The topic of this article may not meet Wikipedia's notability guideline for biographies .(October 2020) |
M Miriam Herrera | |
---|---|
Born | Sutherland, Nebraska | June 14, 1963
Language | English; Spanish |
Nationality | American |
Alma mater | University of Illinois, Chicago |
Genre | Poetry |
Literary movement | Converso, Chicano |
Notable works | Kaddish for Columbus |
M. Miriam Herrera (born June 14, 1963) is an American author and poet. She teaches at the University of Texas Rio Grande Valley and currently teaches Introduction to Mexican Studies as well as Composition and Rhetoric and Creative Writing. [1] She is a Lecturer with the Department of Writing Language Studies, and a Mexican American Studies Program (MASC) Affiliate. [2] Her poetry often explores Mexican-American or Chicano life and her Crypto-Jewish and Cherokee heritage, but mainly the universal themes of nature, family, myth, and the transcendent experience. [3]
Herrera was born to natives of the Rio Grande Valley of South Texas. She was born in Sutherland, Nebraska, where her parents had been working in the sugar-beet fields. She was raised in Aurora, Illinois, where her parents moved to escape a migratory life of farm work. Herrera began writing poetry as a grade school student when she met Gwendolyn Brooks, former Poet Laureate of Illinois, and heard her read her poetry at Herrera's elementary school. [4]
Herrera attended the University of Illinois at Chicago Program For Writers and earned her Master of Arts degree in Creative Writing in 1981. She studied with John Frederic Nims, the editor of Poetry Magazine; Ralph J. Mills, editor of The Selected Letters of Theodore Roethke and The Notebooks of David Ignatow; and Paul Carroll, founder of the Poetry Center of Chicago and of Big Table Magazine. While attending the University of Illinois at Chicago, Herrera was involved in the Chicano literary community, which included Sandra Cisneros, Carlos Cumpian, Norma Alarcón, Ana Castillo and Ralph Cintron as her contemporaries. [5]
Herrera taught creative writing, poetry writing, Chicano/Latino literature, and expository writing at the University of Illinois at Chicago; the University of New Mexico–Los Alamos; South Bay College, Hawthorne, California; and Russell Sage College, Troy, New York. She is a member of the Community of Writers at Squaw Valley, California, and is the founder of the Writing Studio, Medusa Community of Poets & Writers, and the Audre Lorde Poetry Prize at Russell Sage College. Currently she is a member of the Society for Crypto-Judaic Studies and serves as the poetry editor for their journal, HaLapid. [6]
Herrera descends from Crypto-Jews, also known as Conversos. These converts to Catholicism escaped the Spanish Inquisition for the New World where they intermarried with the indigenous peoples and old Christians who populated the American Southwest. Her poetry collection, Kaddish for Columbus explores the enigma of these divergent identities and landscapes the poet inhabits:
"Mythic borders appear in the poems as a metaphor for life that are found beyond physical space—the borders between peoples, ideas, religions, landscapes; between science and spirit, between self; how identities are transformed when one side collides with another; how the poet, a descendant of both Columbus and Native Americans, reconciles ambiguity." [7] [8]
Herrera's poetry has been published in many literary journals, including Southwestern American Literature, Earth's Daughters, Albatross, Blue Mesa Review, and Nimrod International Journal of Prose and Poetry.
Gloria Evangelina Anzaldúa was an American scholar of Chicana feminism, cultural theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza, on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work. She also developed theories about the marginal, in-between, and mixed cultures that develop along borders, including on the concepts of Nepantla, Coyoxaulqui imperative, new tribalism, and spiritual activism.
The Society for Crypto-Judaic Studies ("SCJS"), founded in August 1990 by Rabbi Joshua Stampfer of Portland, Oregon, and Dr. Stanley Hordes of Santa Fe, New Mexico, is the major academic organization conducting and encouraging research on the Crypto-Jews of Spain and Portugal and their descendants today. This also involves significant attention being given to the Inquisition and to its ramifications for Sephardic Jews as well as for the general Jewish community.
Norma Elia Cantú is a Chicana postmodernist writer and the Murchison Professor in the Humanities at Trinity University in San Antonio, Texas.
José Antonio "Tony" Burciaga was an American Chicano artist, poet, and writer who explored issues of Chicano identity and American society.
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
Rigoberto González is an American writer and book critic. He is an editor and author of poetry, fiction, nonfiction, and bilingual children's books, and self-identifies in his writing as a gay Chicano. His most recent project is Abuela in Shadow, Abuela in Light, a literary memoir. His previous memoir What Drowns the Flowers in Your Mouth: A Memoir of Brotherhood was a finalist for the National Book Critics Circle Award in Autobiography. He is the 2015 recipient of the Bill Whitehead Award for Lifetime Achievement from the Publishing Triangle, and the 2020 recipient of the PEN/Voelcker Award for Poetry.
Alberto Baltazar Urista Heredia, better known by his nom de plume Alurista, is a Chicano poet and activist. His work was influential in the Chicano Movement and is important to the field of Chicano poetry.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
Alicia Gaspar de Alba is an American scholar, cultural critic, novelist, and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.
Juan Felipe Herrera is an American poet, performer, writer, cartoonist, teacher, and activist. Herrera was the 21st United States Poet Laureate from 2015 to 2017. He is a major figure in the literary field of Chicano poetry.
Lorna Dee Cervantes is an American poet and activist, who is considered one of the greatest figures in Chicano poetry. She has been described by Alurista, as "probably the best Chicana poet active today."
Margo Tamez is a Lipan Apache author of the Hada'didla Nde', Konitsaii Nde' and an enrolled citizen of the Lipan Apache Band of Texas.
Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature.
Andrés Montoya was a Chicano poet.
Rossy Evelin Lima-Padilla is a United States-based Mexican writer, scholar, translator and activist. She has published her work in numerous journals, magazines and anthologies in Europe, North America and South America.
Margarita Cota-Cárdenas is an American poet and author. A voice for Chicano literature, Cota-Cárdenas is known for her 1985 novella Puppet: A Chicano Novella and her works of poetry. She is a professor emerita of Spanish at Arizona State University.
Georgina Herrera was a Cuban writer of poetry, novels and short stories. She also wrote drama and scripts for radio and television series, as well as for film.
Emmy Pérez is a Chicanx poet and writer originally from Santa Ana, California, United States. She was a recipient of a National Endowment for the Arts Poetry Fellowship in 2017. She has lived in the borderlands of Texas since 2000, where she has taught creative writing in college and MFA programs, as well as in detention facilities and as part of social justice projects. Her latest collective is Poets Against the Border Wall. She was also a fellow (2010–12) and organizing committee member of CantoMundo (2018–19) and is a long-time member of Macondo Writers Workshop.
Verónica Reyes is a Chicana, Latino, LGBT poet from East LA in the United States. She is known for her published book of poetry, Chopper! Chopper! Poetry from Bordered Lives. She won International Latino Book Award 2014 and Golden Crown Literary Society Award 2014 and a Finalist for Lambda Literary Award 2014. She's an AWP Intro Journals Project award winner in 1999 and a finalist for the Andrés Montoya Poetry Prize.