Mad Dog Time | |
---|---|
Directed by | Larry Bishop |
Written by | Larry Bishop |
Produced by | Judith James |
Starring | Ellen Barkin Gabriel Byrne Richard Dreyfuss Jeff Goldblum Diane Lane |
Cinematography | Frank Byers |
Edited by | Norman Hollyn |
Music by | Earl Rose |
Production companies | |
Distributed by | MGM/UA Distribution Co. |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Budget | $8 million |
Box office | $107,874 |
Mad Dog Time (also known as Trigger Happy) is a 1996 American ensemble crime comedy film written and directed by Larry Bishop and starring Ellen Barkin, Gabriel Byrne, Richard Dreyfuss, Jeff Goldblum and Diane Lane. The film is notable for the various cameo appearances, including the first (and final) film appearance by Christopher Jones in over a quarter-century. [1]
The story takes place in a mysterious underworld of swanky nightclubs where armed criminals listen to Rat Pack music and hold shootouts from a seated position, behind desks. Mickey Holliday is the top enforcer for Vic, the mob boss, who is about to be released from a psychiatric facility. In his absence, Ben London has been running Vic's nightclub while Mickey has been romancing both Rita and Grace Everly, which is doubly dangerous inasmuch as they are sisters and Grace was previously Vic's girl.
A rival, Jake Parker, recruits a number of hired guns in an attempt to seize power. Mickey kills the first to challenge him, Lee Turner. The next one brought in by Parker, identified as Nicholas Falco and supposedly the fastest draw of all, murders Mickey's close friend, Jules Flamingo, who is unarmed. A showdown is arranged and Mickey ends up eliminating both Parker and the apparently overrated Falco.
Vic returns to resume his reign as mob boss. He brings with him a new enforcer, the "real" Nicholas Falco, the previous one having been an impostor. "Brass Balls" Ben London promptly challenges Vic for control of the organization (while singing "My Way" on stage in the nightclub) and is shot dead. Falco proceeds to gun down the remaining opposition, including "Wacky" Jackie Jackson, and is eager to shoot it out with Mickey Holliday once and for all.
Mickey attempts to repair his relationship with Rita, who is furious that he has been seeing her sister on the side. Mickey finally confesses to Grace that he has been seeing her in the daytime and Rita at night. She also has been unaware that Vic is back in town. At a final confrontation held in a private office, Grace reveals that she is pregnant with Vic's child. Forced to choose between Holliday and Falco before they shoot it out, Vic sides with his old friend and Grace kills Falco. He and Mickey end up (apparently) living happily ever after with the Everly sisters.
The writer-director's father, Joey Bishop, is briefly seen and speaks one word: "Hello". His character runs Gottlieb's Mortuary ("Gottlieb" being Bishop's real name).
Richard Pryor appears as Gottlieb's sidekick, Jimmy the Grave Digger. Despite his character being mentioned throughout the film, he is in only one scene and speaks few lines. He is shown in a wheelchair, and his voice is garbled. His physical deterioration was obvious at the time the film was made. It is Pryor's second-to-last film appearance.
One scene irrelevant to the plot features Rob Reiner as a limo driver, explaining his humorous philosophy on life to Dreyfuss. Reiner and Larry Bishop were once professional comedy partners.
The film opened on November 8, 1996, on 18 screens in New York, Los Angeles, San Francisco and Toronto. [2] It grossed $41,480 in its opening weekend. [3]
The film was not well received by critics on release. Roger Ebert of the Chicago Sun-Times gave the film a rare zero-star rating, noting:
Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line. ... Mad Dog Time should be cut into free ukulele picks for the poor. [4]
Roger Ebert and partner Gene Siskel of the Chicago Tribune voted this the worst film of 1996 on their television show Siskel & Ebert at the Movies . Ebert repeated his written statement that watching this movie was not preferable to 1 hour and 45 minutes of looking at a blank wall, and mentioned how upset that he was that Siskel won the right to choose this film after a coin toss, so he had to pick the second-worst film of the year, Un indien dans la ville (Little Indian, Big City), a film that Ebert also gave zero stars. Siskel said that he still did not know what the film was about six months after he saw it, and that because, in addition to starring in the film, Richard Dreyfuss is listed as a co-producer, he deserves most of the blame for helping get the story on screen. [5] [6]
A review by Stephen Holden in The New York Times on November 8, 1996, called Mad Dog Time "a rat's nest of hip pretensions posing as a comedy". [7]
In Entertainment Weekly on November 22, 1996, reviewer Ken Tucker described it as "jaw-droppingly incoherent". [8]
The film holds a 17% rating on Rotten Tomatoes, based on 6 reviews. [9]
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted movie review television series alongside colleague Roger Ebert.
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does not improve on the sight of a blank screen viewed for the same length of time.