Lovatelli urn

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Lovatelli urn
Massimo Urna misteri.JPG
ArtistUnknown
YearProbably early Imperial or 1st century CE (discovered 1876)
TypeMarble funerary urn
DimensionsHeight: 29.4 cm. Diameter: 32 cm.
Location National Roman Museum at Palazzo Massimo, Rome

The Lovatelli urn is an early Roman imperial period or 1st century CE marble funerary urn. It is thought to depict Persephone, Demeter and Triptolemus, the triad of the Eleusinian mysteries, however, there are several different competing interpretations about the figures and their meaning in the literature.

Contents

It was found during an 1876 excavation of the columbarium of the Statilii on the Esquiline Hill near Porta Maggiore in Rome, Italy. [1] This area contained the remains of freed slaves and servants of the family. The object is named after Ersilia Caetani Lovatelli, an Italian art historian and archaeologist who first published a description of it in 1896. It is held in the collection of the National Roman Museum. [2]

Background

The urn was found towards the top left of the red circle, in the columbarium of the Statilii family, located near the Via Labicana, in the Esquiline cemetery. Red circle Horti di Roma antica.jpg
The urn was found towards the top left of the red circle, in the columbarium of the Statilii family, located near the Via Labicana, in the Esquiline cemetery.

The urn was discovered in 1876 during the excavation of the columbarium of the Statilii family by Italian archaeologists Edoardo Brizio and Rodolfo Lanciani from 1875 to 1877. [3] They discovered three chamber tombs referred to as N, O, and P.

Description

The urn depicts three separate scenes, thought to portray a preliminary initiation and purification rite from the Lesser Eleusinian Mysteries, often described as myesis. The imagery is often compared and contrasted with the Torre Nova sarcophagus first identified by Giulio Emanuele Rizzo in 1910. [4] Lovatelli describes such an urn in 1879 in her work "Di un vaso cinerario con rappresentanze relative ai misteri di Eleusi". Her style is evident in her writing. She talks within the scientific methods required but she pulls in other related and referenced works. This differed from her male contemporaries. [5]

See also

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References

  1. Bianchi, U. (1976). Iconography of Religions. Brill. pp. 28-29. ISBN   9789004044869
  2. Long, C. R. (1987). The Twelve Gods of Greece and Rome. E.J. Brill. pp. 225-226. ISBN   9789004077164
  3. Caetani-Lovatelli, E. (1879). "Di un vaso cinerario con rappresentanze relative ai misteri di Eleusi". Bullettino della commissione archeologica comunale di Roma. (7): 5–18.
  4. See also: Digital LIMC (2020): Monument #23896. Digital LIMC, DaSCH. Retrieved April 10, 2022; Clinton, K. "Stages of initiation in the Eleusinian and Samothracian Mysteries”, In Cosmopoulos, M. B. (ed.) (2003)[2005]. Greek Mysteries: The Archaeology and Ritual of Ancient Greek Secret Cults. Routledge. pp. 59-60. ISBN   9780415248730
  5. Meens, Floris (2016-04-02). "The Elegant Science of Antiquity: Ersilia Caetani-Lovatelli, Archaeology, and Travel Writing in Fin-de-Siècle Italy". Lit: Literature Interpretation Theory. 27 (2): 111–129. doi: 10.1080/10436928.2016.1167002 . hdl: 2066/173917 . ISSN   1043-6928. S2CID   164028890.

Further reading