Dame Maggie Teyte, DBE (17 April 1888 –26 May 1976) was an English operatic soprano and interpreter of French art song.
Dame Maggie Teyte, DBE (17 April 1888 –26 May 1976) was an English operatic soprano and interpreter of French art song.
Margaret Tate was born in Wolverhampton, England, one of ten children of Jacob James Tate, a successful wine and spirit merchant and proprietor of public houses and later lodgings. Her parents were keen amateur musicians and opera enthusiasts. She was the sister of composer James W. Tate. Her family moved to London in 1898, where Teyte attended St. Joseph's Convent School, Snow Hill, and later studied at the Royal School of Music.
Her father died in 1903 and she went to Paris the following year to become a pupil of the celebrated tenor Jean de Reszke. She made her first public appearance in Paris in 1906 when she sang Cherubino in The Marriage of Figaro and Zerlina in Don Giovanni , both conducted by Reynaldo Hahn. Her professional debut took place at the Opera House in Monte Carlo on 1 February 1907, where she performed Tyrcis in Myriame et Daphné [1] (André Bloch's arrangement of Jacques Offenbach's Daphnis et Chloé ), with Paderewski. The following week, again at the Opera House in Monte Carlo, she sang Zerlina.
Finding that her surname was generally mispronounced in France, she changed it from Tate to Teyte before joining the Opéra-Comique in Paris. After a few small parts, she was cast as Mélisande in Pelléas et Mélisande by Debussy, replacing the originator of the role, Mary Garden. To prepare for Pelléas et Mélisande, she studied with Debussy himself, and she is the only singer ever to be accompanied by Debussy on the piano with an orchestra in public (see Beau Soir). In 1910, Sir Thomas Beecham cast Teyte as Cherubino and Mélisande and also as Blonde in Die Entführung aus dem Serail for his London season. Despite her early singing successes, Teyte did not easily establish herself in the main opera houses. Instead, she moved to America and performed with the Chicago Grand Opera Company from 1911 to 1914 and the Boston Opera Company from 1914 to 1917, singing in Philadelphia and elsewhere, but not in New York, though she created the title role in Henry Kimball Hadley's opera, Bianca , at Manhattan's Park Theater in 1918. Returning to Britain in 1919, she created the rôle of Lady Mary Carlisle in André Messager's operetta, Monsieur Beaucaire , at the Prince's Theatre. She married for a second time in 1921, to Canadian millionaire Walter Sherwin Cottingham, and went into semi-retirement until 1930, when she performed as Mélisande and played the title role in Puccini's Madama Butterfly .
After difficulty in reviving her career, she ended up performing music hall and variety (24 performances a week) at the Victoria Palace in London. Finally, in 1936, her recordings of Debussy songs accompanied by Alfred Cortot attracted attention, and recordings remained an important factor in her renewed fame, as she gained a reputation in England and the United States as the leading French art song interpreter of her time. She sang at the Royal Opera House in 1936–37 in Hansel and Gretel , as Eurydice in Gluck's Orfeo ed Euridice and as Butterfly in Madama Butterfly . In 1938–39 she broadcast performances of Massenet's Manon in English, with Heddle Nash as des Grieux, in addition to an ill-advised Eva in Wagner's Die Meistersinger . She also appeared in operetta and musical comedy between the wars.
She made her first New York appearances in 1948, including a Town Hall recital followed by performances of Pelléas at the New York City Center Opera. She continued to record and perform in opera until 1951, making her final appearance in the part of Belinda (to Kirsten Flagstad's Dido) in Purcell's Dido and Aeneas at the Mermaid Theatre in London. [2] Her final concert appearance was at the Royal Festival Hall on 22 April 1956, aged 68. She spent her last years teaching. She died in London in 1976, aged 88.
The Musicians' Benevolent Fund sponsors a prize in her honour. The Maggie Teyte Prize of £2,000, which is coupled with the Miriam Licette Scholarship of £3,000, is open to women singers under the age of 30. The winner is offered a recital in association with the Friends of Covent Garden for the Royal Opera House.
Mary Garden was a Scottish-American operatic soprano with a substantial career in France and America in the first third of the 20th century. She spent the latter part of her childhood and youth in the United States and eventually became an American citizen, although she lived in France for many years and eventually retired to Scotland, where she spent the last 30 years of her life and died.
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
Theodor Uppman was an American operatic baritone. He is best known for his creation of the title role in Benjamin Britten's opera Billy Budd.
Maria Louise Ewing was an American opera singer. In the early part of her career she performed solely as a lyric mezzo-soprano; she later assumed full soprano parts as well. Her signature roles were Blanche, Carmen, Dorabella, Rosina and Salome. Some critics regarded her as one of the most compelling singing actresses of her generation.
Magdalena Kožená is a Czech mezzo-soprano.
Suzanne Danco, was a Belgian international soprano whose career encompassed the opera stages of Europe from Mozart to 20th century roles, recitals, recordings of opera and songs, and later teaching.
Jean-François Lapointe is a Canadian baritone opera singer.
Jarmila Novotná was a celebrated Bohemian soprano and actress and, from 1940 to 1956, a star of the Metropolitan Opera.
Richard Stilwell III is an operatic and concert baritone.
Jacques Jansen was a French baryton-martin singer, particularly associated with the role of Pelléas in the opera by Debussy, but also active in operetta and on the concert platform, and later as a teacher.
Gabriel Bacquier was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.
Isabel Leonard is an American mezzo-soprano opera singer based in New York City. She is of Argentine ancestry on her mother's side.
Janine Micheau was a French operatic soprano, one of the leading sopranos of her era in France, particularly associated with lyric soprano and coloratura soprano repertory.
Roger Bourdin was a French baritone, particularly associated with the French repertory. His career was largely based in France. His daughter is Françoise Bourdin.
Jeanne Gerville-Réache was a French operatic contralto from the Belle Époque. She possessed a remarkably beautiful voice, an excellent singing technique, and wide vocal range which enabled her to perform several roles traditionally associated with mezzo-sopranos in addition to contralto parts. Her career began successfully in Europe just before the turn of the twentieth century. She later came to North America in 1907, where she worked as an immensely popular singer until her sudden death in 1915. She is particularly remembered for her portrayal of Dalila in Camille Saint-Saëns' Samson et Dalila, which she helped establish as an important part of the repertory within the United States. She also notably portrayed the role of Geneviève in the world premiere of Debussy's Pelléas et Mélisande in 1902.
Susanne Mentzer is an American operatic mezzo-soprano. She is best known for singing trouser roles, such as Cherubino in Mozart's Le nozze di Figaro, Idamante in Mozart's Idomeneo, Octavian in Richard Strauss' Der Rosenkavalier and the composer in Strauss' Ariadne auf Naxos, as well as other music of Mozart, Strauss, Rossini, Berlioz and Mahler.
Diana Montague is an English mezzo-soprano, known for her performances in opera and as a concert singer.
Alison Hagley is an English opera singer.
Jonathan McGovern is an English baritone singer.
Jeannette Pilou was a Greek operatic soprano.
