Mambrino was a fictional Moorish king, celebrated in the romances of chivalry. His first appearance is in the late fourteenth-century Cantari di Rinaldo, also known as Rinaldo da Monte Albano, Rinaldo Innamorato or Innamoramento di Rinaldo. The Cantari di Rinaldo is an adaptation of the Old French chanson de geste, Renaud de Montauban , also known as Les Quatre Fils Aymon. In the Old French, Renaud defeats the Saracen king Begon, who was invading King Yon's kingdom of Gascony. The Italian replaces Begon with Mambrino, and furnishes him with an elaborate backstory. In the Cantari, Mambrino is one of six brothers, all giants. Four of the brothers had been decapitated by Rinaldo on various occasions earlier in the poem, so that his invasion of Gascony was motivated by his desire for vengeance. Rinaldo, as the Italians called Renaud, wins the war by defeating Mambrino in single combat and decapitating him as well. Mambrino's helmet, in this poem, has for its crest an idol which is so constructed that whenever the wind blows through it, it says, "Long live the most noble lord Mambrino, and all his barons."
In later poems, Mambrino’s helmet was made of pure gold and rendered its wearer invulnerable. These are the helmet's attributes in the Orlando Innamorato and the Orlando Furioso , throughout which poems it is worn by Rinaldo. Francesco Cieco da Ferrara's poem, Mambriano, is about the titular son of Mambrino's sister and his attempt to avenge his uncle. [1] Both the sister and the nephew were invented by Francesco.
Cervantes, in his novel Don Quixote de la Mancha , tells us of a barber who was caught in the rain, and to protect his hat clapped his brazen basin on his head. Don Quixote insisted that this basin was the enchanted helmet of the Moorish king. Don Quixote wishes to obtain the helmet in order to make himself invulnerable. In the musical Man of La Mancha , an entire song is constructed around the titular character's search for the helmet and his encounter with the barber.
There is a reference in Patrick Leigh Fermor's Mani to Mambrino with respect to a very large straw hat worn by a Greek man in the 1930s. "[The man] came loping towards us under his giant Mambrino's helmet of straw." [2]
Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.
Bayard is a magical bay horse in the legends derived from the medieval chansons de geste. These texts, especially that of The Four Sons of Aymon, attribute to him magical qualities and a supernatural origin. He is known for his strength and intelligence, and possesses the supernatural ability to adjust his size to his riders.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
Orlando Innamorato is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 and 1495.
Matteo Maria Boiardo was an Italian Renaissance poet, best known for his epic poem Orlando innamorato.
Francesco Berni was an Italian poet. He is credited for beginning what is now known as "Bernesque poetry", a serio-comedic type of poetry with elements of satire.
Astolfo is a fictional character in the Matter of France where he is one of Charlemagne's paladins. He is the son of Otto, the King of England, and is a cousin to Orlando and Rinaldo, and a descendant of Charles Martel. While Astolfo's name appeared in the Old French chanson de gesteThe Four Sons of Aymon, his first major appearance was in the anonymous early fourteenth-century Franco-Italian epic poem La Prise de Pampelune. He was subsequently a major character in Italian Renaissance romance epics, such as Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo, and Orlando Furioso by Ludovico Ariosto.
Maugris or Maugis was one of the heroes of the chansons de geste and romances of chivalry and the Matter of France that tell of the legendary court of King Charlemagne. Maugis was cousin to Renaud de Montauban and his brothers, son of Beuves of Aygremont and brother to Vivien de Monbranc. He was brought up by Oriande the fairy, and became a great enchanter. He won the magical horse Bayard and the sword Froberge which he later gave to Renaud.
Bradamante is a fictional knight heroine in two epic poems of the Renaissance: Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art.
Ferragut was a character—a Saracen paladin, sometimes depicted as a giant—in texts dealing with the Matter of France, including the Historia Caroli Magni, and Italian epics, such as Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. In the tales, he was portrayed as physically invulnerable except at his navel/stomach, and was eventually killed by the paladin Roland.
Angelica is a princess in the epic poem Orlando innamorato by Matteo Maria Boiardo. She reappears in the saga's continuation, Orlando furioso by Ludovico Ariosto, and in various later works based on the two original Orlando pieces. The narratives are part of the Matter of France, a cycle of legendary history stories based on the adventures of Charlemagne and his paladins.
Rodomonte is a major character in the Italian romantic epic poems Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. He is the King of Sarza and Algiers and the leader of the Saracen army which besieges Charlemagne in Paris. He is in love with Doralice, Princess of Granada, but she elopes with his rival Mandricardo. He tries to seduce Isabella but she tricks him into killing her by mistake. In remorse, Rodomonte builds a bridge in her memory and forces all who cross it to pay tribute. When the "naked and mad" Orlando arrives at the bridge, it is Rodomonte, the pagan, who throws him into the river below. They both swim ashore, but Orlando who is naked and is unimpeded by heavy armor gets to the shore first. Finally, Rodomonte appears at the wedding of Bradamante and Ruggiero and accuses Ruggiero of treason for converting to Christianity and abandoning the Saracen cause. The two fight a duel and Rodomonte is killed.
Ruggiero is a leading character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic Aspremont, reworked by Andrea da Barberino as the chivalric romance Aspramonte. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems.
Brunello is a character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Brunello is a dwarf and a cunning thief who works for the Saracen army of King Agramante. He first appears in the second book of Orlando Innamorato where Agramante intends to invade Europe and defeat Emperor Charlemagne. He has been told he has no chance of success unless he has the young warrior Ruggiero on his side, but Ruggiero has been hidden in a secret garden by the wizard Atlante and the only way to reach him is by using the magic ring belonging to Princess Angelica. Brunello undertakes to steal it and sets off for the fortress of Albracca where he not only manages to snatch the ring but also robs King Sacripante of his horse and the female warrior Marfisa of her sword. Marfisa sets off in pursuit but Brunello evades her and gives the ring to Agramante, who rewards him with a kingdom. The Saracens find Ruggiero at Mount Carena where they see him behind a wall of glass. However, the wall is too steep and slippery to climb, so Brunello suggests they trick Ruggiero out. He gets them to play war games in the plain beneath the mountain. Ruggiero, with his inherent love of combat, cannot resist and despite Atlante's pleas he leaves the garden and begs Brunello for his horse and armor. Brunello only agrees if he will join their expedition against France, to which Ruggiero happily consents.
Sacripante is a character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. Sacripante is the King of Circassia and one of the leading Saracen knights. He is passionately in love with Angelica and fights to defend her when she is besieged in the fortress of Albracca. His horse Frontino is stolen from underneath him by the cunning thief Brunello. In Orlando furioso he offers to become the wandering Angelica's protector but she evades him.
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them led by Roland. The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.
Agolant or Agolante is a fictional character in Medieval and Renaissance romantic epics dealing with the Matter of France, including Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. He is a Saracen king from Africa.
Veillantif (French), Vielantiu ; Vegliantin, Vegliantino or Brigliadoro (Italian) is the name of Roland the paladin's trustworthy and swift steed in the stories derived from the chansons de geste. The French name comes from an expression meaning "vigilant". Veillantif is first mentioned in The Song of Roland.
La Spagna, also called La Spagna in rima, is a 14th-century Italian epic attributed to the Florentine Sostegno di Zanobi and likely composed between 1350 and 1360. The poem is in ottava rima, composed of 40 cantos, each of about 40 octaves. The work is an adaptation of the story of Charlemagne's battles in Spain and the adventures of his nephew, the paladin Orlando (Roland), including the tale of his mortal duel with Ferraguto and his ultimate death at Roncesvalles.
Mandricardo is a character from the Matter of France, featured in the Italian romantic epic poems Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto.
This article incorporates text from a publication now in the public domain : Wood, James, ed. (1907). "Mambrino". The Nuttall Encyclopædia . London and New York: Frederick Warne.