A lovespoon is a wooden spoon decoratively carved that was traditionally presented as a gift of romantic intent. The spoon is normally decorated with symbols of love, and was intended to reflect the skill of the carver. Due to the intricate designs, lovespoons are no longer used as functioning spoons and are now decorative craft items.
The lovespoon is a traditional Welsh craft that dates back to the seventeenth century. Over generations, decorative carvings were added to the spoon and it lost its original practical use and became a treasured decorative item to be hung on a wall.
The earliest known dated lovespoon from Wales, displayed in the St Fagans National History Museum near Cardiff, is from 1667, although the tradition is believed to date back long before that. [1] The earliest surviving example of a lovespoon worldwide originates from Germany, and is dated as 1664. [2] [3]
The lovespoon was given to a young woman by her suitor, to prove to her father that he was capable of woodworking and providing for the woman and their future family.
Sailors would often carve lovespoons during their long journeys, which is why anchors would often be incorporated into the carvings.[ citation needed ]
Certain symbols came to have specific meanings: a horseshoe for luck, a cross for faith, bells for marriage, hearts for love, a wheel supporting a loved one and a lock for security, among others. Caged balls indicated the number of children hoped for. Other difficult carvings, such as chains, were as much a demonstration of the carver's skill as a symbolic meaning. [4]
Today lovespoons are given as wedding and anniversary gifts, as well as birthday, baby gifts, Christmas or Valentine's Day gifts. They are now mostly seen as a folk craft.
In old times, from the mid 19th-century to the early 20th-century newly married couples in Norway ate with linked spoons during the second day of the wedding ceremony to symbolize the linkage of their marriage. Often the spoons and chain were made from a single piece of wood, emphasizing wood-carving craftsmanship. After the wedding the spoons were hung above the door into their house.
Similar linked spoons can be found in some ethnographic museums. [5]
A design for making linked spoons was published in Popular Science [6] in 1967.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
A Dala horse or Dalecarlian horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia). In the old days, the Dala horse was mostly used as a toy for children; in modern times it has become a symbol of Dalarna, as well as of Sweden in general.
A wooden spoon is a utensil commonly used in food preparation. In addition to its culinary uses, wooden spoons also feature in folk art and culture.
The Rock art of Alta are located in and around Alta Municipality in Finnmark county in northern Norway. Since the first carvings were discovered in 1973, more than 6,000 carvings have been found on several sites around Alta. The largest locality, at Jiepmaluokta about five kilometers (3.1 mi) from Alta, contains thousands of individual carvings and has been turned into an open-air museum. The site, along with the sites Storsteines, Kåfjord, Amtmannsnes, and Transfarelv, was placed on the UNESCO list of World Heritage Sites on 3 December 1985. It is Norway's only prehistoric World Heritage Site.
Awen is a Welsh, Cornish and Breton word for "inspiration".
Harley Refsal was an American internationally recognized figure carver, specializing in Scandinavian flat-plane style of woodcarving.
Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories".
The art of chainsaw carving is a fast-growing form of art that combines the modern technology of the chainsaw with the ancient art of woodcarving.
Lithuanian cross crafting is a traditional Lithuanian art of crafting crosses. The making of altars and crosses is an important part of Lithuanian culture. Lithuanian traditional crosses are part of the people's Roman Catholic religion. Approximately since Lithuania became a part of the Russian Empire in the 19th century, these crosses have become a symbol of the Lithuanian people.
The Norwegian Church Arts Centre is a point of cultural and historical interest located in Cardiff Bay, Wales. It was a Lutheran Church, consecrated in 1868. Under the patronage of The Norwegian Seamen's Mission it provided home comforts, communication with family and a place of worship for Scandinavian sailors and the Norwegian community in Cardiff for over a hundred years.
Chinese jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture. Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized. Native sources in Henan and along the Yangtze were exploited since prehistoric times and have largely been exhausted; most Chinese jade today is extracted from the northwestern province of Xinjiang.
Hopi katsina figures, also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world.
Toi whakairo or just whakairo (carving) is a Māori traditional art of carving in wood, stone or bone.
Kwakwaka'wakw art describes the art of the Kwakwaka'wakw peoples of British Columbia. It encompasses a wide variety of woodcarving, sculpture, painting, weaving and dance. Kwakwaka'wakw arts are exemplified in totem poles, masks, wooden carvings, jewelry and woven blankets. Visual arts are defined by simplicity, realism, and artistic emphasis. Dances are observed in the many rituals and ceremonies in Kwakwaka'wakw culture. Much of what is known about Kwakwaka'wakw art comes from oral history, archeological finds in the 19th century, inherited objects, and devoted artists educated in Kwakwaka'wakw traditions.
Wood carving is a common art form in the Cook Islands. Sculpture in stone is much rarer although there are some excellent carvings in basalt by Mike Tavioni. The proximity of islands in the southern group helped produce a homogeneous style of carving but which had special developments in each island. Rarotonga is known for its fisherman's gods and staff-gods, Atiu for its wooden seats, Mitiaro, Mauke and Atiu for mace and slab gods and Mangaia for its ceremonial adzes. Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots.
Levi Petrus Borgstrom was a Swedish-New Zealand carver.
Barnaby Alexander Carder, known as Barn the Spoon, is a British artisan spoon carver, teacher, author and co-founder of Spoonfest, the annual international festival of spoon carving in Edale in Derbyshire, UK. He is also founder of the Green Wood Guild, a collective of green wood carvers who run carving workshops and owns a spoon shop and woodworking venue in Hackney in London's East End. Carder also teaches spoon carving, woodworking and bladesmithing.
Kalti paarti carving is an art form made by carving a kalthi-parti, or emu egg. The practice began in the mid to late nineteenth century and while it has been practiced by people in Australia from many backgrounds, it is often strongly associated with Aboriginal art.
The Igbesanmwan is a hereditary guild of ivory carvers in the Benin Kingdom, a pre-colonial African state located in present-day Edo State, Nigeria. Members of the Igbesanmwan guild hold the responsibility of crafting ivory items, including masks, tusks, staffs, leopards, and various other symbols denoting royal authority and eminence, for the Oba (king) and the royal court. In addition to their ivory craftsmanship, the Igbesanmwan possess proficiency in working with a range of other materials, such as wood, brass, and coral. This guild is recognised as one of the most ancient and esteemed in Benin, with their artistic work being widely appreciated for its aesthetic appeal and technical mastery.
