| Manhattan Fever | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1968 | |||
| Recorded | March 21, 1968 January 31, 1969 (bonus tracks) | |||
| Genre | Jazz | |||
| Length | 41:37 | |||
| Label | Blue Note | |||
| Producer | Duke Pearson | |||
| Frank Foster chronology | ||||
| ||||
Manhattan Fever is an album by American jazz saxophonist Frank Foster recorded in 1968 and released on the Blue Note label. [1] The CD reissue added five previously unreleased recordings from a 1969 session as bonus tracks. [2]
The Allmusic review by Steve Leggett awarded the album 3 stars and stated "Foster's compositional and arranging talents are at center stage, but when he steps out front as a soloist like he does on "The House That Love Built," he shows why he is a top line tenor sax player". [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Penguin Guide to Jazz Recordings | [4] |
Mal/2 is an album by American jazz pianist Mal Waldron released on the Prestige label in November 1957. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
Live at the Village Vanguard is a 1967 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1967 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra and seven tracks were also re-issued in the 1990s on CD as Volume 3 of LRC Ltd.'s series Village Vanguard Live Sessions.
The Sixth Sense is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1970. The album features performances by Morgan, Jackie McLean, Frank Mitchell, Cedar Walton, Victor Sproles and Billy Higgins. The CD reissue added three tracks featuring Harold Mabern and Mickey Bass.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. The CD reissue included two bonus tracks recorded in 1964.
Kofi is an album by the American trumpeter Donald Byrd, featuring performances by Byrd with Frank Foster, Lew Tabackin, Duke Pearson, Ron Carter, Bob Cranshaw, Airto Moreira, Wally Richardson, and Mickey Roker, recorded in 1969 and 1970 and released on the Blue Note label in 1995.
Introducing Duke Pearson's Big Band is the eleventh album by American pianist and arranger Duke Pearson, featuring big band performances recorded in 1967 and released on the Blue Note label. The album was rereleased with six bonus tracks from Now Hear This, Pearson's 1968 big band recording, on a single CD in 1998.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
Don Ellis Orchestra 'Live' at Monterey! is a live album by trumpeter Don Ellis recorded in 1966 at the Monterey Jazz Festival and released on the Pacific Jazz label.
Live in 3⅔/4 Time is a live album by trumpeter Don Ellis recorded in 1966 at the Pacific Jazz Festival and Shelly's Manne-Hole in 1967 and released on the Pacific Jazz label. The title comes from the composition "Upstart", which is in 11
8 time with a 3+3+3+2 feel, cheekily referred to as 3+2⁄3
4 time.
Blue Night is an album by drummer Art Blakey and The Jazz Messengers recorded in 1985 in the Netherlands and released on the Dutch Timeless label.
