Lori Burton | |
---|---|
Birth name | Dolores Diana Squeglia |
Also known as | Lori Cicala |
Born | New Haven, Connecticut, U.S. | September 30, 1940
Died | May 20, 2021 80) | (aged
Occupation(s) | Singer, songwriter |
Labels | Roulette, Philips, Mercury |
Lori Burton (born Dolores Diana Squeglia, September 30, 1940 - May 20, 2021) was an American singer, songwriter, and record producer.
She was born in New Haven, Connecticut, and studied music at the University of Hartford before marrying recording engineer and later record producer Roy Cicala. [1] In the mid-1960s she adopted the stage name Lori Burton (the surname taken from that of popular actor Richard Burton), [2] and recorded a single, "Yeh, Yeh, Yeh (That Boy Of Mine)" for Roulette Records, before teaming up with English-born lyricist Pam Sawyer, the wife of producer Robert Mersey. They found success writing songs recorded by Lulu ("Try to Understand", UK #25, 1965), Patti LaBelle and the Bluebelles ("All or Nothing", US #68, 1965), The Young Rascals ("I Ain't Gonna Eat Out My Heart Anymore", US #52, 1966), and The Royal Guardsmen ("Baby Let's Wait", US #35, 1968 on reissue). [3] [4]
Burton and Sawyer also wrote and recorded together as The Whyte Boots, with Burton as lead singer, releasing the teenage tragedy record "Nightmare", in which two girls fight to the death over a boy, in 1966. [5] [6] Writer Richie Unterberger described the record as "one of the most accurate approximations of the Shangri-Las ever recorded". [7] Their record company, Philips, promoted the act as a trio of female singers, none of whom actually appeared on the recordings. [3] In 1967, Burton co-wrote and co-produced, with Sawyer, her only solo album, Breakout, described by Unterberger as "a mixture of soul and densely produced New York mid-'60s pop/rock". [8] According to the album's original liner notes, Burton's demo recordings were heard by Mercury Records president Irving Green, who encouraged her to release the album under her own name. [9]
Burton and Sawyer then auditioned for Holland, Dozier and Holland who had them signed to Motown as a songwriting partnership,
but after a few months Burton decided to end the arrangement while Sawyer continued to work at Motown. [3] Burton focused on her family life for several years before starting to contribute occasional backing vocals at New York's Record Plant East Studios, owned by her husband Roy Cicala. In 1974, she contributed backing vocals to John Lennon's "#9 Dream" from his Walls and Bridges album. She also recorded songs, unissued at the time, on which Cicala and Lennon worked as co-producers; [2] [7] two were released in 1998 in conjunction with the book Beatles Undercover by Kristofer Engelhardt. [7] [10] Lori and Roy Cicala divorced in 1979. [2]
Her 1967 album Breakout was reissued on CD by Rev-Ola in 2005. [5]
She died in May 2021, aged 80. [11]
Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.
"Norwegian Wood (This Bird Has Flown)", otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.
"You Won't See Me" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by Paul McCartney and credited to Lennon–McCartney. As with songs such as "We Can Work It Out" and "I'm Looking Through You" from the same period, the lyrics address McCartney's troubled relationship with Jane Asher and her desire to pursue her career as a stage and film actress. The Beatles recorded the song during what author Mark Lewisohn describes as a "marathon" final recording session for Rubber Soul, to ensure the album's pre-Christmas release.
"She Came In Through the Bathroom Window" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the fifth song of the album's climactic medley, immediately following "Polythene Pam".
"Watching Rainbows" is an unreleased song by the Beatles recorded on 14 January 1969 during the Get Back sessions at Twickenham Studios. It features John Lennon on lead vocal and electric piano, Paul McCartney on electric guitar, and Ringo Starr on drums. No bass guitar was present as McCartney was filling in for the absent George Harrison, who had temporarily left the group at that stage of the sessions. The song is played in two chords and has since been compared to "I Am the Walrus" and "I've Got a Feeling" for the similarities in the song's lyrics and structure.
"Drive My Car" is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon. It was first released on the band's 1965 album Rubber Soul as the opening track. The song later appeared in North America on the Yesterday and Today collection, again to open the record, as the track had been dropped from the American version of Rubber Soul.
"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's Rubber Soul album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, "Day Tripper" peaked at number five on the Billboard Hot 100 chart and "We Can Work It Out" held the top position.
"Lovely Rita" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney and credited to Lennon–McCartney. It is about a meter maid and the narrator's affection for her.
"You're Going to Lose That Girl" is a song by the English rock band the Beatles from their 1965 album and film Help! Credited to the Lennon–McCartney songwriting partnership, the song was mostly written by John Lennon with contributions from Paul McCartney.
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.
"Misery" is a song by the English rock band the Beatles from their 1963 debut album Please Please Me. It was co-written by John Lennon and Paul McCartney. According to Lennon, "It was kind of a John song more than a Paul song, but it was written together." McCartney was to say: "I don't think either one of us dominated on that one, it was just a hacking job."
"I Call Your Name" is a song recorded by the English rock band the Beatles and credited to Lennon–McCartney. It was written primarily by John Lennon, with assistance from Paul McCartney. It was released in the US on The Beatles' Second Album on 10 April 1964 and in the UK on the Long Tall Sally EP on 19 June 1964. On 7 March 1988, the song appeared on Past Masters, a compilation album that includes every song commercially released by the band that was neither included on the 12 UK studio albums nor the US Magical Mystery Tour LP, meaning that "I Call Your Name" appeared for the first time on a core catalogue album.
"Don't Let Me Down" is a song by the English rock band the Beatles, recorded in 1969 during the Let It Be sessions. It was written by John Lennon and credited to the Lennon–McCartney songwriting partnership. The band recorded the song with keyboardist Billy Preston; the single release with "Get Back" was credited to "the Beatles with Billy Preston". Originally released as a B-side, producer Phil Spector excluded the song from Let It Be. The song's first appearance on an album was on the 1970 collection Hey Jude.
"#9 Dream" is a song written by John Lennon and first issued on his 1974 album Walls and Bridges. It was released as the second single from that album months later, on Apple Records catalogue Apple 1878 in the United States and Apple R6003 in the United Kingdom. It peaked at number 9 on the Billboard Hot 100, and it hit number 23 on the British singles chart. A video for the song was made in 2003.
The Beatles staged their second concert tour of the United States in the late summer of 1965. At the peak of American Beatlemania, they played a mixture of outdoor stadiums and indoor arenas, with historic concerts at Shea Stadium in New York and the Hollywood Bowl. Typically of the era, the tour was a "package" presentation, with several artists on the bill. The Beatles played for just 30 minutes at each show, following sets by support acts such as Brenda Holloway and the King Curtis Band, Cannibal & the Headhunters, and Sounds Incorporated.
Pamela Joan Sawyer is an English songwriter/lyricist, who started writing songs in the mid-1960s and whose credits as a co-writer at Motown included "Love Child", "If I Were Your Woman", "My Whole World Ended ", and "Love Hangover".
Roy Joel Cicala was an American producer, engineer, songwriter and musician. His body of work includes over 10 Platinum Records for producing, writing, engineering and management for talent from the 1970s through to 2014.
"I Ain't Gonna Eat Out My Heart Anymore" is a song written by Pam Sawyer and Laurie Burton in 1965. Originally envisioned to be recorded by a British Invasion artist, the song was extremely well liked by the American rock group the Young Rascals, and they subsequently recorded the song and released it as their debut single in November 1965 through Atlantic Records. Though only a marginal hit, reaching number 52 on the Billboard Hot 100, it largely established the band on the American music scene. It has since been included on several albums by the band, including their eponymous debut album, and several compilation albums, including Time Peace: The Rascals' Greatest Hits, on which it was the opening track.
Marilyn McLeod was an American songwriter and occasional singer. McLeod began her career as a songwriter for Motown. Together with Pam Sawyer, she wrote the 1976 Diana Ross hit "Love Hangover".