"Love Is the Ritual" | ||||
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Single by Styx | ||||
from the album Edge of the Century | ||||
B-side | "Homewrecker" | |||
Released | October 1990 [1] | |||
Genre | Funk rock [2] | |||
Length | 3:48 | |||
Label | A&M | |||
Songwriter(s) |
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Producer(s) | Styx | |||
Styx singles chronology | ||||
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"Love Is the Ritual" is the first single released from Edge of the Century by Styx.
The song was written and sung by Glen Burtnik, who had been recruited by the band as a new guitarist. Shaw was at that time busy as a member of the group Damn Yankees.
Burtnik had recorded the track before he was offered a position with Styx in anticipation of using it for his third solo album. The track was re-recorded during recording sessions as Styx. [3] Burtnik's original version was later released on his compilation album Retrospectable.
The song also appeared on the B-side of the 7" single release of "Carrie Ann" (A&M Records – 390 610-7) which had been only released in Europe. [4]
"Love Is the Ritual" was a disappointment commercially. It peaked at only number 80 on the Billboard Top 100 Singles chart. However, it fared better on the Billboard Mainstream Rock Tracks chart, where it attained number 9. It also reached number 59 on the Canada RPM Top Singles chart the week of November 24, 1990.
Styx is an American rock band formed in Chicago, Illinois, in 1972. They are known for blending melodic hard rock guitar with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established themselves with a progressive rock sound during the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s.
Cyclorama is the fourteenth studio album by Styx, released in 2003. This was the first studio album with Lawrence Gowan, following the departure of group co-founder Dennis DeYoung in 1999. It was also the latter of two albums to feature Glen Burtnik, and the only album released by the Lawrence Gowan/Tommy Shaw/James "JY" Young/Glen Burtnik/Chuck Panozzo/Todd Sucherman lineup, and as such the only original Styx album to feature four different singer-songwriters as opposed to the usual three. The album peaked significantly higher on the Billboard album charts than Styx's previous release, Brave New World (1999), ending up 48 slots higher at No. 127, but paled in comparison to previous 1970s and 1980s releases on A&M Records.
Edge of the Century is the twelfth studio album by Styx, released in 1990. It was the first Styx album featuring A&M solo artist Glen Burtnik, the only album to feature the Dennis DeYoung/James Young/Glen Burtnik/Chuck Panozzo/John Panozzo lineup, and the last album to feature John Panozzo on drums before his death in 1996.
Dennis DeYoung is an American singer, songwriter and keyboardist. He was a founding member of the rock band Styx and served as its primary lead vocalist and keyboardist from 1972 until 1999. DeYoung was the band's most prolific and successful writer, having been credited as the writer of more Styx songs than any other band member. DeYoung penned seven of the band's eight Billboard top 10 singles as well as a solo top 10 single.
Arch Allies is a live album recorded by REO Speedwagon and Styx at Riverport Amphitheatre in Maryland Heights, Missouri, a suburb of St. Louis. It was released on September 26, 2000, by Sanctuary Records, and a single DVD was also released on November 7, 2000.
Greatest Hits is a compilation album and primary Greatest Hits album by the American rock band Styx. It was released by A&M Records on August 22, 1995. It contains 16 tracks, 8 of which were Billboard Top 10 Pop Singles, another 4 that were Billboard Top 40 Pop Singles, and 4 that received heavy airplay on FM album oriented rock stations.
Greatest Hits Part 2 is a 1996 compilation album by the rock band Styx and a follow-up to Greatest Hits, another compilation album released in 1995. The album features 14 previously released Styx songs as well as two new songs, "Little Suzie" and "It Takes Love". Major omissions that were not included on either Greatest Hits packages are 2 top 40 charted singles, "Why Me" and "Music Time".
Glen Burtnik is an American singer, songwriter, entertainer and multi-instrumentalist, best known as a former member of Styx. Burtnik is originally from North Brunswick, New Jersey, in the Raritan Bayshore, of the larger Jersey Shore and lives in Asbury Park, New Jersey. Burtnik has written hit songs for Randy Travis, Patty Smyth and Don Henley. The spelling of his name has shortened a few times over the years.
"Don't Let It End" is the third track and the second top 10 single on the 1983 album Kilroy Was Here, by Styx. The song is also reprised at the end of the album.
"Best Thing" is the first single released by the band Styx from their self-titled debut album, Styx (1972). It charted at #82 on the Billboard Hot 100.
"Fooling Yourself (The Angry Young Man)" is the second single released from Styx's The Grand Illusion (1977) album. On the Billboard Hot 100 pop chart in the U.S., the single peaked at #29 in April 1978. It also hit no. 20 on the Canada RPM Top Singles chart the week of May 6, 1978.
"Blue Collar Man (Long Nights)" is a song by American rock band Styx, released as the first single from their eighth studio album, Pieces of Eight (1978). Released in 1978, the single came in two 7" vinyl formats: one with the b-side "Superstars" (a track from The Grand Illusion) and a second single with the instrumental album track "Aku-Aku" as the b-side. Some printings of the single were also issued in a translucent blue vinyl, which are now highly sought after collectors items.
"Sing for the Day'" is the second single that Styx released from their album Pieces of Eight. It reached #41 on the U.S. Billboard Hot 100 pop singles chart in February 1979. It was later the B-side of their next single “Renegade”. Tommy Shaw used the name ‘Hannah’ in the song, to represent his fans. Several years later, he named his newborn daughter Hannah. The album version that lasts 4:57, was edited down to 3:40 for the single version.
"Borrowed Time" is a song written by Dennis DeYoung and Tommy Shaw that was first released on Styx's 1979 album Cornerstone and was also released as the third single from Cornerstone. It peaked at No. 64 on the U.S. chart in April 1980.
"Too Much Time on My Hands" is a song by American rock band Styx, released as the second single from their tenth album Paradise Theatre. It was written and sung by Tommy Shaw, who also plays the lead guitar solo during the break in the song. It was Shaw's only top 10 single as a writer and vocalist with Styx.
"Music Time" is the sole studio track released on the live Styx album, Caught in the Act. It peaked at number 40 on the US Billboard Hot 100 chart the week of June 2, 1984.
"Show Me the Way" is a song by American rock band Styx, written by Dennis DeYoung and released as the second single from Edge of the Century. It peaked at number 3 on the Billboard Hot 100 chart in March 1991. The song's music video was directed by Michael Bay.
"Paradise" is the only single release from Styx's 1997 live double album Return to Paradise. The song was originally written and recorded by Dennis DeYoung for his musical The Hunchback of Notre Dame. The song was re-recorded by Styx for inclusion as one of three new studio tracks on the live album.
Styx: Hits from Yesterday and Today: Recorded Live is a compilation album containing songs by the band Styx. It was released in 2001. It takes four songs from Styx's previous studio album, Brave New World and two of the three studio tracks from Styx's previous live double album, Return to Paradise, and combines them with four live tracks from the previously released Arch Allies: Live at Riverport.
Rockers is a compilation of songs by the band Styx. It was released in 2003. The album is notable for deliberately omitting any songs for which former member Dennis DeYoung was the primary or sole writer; even DeYoung-penned signature ballad-to-rocker hits such as "Queen of Spades", "Suite Madame Blue", and "Rockin' the Paradise" are missing. It was an attempt by the remaining members of the band to reposition Styx as a hard rock band and move away from the DeYoungian ballads that had marked the last few albums of their career and most of their biggest hit singles.
Burtnick's influence cannot be understated; the opening 'Love Is A Ritual' is a Dan Reed-style dual-tempo funk rocker that oozes sex and sensuality.