A lovespoon is a wooden spoon decoratively carved that was traditionally presented as a gift of romantic intent. The spoon is normally decorated with symbols of love, and was intended to reflect the skill of the carver. Due to the intricate designs, lovespoons are no longer used as functioning spoons and are now decorative craft items.
The lovespoon is a traditional craft that dates back to the seventeenth century. Over generations, decorative carvings were added to the spoon and it lost its original practical use and became a treasured decorative item to be hung on a wall.
The earliest known dated lovespoon from Wales, displayed in the St Fagans National History Museum near Cardiff, is from 1667, although the tradition is believed to date back long before that. [1] The earliest surviving example of a lovespoon worldwide originates from Germany, and is dated as 1664. [2] [3]
The lovespoon was given to a young woman by her suitor, to prove to her father that he was capable of woodworking and providing for the woman and their future family.
Sailors would often carve lovespoons during their long journeys, which is why anchors would often be incorporated into the carvings.[ citation needed ]
Certain symbols came to have specific meanings: a horseshoe for luck, a cross for faith, bells for marriage, hearts for love, a wheel supporting a loved one and a lock for security, among others. Caged balls indicated the number of children hoped for. Other difficult carvings, such as chains, were as much a demonstration of the carver's skill as a symbolic meaning. [4]
Although the Welsh lovespoon is the most famous, there are also traditions of lovespoons in Scandinavia [5] and some parts of Eastern Europe, which have their own unique styles and techniques when it comes to the Lovespoon.
Today lovespoons are given as wedding and anniversary gifts, as well as birthday, baby gifts, Christmas or Valentine's Day gifts. They are now mostly seen as a folk craft.
In old times,[ when? ] newly married couples in Norway ate with linked spoons to symbolize the linkage of their marriage. Often the spoons and chain were made from a single piece of wood, emphasizing wood-carving craftsmanship.
Similar linked spoons can be found in some ethnographic museums. [6]
A design for making linked spoons was published in Popular Science [7] in 1967.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
The culture of Wales is distinct, with its own language, customs, festivals, music, art, mythology, history, and politics. Wales is primarily represented by the symbol of the red Welsh Dragon, but other national emblems include the leek and the daffodil.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
A Dalecarlian horse or Dala horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia). In the old days the Dalecarlian horse was mostly used as a toy for children; in modern times it has become a symbol of Dalarna, as well as of Sweden in general.
A wooden spoon is a utensil commonly used in food preparation. It is typically a large spoon made from wood. In addition to its culinary uses, wooden spoons also features in folk art and culture.
Awen is a Welsh, Cornish and Breton word for "inspiration".
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories".
The art of chainsaw carving is a fast-growing form of art that combines the modern technology of the chainsaw with the ancient art of woodcarving.
The Norwegian Church Arts Centre is a point of cultural and historical interest located in Cardiff Bay, Wales. It was a Lutheran Church, consecrated in 1868. Under the patronage of The Norwegian Seamen's Mission it provided home comforts, communication with family and a place of worship for Scandinavian sailors and the Norwegian community in Cardiff for over a hundred years.
Delbert Lee "Cigar" Daisey, known as "Cigar" Daisey, was an American waterfowl wood carver and decoy maker. He was the son of Herbert Lee Daisey and Emma Jane Daisey. He was born, lived and worked in Chincoteague, Virginia, and was the resident carver at the Refuge Waterfowl Museum. His decoy carvings are recognized for both their artistic value and functionality as working pieces for waterfowl hunting. His works include black ducks, mallards, redheads, ruddys and red-breasted mergansers and often crafted in drake (male) and hen (female) pairs. He had carved about 1900 ducks in total and he generally used cork or wood as his medium. He carved his first duck out of balsa wood in 1940 at his father's wood shop. The Smithsonian has his works in their collection. He was given his nickname in 1945 by John Buckalew, Federal Game Warden and first manager of the Chincoteague National Wildlife Refuge because Daisey would leave cigar butts to taunt game wardens while poaching ducks on Assateague Island. Later in life, Daisey was an avid conservationist.
Solomon's knot is a traditional decorative motif used since ancient times, and found in many cultures. Despite the name, it is classified as a link, and is not a true knot according to the definitions of mathematical knot theory.
Toi whakairo or just whakairo (carving) is a Māori traditional art of carving in wood, stone or bone.
Wood carving is a common art form in the Cook Islands. Sculpture in stone is much rarer although there are some excellent carvings in basalt by Mike Tavioni. The proximity of islands in the southern group helped produce a homogeneous style of carving but which had special developments in each island. Rarotonga is known for its fisherman's gods and staff-gods, Atiu for its wooden seats, Mitiaro, Mauke and Atiu for mace and slab gods and Mangaia for its ceremonial adzes. Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots.
Vahanas or "vehicles" of Hindu Gods are mythical characters having significant religious value. Temples in India use depictions of these vehicles in many forms during temple processions. National Museum, New Delhi houses a collection of Carved Wood Vahanas in the gallery of decorative arts. This collection at the National Museum is unique among museums in India, which includes large images of Garuda, Hanuman, elephant, horse, swan and lion and these artefacts are mostly from the period between the 17th and 20th century. Ancient Indian temples house numerous kinds of wood carvings having religious context to be used for various temple activities. The majority of Vahanas are made of wood and decorated with designs made with varied techniques. Vahanas have been mentioned in temple inscriptions dating back to the 13th century.
Levi Petrus Borgstrom was a Swedish-New Zealand carver.
Norm Sartorius is an American woodworker who carves fine art spoons in many styles including natural, biomorphic, abstract, symbolic, ethnic, and ceremonial. His works are in the permanent collections of the Smithsonian American Art Museum's Renwick Gallery, the Yale University Art Gallery, the Philadelphia Museum of Art, and other public and private collections. He is a frequent participant in woodworking and craft shows in America, and won the Award of Excellence in Wood at the 2015 American Craft Council show in Baltimore and the 2015 Smithsonian Craft Show in Washington, DC. Since 2008, he has co-directed a grant-funded research project on the life, work, and legacy of American woodworker Emil Milan.
Barnaby Alexander Carder, known as Barn the Spoon, is a British artisan spoon carver, teacher, author and co-founder of Spoonfest, the annual international festival of spoon carving in Edale in Derbyshire, UK. He is also founder of the Green Wood Guild, a collective of green wood carvers who run carving workshops and owns a spoon shop and woodworking venue in Hackney in London's East End. Carder also teaches spoon carving, woodworking and bladesmithing.
Kalti paarti carving is an art form made by carving a kalthi-parti, or emu egg. The practice began in the mid to late nineteenth century and while it has been practiced by people in Australia from many backgrounds, it is often strongly associated with Aboriginal art.
The Igbesanmwan is a hereditary guild of ivory carvers in the Benin Kingdom, a pre-colonial African state located in present-day Edo State, Nigeria. Members of the Igbesanmwan guild hold the responsibility of crafting ivory items, including masks, tusks, staffs, leopards, and various other symbols denoting royal authority and eminence, for the Oba (king) and the royal court. In addition to their ivory craftsmanship, the Igbesanmwan possess proficiency in working with a range of other materials, such as wood, brass, and coral. This guild is recognised as one of the most ancient and esteemed in Benin, with their artistic work being widely appreciated for its aesthetic appeal and technical mastery.
