Dame Darcey Andrea Bussell, is an English retired ballerina and a former judge on the BBC television dance contest Strictly Come Dancing.
Dame Alicia Markova DBE was a British ballerina and a choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first British dancer to become the principal dancer of a ballet company and, with Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
Daria Klimentová is a Czech retired ballet dancer, ballet teacher and photographer. She spent most of her career as a lead principal dancer at English National Ballet. She is currently a teacher at the Royal Ballet Upper School.
Gelsey Kirkland is an American ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading. Balanchine re-choreographed his version of Stravinsky's The Firebird specifically for her. She left the New York City Ballet to join the American Ballet Theatre in 1974 as a principal dancer.
Alicia Alonso was a Cuban prima ballerina assoluta and choreographer whose company became the Ballet Nacional de Cuba in 1955. She is best known for her portrayals of Giselle and the ballet version of Carmen.
Cynthia Kathleen Gregory is an American former prima ballerina.
Altynai Abduakhimkyzy Asylmuratova is a Kazakh-born former ballerina who is artistic director of the ballet company at Astana Opera. She is a former prima ballerina with the Kirov Ballet and a guest artist all over the world.
Svetlana Yuryevna Zakharova is a Ukrainian prima ballerina who dance with the Bolshoi Ballet and an étoile of the La Scala Theatre Ballet.
The Prix de Lausanne is an international dance competition held annually in Lausanne, Switzerland. The competition is for young dancers seeking to pursue a professional career in classical ballet, and many former prize winners of the competition are now leading stars with major ballet companies around the world. The competition is managed by a non-profit foundation organised by the Fondation en faveur de l'Art chorégraphique and is maintained by various sponsors, patrons and donors.
Maina Gielgud is a British former ballet dancer and a veteran ballet administrator. She was artistic director of The Australian Ballet from 1983 to 1996. She had a twenty-year career as a dancer in Europe and the United Kingdom. Gielgud directed the Royal Danish Ballet between 1997 and 1999. Until 2005, she held the artistic associate position at the Houston Ballet. She is a daughter of Lewis Gielgud and actress Zita Gordon and niece of actor John Gielgud.
Marilyn Patricia Rowe is the first graduate of the Australian Ballet School to be appointed its director, in 1999.
Beverly Jane Fry is an Australian ballerina.
Lorena Feijóo is a Cuban former ballet dancer. Her dance career started in 1988 at the Cuban National Ballet, but left Cuba two years later for more opportunities. After stints at Ballet de Monterrey, Royal Ballet of Flanders and Joffrey Ballet, she joined the San Francisco Ballet in 1999 as a principal dancer, and retired in 2017. She then became an associate artistic director of Bay Area Houston Ballet & Theatre. Her sister, Lorna Feijóo, was also a ballet dancer.
British ballet is most recognised for two leading methods, those of the Royal Ballet School and the Royal Academy of Dance. The identifying characteristic of British ballet is the focus on clean, precise technique and purity of line that is free of exaggeration and mannerisms. The training of dancers in Britain is noted for its slow progression, with a great deal of attention paid to basic technique. British ballet methods operate on the principle that establishing correct technique and strength slowly makes it much easier for the student to adapt to more difficult vocabulary and techniques later on.
Viviana Durante is an Italian ballet dancer, considered one of the great dramatic ballerinas of recent times. She was a principal dancer of The Royal Ballet, American Ballet Theatre, Teatro alla Scala and K-Ballet. She is the artistic director of English National Ballet School and of the Viviana Durante Company.
Natalia Petrovna Osipova is a Russian ballerina, currently a principal ballerina with The Royal Ballet in London.
Gailene Stock CBE AM was an Australian-born ballerina, teacher and Director of the Royal Ballet School in Covent Garden.
Stella Abrera is a Filipina-American ballet dancer. She danced as a principal dancer with American Ballet Theatre until her retirement in 2020, and is the company's first Filipina principal ballerina. She is now the artistic director of the dance cultural park Kaatsbaan.
Rachel Cameron was an Australian ballet dancer and teacher. She was one of the leading dancers in early Australian ballet in the 1940s, performing with the Borovansky and Kirsova ballet companies, and was one of the first ballet dancers in Australia to reach the rank of principal. After emigrating to Great Britain she was an inspirational educator of ballet teachers at the Royal Academy of Dance in London for over forty years. In 2010, she received the Royal Academy of Dance's prestigious Queen Elizabeth II Coronation Award in recognition of her outstanding services to ballet.
