Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the defining punk bands during its initial eight-year run.
Eric Reed Boucher, known professionally as Jello Biafra, is an American singer, spoken word artist and political activist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
Frankenchrist is the third album by the American hardcore punk band Dead Kennedys, released in 1985 on Alternative Tentacles.
Melvins are an American rock band formed in 1983 in Montesano, Washington. Their early work was key to the development of both grunge and sludge metal. Primarily a trio, they have also performed as a quartet, with either two drummers or two bassists. Since 1984, vocalist and guitarist Buzz Osborne and drummer Dale Crover have been constant members.
Give Me Convenience or Give Me Death is a compilation album by the American hardcore punk band Dead Kennedys. It was released in June 1987 through front man Jello Biafra's record label Alternative Tentacles.
"California Über Alles" is the debut single by American punk rock band Dead Kennedys. It was the group's first recording and was released in June 1979 on the Optional Music label, with "The Man with the Dogs" appearing as its B-side. The title track was re-recorded in 1980 for the band's first album, Fresh Fruit for Rotting Vegetables, and the original recording as well as the B-side were later included on the 1987 compilation Give Me Convenience or Give Me Death.
Wesley Lawrence Willis was an American musician and visual artist. Diagnosed with schizophrenia in 1989, Willis began a career as an underground singer-songwriter in the outsider music tradition. Willis' songs are typically partially spoken in an MC style, and partially sung in a nasal tone with unique intonation. They feature bizarre, humorous and sometimes obscene or absurd lyrics sung over backing created by using the auto accompaniment feature on his Technics KN keyboard. His songs cover a wide variety of topics, with mental illness and consumerism being the most prominent themes. He is best known for songs like "Rock N Roll McDonald's" and "I Wupped Batman's Ass".
Bedtime for Democracy is the fourth and final studio album by American punk rock band Dead Kennedys. Released in 1986, songs on this album cover common punk subjects often found in punk rock lyrics of the era such as conformity, Reaganomics, the U.S. military, and critique of the hardcore punk movement. The album's title refers to the 1951 comedy film, Bedtime for Bonzo starring Ronald Reagan and also reflects the band's weary bitterness from the trial they were undergoing at the time over the controversial art included with their previous album. By the time recording of Bedtime for Democracy had begun, the Dead Kennedys had already played what would be their last concert with Jello Biafra and announced their breakup immediately after the release of the record, whose opening track is a cover of David Allan Coe's "Take This Job and Shove It."
Plastic Surgery Disasters is the second full-length album released by punk rock band Dead Kennedys. Recorded in San Francisco during June 1982, it was produced by the band and punk record producer Thom Wilson, with Geza X getting a "special thanks" underneath the DK's/Wilson credit for additional production. The album is darker and more hardcore-influenced than their debut album Fresh Fruit for Rotting Vegetables as a result of the band trying to expand on the sound and mood they had achieved with their 1980 single "Holiday in Cambodia". It was the first full-length album to feature drummer D.H. Peligro, and is frontman Jello Biafra's favorite Dead Kennedys album.
Never Breathe What You Can't See is a studio album by Jello Biafra and The Melvins, released in 2004 through Alternative Tentacles.
Winston Smith is an American artist, illustrator, and cover designer who primarily uses the medium of collage. He is probably best known for the artwork he has produced for the American punk rock group Dead Kennedys. He also designed the Motéma Music logo.
Become the Media is the sixth spoken word album by Jello Biafra. Topics covered include the WTO Meeting of 1999, the 2000 presidential election, the Green Party, the International Monetary Fund, the Columbine High School massacre, and the H.O.P.E. conference.
Live from the Battle in Seattle is the only album released by anti-globalization punk band The No WTO Combo. Of the five tracks on the album, only two, "New Feudalism" and "Electronic Plantation", are original songs. "Let's Lynch the Landlord" and "Full Metal Jackoff" are both covers, by Jello Biafra's former band Dead Kennedys, and D.O.A. featuring Biafra, respectively. "Battle in Seattle" is an opening speech/rallying cry by Jello Biafra. Biafra later re-recorded "New Feudalism" and "Electronic Plantation" for the album The Audacity of Hype by Jello Biafra and the Guantanamo School of Medicine.
Sieg Howdy! is the second album by Jello Biafra and The Melvins. It consists of songs recorded during the same sessions that produced their first collaboration Never Breathe What You Can't See but not used on that album, plus remixes of four songs from the first album.
Beyond the Valley of the Gift Police is the fourth spoken word album by Jello Biafra. The album included a cartoon tract insert by graphic novelist Daniel Clowes, Devil Doll?, which spoofed the Chick Publications tracts. The album cover is a reproduction of a painting by Sandow Birk.
A detailed discography of releases by the hardcore punk musician and spoken word artist Jello Biafra:
Prairie Home Invasion is a collaborative studio album by Jello Biafra and Mojo Nixon, backed by Nixon's backing band the Toadliquors. Released in 1994 by Biafra's record label Alternative Tentacles, the album's lyrics predominantly deal with political themes, as well as criticism of corporate rock and country pop.
Milking the Sacred Cow is a compilation album by San Francisco punk rock band Dead Kennedys. Released in 2007, it comprises songs recorded between 1979 and 1985 that originally appeared on the band’s various studio albums and singles. The compilation also contains two previously unreleased live versions of songs from the band’s Frankenchrist album. Notably, Milking the Sacred Cow contains no material from the Dead Kennedys’ final studio album, Bedtime for Democracy.
The Big Ka-Boom, Pt. 1 is the seventh spoken word album by Jello Biafra.
The Great Betrayal may refer to:
