeds.

<span class="mw-page-title-main">XT3 (EVS)</span>

XT3 is a model of the XT video server. It was created in 2011 by Belgian company EVS Broadcast Equipment.

<span class="mw-page-title-main">Phase music</span> Compositional technique

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