Los Frikis

Last updated

Los Frikis or the Frikis is a Cuban punk subculture that originated in the 1980s. [1] As Cuban radio stations rarely played rock music, Frikis often listened to music by picking up radio frequencies from stations in nearby Florida. [2] Many Frikis in the early 1990s entered AIDS clinics by knowingly injecting HIV-positive blood into themselves in order to have enough to eat and a safe place to sleep and live. [3] Others began congregating at a community centre in Havana called El patio de María which was one of the few venues in the city that allowed rock bands to play live music. It was shut down by the Cuban government in 2003 because too many Frikis (with ties to El Patio de María) sang too many songs with lyrics against the Castro regime. [4]

Contents

Some Frikis also participate or participated in squatting as an act of political defiance, especially since affordable housing was and is a problem in many places in Cuba. [5]

In a 2017 article for Time Out, journalist Jake Newby described the movement as in decline, due to "only a handful of Los Frikis remain[ing]." [6]

Etymology

The name "Frikis" is a Spanish take on the English word "freaky," meaning "causing fright." In an article for Public Radio International, Frikis were defined as "the most extreme members of the rock scene." [7] In Conflict and Change in Cuba by Enrique A. Baloyra and James A. Morris, the term was defined as referring to youths who practice anti-social behaviour, have dropped out of mainstream education, refuse to conform to the norms of Cuban society, wear black, have long hair, and listen to rock music." [8] In Teen Lives around the World: A Global Encyclopedia, author Karen Wells described Frikis as a group who listen to hardcore punk that is synonymous with the modern punk subculture. [9] Author Julia Cooke described the group as a subculture of anarcho-punks that are fans of rock and heavy metal. [10]

In an article for the Havana Times, writer Dmitri Prieto claimed that the term was first used in the 1970s in reference to those who attended folk music performances, equating this term to "hippies." [11] Similarly, both TheJournal.ie and NDTV referred to the modern group as "hippie-punk." [12] [13]

Fashion

Frikis' fashion is based around extreme hair styles, clothing, and body modification, such as mohawks, tattoos, piercings, stretched ears, and long hair. Clothing often features skulls, rips, and rock band logos. [7] [14] [9] The Other Side of Paradise: Life in the New Cuba author Julia Cooke described a particular group of Frikis that she met as wearing a "mid-nineties punk-grunge hodgepodge; torn jeans, wallet chains, boots, scruffy Converse shoes, ink limbs. Each sculpted his hair into a Mohawk." [10]

Response

In its beginning, the subculture was seen as a threat to the collectivism of Cuban society, leading to Frikis becoming victims of discrimination and police brutality. [15] According to the New Times Broward-Palm Beach, some Frikis were "rejected by family and often jailed or fined by the government." [16] However, the 1980s Friki woman Yoandra Cardoso has argued that much of the response was verbal harassment from law enforcement. [17] Dionisio Arce, lead vocalist of Cuban heavy metal band Zeus, spent six years in prison due to his part in the Frikis. [18] Some schools would forcibly shave the heads of young Frikis as a form of punishment. [2]

AIDS epidemic

During the Special Period in the 1990s, many Frikis purposely contracted AIDS in an attempt to escape the effects of the economic crisis by entering state-run AIDS clinics, referred to as sanatoriums. [12] One of the first to do so was Papo la Bala, who injected himself with the infected blood of an HIV-positive rocker and converted to Christianity on his deathbed. [19] According to Nolan Moore, a writer for ListVerse, "hundreds of teens" followed in la Bala's example. [20] Although no official statistics exist of the numbers of infected Frikis, the University of Pennsylvania have stated that "many estimate that approximately 200 people–mostly men–had infected themselves" and that "not realizing it spread through sexual contact, many of their girlfriends also suffered from the consequences of their actions." [15] In a 2017 documentary by Vice Media, Friki Yoandra Cardoso said, "When the sanatorium first opened, it was 100% Frikis." [19]

The government responded to this movement by reducing the amount shops where syringes could be bought in an attempt to reduce injection of contaminated blood. Within two years of the beginning of the movement, eighteen Frikis had died as a result. [2]

While in the clinics, some doctors allowed patients to listen bands such as Nirvana and AC/DC, and many Frikis formed punk rock bands using "speakers made from cardboard, electric guitars from East Berlin with strings made from telephone wires, and drum kits made from the materials found in x-rays." [15] In particular, one band that formed out of a clinic was Eskoria, who in an article by Public Radio International were described as "the founding fathers of Cuban punk". [7]

These events led to the founding Rock vs AIDS, a campaign started by Maria Gattorno that promoted safe sex by handing out information leaflets and condoms to Frikis. [7] It also led to a larger social and governmental acceptance of Frikis and rock music in general. [2]

Related Research Articles

<span class="mw-page-title-main">Goth subculture</span> Contemporary subculture

Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure and Joy Division.

<span class="mw-page-title-main">Punk subculture</span> Anti-establishment subculture

The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.

<span class="mw-page-title-main">Skinhead</span> Working-class youth subculture

A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.

<span class="mw-page-title-main">Hardcore punk</span> Aggressive and fast subgenre of punk rock

Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".

Anarcho-punk is an ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.

<i>Does This Look Infected?</i> 2002 studio album by Sum 41

Does This Look Infected? is the second studio album by Canadian rock band Sum 41. It was released on November 26, 2002.

Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".

<span class="mw-page-title-main">Punk ideologies</span> Beliefs associated with punk subculture

Punk ideologies are a group of varied social and political beliefs associated with the punk subculture and punk rock. It is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, eugenics, class and classism, while supporting anti-consumerism, anti-corporatism, anti-war, anti-imperialism, leftism, anti-globalization, anti-gentrification, anti-racism, anti-sexism, gender equality, anti-homophobia, racial equality, animal rights, free-thought and non-conformity. One of its main tenets is a rejection of mainstream, corporate mass culture and its values. It continues to evolve its ideology as the movement spreads throughout North America from its origins in England and New York and embraces a range of anti-racist and anti-sexist belief systems. Punk does not necessarily lend itself to any particular political ideology as it is primarily anti-establishment although leftist punk is more common due to the prevalence of liberal and conservative ideologies in the status-quo.

Rock and roll music was introduced in Cuba in the late 1950s, with many Cuban artists of the time covering American songs translated into Spanish, as was occurring in Mexico at the same time. "The Batista police never looked kindly on Rock and Roll, and much less after the screening of films like Rebel Without a Cause and The Bad Seed, among others. After 1959, Rock and Roll followed the same path, although artists like Argentinean Luis Aguile emerged."

Latino punk is punk music created by Latino people in Latin America and the United States. The angst and protest qualities of punk music and style have had a strong appeal to Latino youth in the U.S., and to the people in Latin America. It is impossible to pinpoint the exact location or moment when Latinos began engaging in the punk subculture. However, Latin American rock began showing aspects of punk music during the mid-1960s with the Peruvian band Los Saicos; this band reflected many aspects of other proto-punk bands such as the Yardbirds. The Saicos were predecessors to some of the most influential proto-punk bands in the U.S., such as New York Dolls, MC5, and The Stooges

<span class="mw-page-title-main">Rock Against Sexism</span> Activist group in the UK and US

Rock Against Sexism (RAS) was a political and cultural movement dedicated to promoting women in music, and challenging sexism in the rock music community, pop culture and in the world at large. It was primarily a part of the punk rock music and arts scene.

<span class="mw-page-title-main">Poseur</span> Someone who poses for effect

A poseur is someone who poses for effect, or behaves affectedly, who affects a particular attitude, character or manner to impress others, or who pretends to belong to a particular group. A poseur may be a person who pretends to be what they are not or an insincere person; they may have a flair for drama or behave as if they are onstage in daily life.

Although Senegal is a relatively underdeveloped country, HIV prevalence in the general population is low at around 0.08 per 1000 people, under 1% of the population. This relatively low prevalence rate is aided by the fact that few people are infected every year – in 2016, 1100 new cases were reported vs 48,000 new cases in Brazil. Senegal's death due to HIV rate, particularly when compared it to its HIV prevalence rate, is relatively high with 1600 deaths in 2016. Almost two times as many women were infected with HIV as men in 2016, and while almost three times as many women were receiving antiretroviral therapy (ARV) as men, only 52% of HIV positive people in Senegal received ARV treatment in 2016.

<span class="mw-page-title-main">Scene (subculture)</span> Youth subculture

The scene subculture is a youth subculture that emerged during the early 2000s in the United States from the pre-existing emo subculture. The subculture became popular with adolescents from the mid 2000s to the early 2010s. Members of the scene subculture are referred to as scene kids, trendies, or scenesters. Scene fashion consists of skinny jeans, bright-colored clothing, a signature hairstyle consisting of straight, flat hair with long fringes covering the forehead, and bright-colored hair dye. Music genres associated with the scene subculture include metalcore, crunkcore, deathcore, electronic music, and pop punk.

<span class="mw-page-title-main">Heavy metal subculture</span> Culture of heavy metal fans

Fans of heavy metal music, commonly referred to as "Metalheads", have created their own subculture that encompasses more than just appreciation of the style of music. Fans affirm their membership in the subculture or scene by attending metal concerts, buying albums, growing their hair long, wearing jackets or vests often made of denim and leather adorned with band patches and often studs, and by contributing to metal publications since the early 1980s.

<i>Los Frikis</i> (film) American historical drama film

Los Frikis is a 2024 American drama film based on true events, set in Cuba in the 1990s. It is written and directed by Tyler Nilson and Michael Schwartz, who also wrote and directed The Peanut Butter Falcon. It stars Héctor Medina, Eros de la Puente and Adria Arjona, and is produced by Phil Lord and Christopher Miller.

References

  1. Saeed, Abdullah. "Why a Community of Punks Chose to Infect Themselves with HIV in Castro's Cuba". Vice Media . Retrieved 23 March 2020.
  2. 1 2 3 4 Tim Howard, Luis Trelles. Los Frikis (Audio). Retrieved 23 March 2020.
  3. "Los Frikis, ces punks cubains qui s'inoculaient le virus du sida pour vivre dans des sanatoriums". Vice Media . Retrieved 23 March 2020.
  4. "When Havana was Friki: AIDS, Politics and Heavy Metal in Cuba". Internet Archive Wayback Machine . Retrieved 7 April 2024.
  5. rus-du-sida-pour-vivre-dans-des-sanatoriums "Los Frikis, ces punks cubains qui s'inoculaient le virus du sida pour vivre dans des sanatoriums". Vice Media . Retrieved 23 March 2020.{{cite web}}: Check |url= value (help)
  6. Newby, Jake. "From Shanghai with love: The story behind a China-produced Cuban punk compilation". Time Out . Retrieved 23 March 2020.
  7. 1 2 3 4 "When Havana was Friki: AIDS, Politics and Heavy Metal in Cuba" . Retrieved 23 March 2020.
  8. Baloyra, Enrique A.; Morris, James A. (1993). Conflict and Change in Cuba. University of New Mexico Press. p. 189.
  9. 1 2 Wells, Karen. Teen Lives around the World: A Global Encyclopedia. p. 107.
  10. 1 2 Cooke, Julia. The Other Side of Paradise: Life in the New Cuba.
  11. Prieto, Dmitri. "Who Are Cuba's "Frikis"?". Havana Times . Retrieved 23 March 2020.
  12. 1 2 "'Los Frikis': The Cuban punks who deliberately infected themselves with HIV". TheJournal.ie . Retrieved 23 March 2020.
  13. "'Freak': Meet Cuba's Last Self-Infected HIV Punk Rebel". NDTV . Agence France-Presse. Retrieved 23 March 2020.
  14. "Los Frikis: Punks Who Chose to Infect Themselves with HIV in Castro's Cuba" . Retrieved 23 March 2020.
  15. 1 2 3 BRIDGES, MEGAN. ""Spotlight on Cuba" – "Death is a door": HIV/AIDS, Freedom, & the Cuban Punk Rock Scene". University of Pennsylvania . Retrieved 23 March 2020.
  16. DOWNS, RAY. ""Los Frikis" Documentary Tells Story of Cuban Punks Who Got AIDS on Purpose". New Times Broward-Palm Beach . Retrieved 23 March 2020.
  17. The Survivors (Audio) (in Spanish). Radio Ambulante.
  18. BLISTEIN, JON. "Cuban Metal Heroes Zeus Confront an Uncertain Future in New Doc Trailer". NME . Retrieved 23 March 2020.
  19. 1 2 Meet the Cuban Punks Who Infected Themselves with HIV in Protest. Vice Media. 31 January 2017. Retrieved 23 March 2020.
  20. MOORE, NOLAN. "10 Crazy Characters From The Wild World Of Music" . Retrieved 23 March 2020.