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The Hanging Garden is a British/Canadian drama film, written and directed by Thom Fitzgerald and released in 1997. Fitzgerald's feature debut, the film was shot in Nova Scotia.
Joan Olivia Wyndham was a British writer and memoirist who rose to literary prominence late in life through the diaries she had kept more than 40 years earlier, which were an account of her romantic adventures during the Second World War, when she was an attractive teenager who had strayed into London's Bohemian set. Her literary reputation rests on Love Lessons (1985) and Love Is Blue (1986), two selections from her diaries which led one critic to call her "a latterday Pepys in camiknickers."
John Stuart, was a Scottish actor, and a very popular leading man in British silent films in the 1920s. He appeared in three films directed by Alfred Hitchcock.
The Stolen Necklace is a 1933 British crime film directed by Leslie S. Hiscott and starring Lester Matthews, Joan Marion and Mickey Brantford. It was made as a quota quickie at Teddington Studios.
The Lucky Number is a 1933 British sports comedy film directed by Anthony Asquith and starring Clifford Mollison, Gordon Harker, Joan Wyndham and Frank Pettingell. The screenplay concerns a professional footballer who attempts to recover a winning pools ticket. The film was made by Gainsborough Pictures and shot at Islington and Welwyn Studios with sets designed by Alex Vetchinsky. The football scenes were filmed in and around Highbury Stadium in North London.
Ronald Ward was a British actor who, alongside his stage work, appeared in more than twenty British films between 1931 and 1956. He was born in Eastbourne in 1901 as Ronald William Ward, and made his screen debut in the 1931 film Alibi. One of his biggest roles was in the popular Vera Lynn vehicle We'll Meet Again (1943), where he was effectively the male lead, co-starring with Lynn and Patricia Roc.
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
Sixty Glorious Years is a 1938 British colour film directed by Herbert Wilcox. The film is a sequel to the 1937 film Victoria the Great.
The Greed of William Hart is a 1948 British horror film directed by Oswald Mitchell and starring Tod Slaughter, Henry Oscar, Aubrey Woods, Patrick Addison, Jenny Lynn, Winifred Melville and Arnold Bell. The film depicts two Edinburgh bodysnatchers closely modeled on the real Burke and Hare.
Widecombe Fair is a 1928 British silent comedy drama film directed by Norman Walker and starring William Freshman, Marguerite Allan, Moore Marriott and Judd Green. The screenplay concerns a farmer who is able to save his farm when he digs up buried treasure. The film's plot was adapted from a 1913 novel by Eden Philpotts, loosely based on the popular folk song "Widecombe Fair".
The Lost Chord is a 1933 British drama film directed by Maurice Elvey and starring John Stuart, Elizabeth Allan and Jack Hawkins. The screenplay concerns a musician who becomes embroiled in the domestic rows of an aristocratic family. It was inspired by the Arthur Sullivan song The Lost Chord. Two earlier films directed by Wilfred Noy, The Lost Chord (1917) and The Lost Chord (1925), were both also based on the song. The film was made at Twickenham Studios.
Horace Manning Haynes was a British-born film director and actor. He was married to the screenwriter Lydia Hayward, with whom he frequently worked.
William Freshman was an Australian-born actor, scriptwriter and director. He moved to England as a child and worked in the British film industry, writing over 20 screenplays and working as an associate producer at British International Pictures. He also wrote the play The Last of the Ladies.
Lydia Hayward was a British screenwriter and actress who worked on over 30 screenplays between 1920 and 1942. She was particularly active during the 1920s. Hayward has been noted for several of the sophisticated comedy films she wrote for during the decade. She was married to the director Manning Haynes with whom she frequently collaborated, as well as Australian actor William Freshman.
Freshman Love is a 1936 sound film based on George Ade's oft filmed 1904 play The College Widow, adaptations of which were filmed twice previously, in 1915 and 1927, and parodied by the Marx Brothers in their 1932 film Horse Feathers. This version is directed by William McGann and is a comedy-musical starring Patricia Ellis.
Forget Me Not is a 1936 British musical drama film directed by Zoltan Korda and starring Beniamino Gigli, Joan Gardner and Ivan Brandt. In the United States, it was released under the alternative title Forever Yours. The film was made at Isleworth Studios. It is a remake of a 1935 German film of the same title and one of four remakes of foreign-language films made by London Films. The film was not generally well-received by critics, although they praised Gigli's singing.
Home, Sweet Home is a 1933 British drama film directed by George A. Cooper and starring John Stuart, Marie Ney and Richard Cooper. It was made at Twickenham Studios as a quota quickie for release by RKO Pictures.
Joan Wyndham (1911–2000) was a British actress. She appeared in leading roles in several films of the 1930s such as The Fortunate Fool.
Gay Old Dog is a 1935 British comedy film directed by George King and starring Edward Rigby, Moore Marriott and Ruby Miller. It was a quota quickie made at Walton Studios.
Little Fella is a 1933 British comedy film directed by William C. McGann and starring John Stuart, Joan Marion and Hal Walters. It was made at Teddington Studios as a quota quickie.
References
- ↑ Wood p.78
