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| Machines of Loving Grace | ||||
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| Studio album by | ||||
| Released | 1991 | |||
| Genre | Industrial rock, dance rock, techno pop | |||
| Label | Mammoth Records | |||
| Machines of Loving Grace chronology | ||||
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Machines of Loving Grace is an album by the American band Machines of Loving Grace, released in 1991. [1] The opening track contains a sample from Devo's 1981 single "Through Being Cool". The band supported the album by touring with Swans. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
The St. Petersburg Times wrote: "Although the harsh reality of industrial dance music runs amok in 'Burn Like Brilliant Trash (At Jackie's Funeral)', 'Cicciolina', which follows, is gentle, as close to balladry as tech-heads have ever roamed." [4] The Washington Post deemed the band "a synth-based trio that occasionally approximates a hip-hop swing but often sounds like one of those British electro-dance combos of a decade ago." [5] The Oregonian opined that "the group veers from cluttered industrial noise constructs (akin to Skinny Puppy, though milder) to glossy, if eccentric, dance-rock." [6]
AllMusic wrote that "Pretty Hate Machine-style synths are scattered liberally across the album, but the most part it's surprisingly calm and restrained." [3]
All tracks by Machines of Loving Grace
Ilona Staller, known by her stage name Cicciolina, is a Hungarian-Italian former porn star, politician, and singer.
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records.
Synth-pop is a genre of new wave music and pop music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
Electronic body music (EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes.
John Lenwood "Jackie" McLean was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Ministry is an American industrial metal band founded in Chicago, Illinois in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia and Tommy Victor, guitarist Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Marilyn Manson, Rammstein, Godflesh, and Fear Factory.
Sophisticated Boom Boom is the debut studio album by English pop band Dead or Alive, released on 20 April 1984 by Epic Records. Featuring mostly synth-pop and dance elements, the album contains the band's first UK Top 40 single, a cover version of KC and the Sunshine Band's "That's the Way ". That song, along with "Misty Circles", were hits on the US Hot Dance Music/Club Play chart. The album was a minor success in the UK where it peaked at No. 29.
Mammoth Records was an independent record label founded in 1989 by Jay Faires in the Carrboro area of Chapel Hill, North Carolina. The majority of the acts on Mammoth were executive-produced by Faires and the label's general manager, Steve Balcom. The label was the first independent to produce two platinum records.
Hotwired is the third studio album by the Scottish band the Soup Dragons. It was released on April 21, 1992.
Sugar Tax is the eighth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 7 May 1991 by Virgin Records. It was the group's first studio album since 1986's The Pacific Age, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey alongside a new backing band, Sugar Tax leans towards the then-prevalent dance-pop genre, with McCluskey's songwriting at times being influenced by the breakdown of his relationship with Humphreys.
"Love Action (I Believe in Love)" is a song by the British synthpop group The Human League, released as a single in the UK in July 1981. It became the band's first Top 10 success, peaking at number three in the UK Singles Chart.
Cure for Sanity is the third studio album by English rock band Pop Will Eat Itself, released on 22 October 1990 by RCA Records. Upon its release, the album entered the UK Albums Chart and stayed there for two weeks, peaking at number 33, and re-entered the chart when it was re-released in July 1991, staying there for one week at number 58. In Australia, the album peaked at number 51 and spent six weeks on the ARIA top 100 albums chart.
Brian Wayne Transeau, known by his initials as BT, is an American musician, DJ, singer, songwriter, record producer, composer, and audio engineer. An artist in the electronic music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines. He creates music within a myriad of styles, such as classical, film composition, and bass music.
"Torture" is the second single released off the album Victory by the band The Jacksons. Written by Jackie Jackson and fellow Motown veteran Kathy Wakefield, the song is about someone ending a relationship and the torture that the member of the relationship, who is still in love with the other person, can feel. Jackie was originally going to sing the song with his brother, Michael, but Jackie's role instead went to Jermaine Jackson, whose availability for the album was in question until the last minute. The rest of the Jacksons sang the chorus along with Michael, Jermaine and Jackie.
The Dancing Cigarettes were a popular post-punk and art band based in Bloomington, Indiana, active from 1979 through 1983. They were part of a cadre of Bloomington-based bands that made an impact on the underground music scene. Other bands included The Gizmos, Zero Boys, Dow Jones and the Industrials, and MX-80 Sound. These bands established Indiana as an innovative breeding ground for punk, post-punk and new wave music in the late 1970s and early 1980s.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
Dungeon synth is a genre of electronic music that merges elements of black metal and dark ambient. The style emerged in the early 1990s, predominantly among members of the second wave black metal scene.
"Over the Shoulder" is a song by American industrial band Ministry, from their second studio album, Twitch (1986). Written by frontman Al Jourgensen, produced by Adrian Sherwood, and released in November 1985 as a 12-inch single, it was the band’s first recording after signing with Sire Records; the accompanying music video was directed by Peter Christopherson.
