Manuel Granada (6 November 1896 - 30 January 1974) was an Argentine actor who appeared in American, Spanish, Argentine and Mexican films. For the first half of his career, he worked under the names Paul Ellis and Manuel Granado.
Granada was born Benjamin Ingenito [1] in Buenos Aires on November 6, 1896. He made his film debut in the Metro-Goldwyn film The Bandolero in 1924 under the name Manuel Granado. [2] He was signed to a contract by Louis B. Mayer and listed as a Metro-Goldwyn principal player in the same year. [3] [4] An April 1925 article by Harry Carr for Motion Picture dubbed him 'Hollywood's New Sheik.' [5] Like other Latino actors in silent-era Hollywood, he had adapted a WASPy screen name, which stood in contrast to his dark features, a look that was popular at the time. Despite this, he was still cast almost exclusively as secondary ethnic characters, unlike his contemporaries in silent-era Hollywood like Gilbert Roland and Barry Norton (a fellow Argentine). He was singled out for praise by The Los Angeles Herald Examiner and other Los Angeles newspapers after the 1926 premiere of The Dancer of Paris. [6]
The coming of sound found Paul Ellis relegated to bit parts, though he did secure some substantial roles in Spanish-language versions of English-language films such as La Voluntad del muerto (1930). In 1930, he also wrote and appeared in the film Alma De Gaucho. [7] [8] [9] Ellis also appeared in Charros, gauchos y manolas , a musical directed by Xavier Cugat. [10] These films were usually released in Spanish-language territories only. He continued to appear in American films for another ten years, mostly in brief uncredited roles, though he is remembered by some for his appearance in Marihuana (1936), which retains a small cult following. He made his last American film, Whistling in the Dark , in 1941. [11]
Still using the name Paul Ellis, Granada next shows up in films in 1947 in Argentina, and continued to appear in films in Argentina. He appeared in the Mexican/Argentine co-production La Tierra del Fuego se apaga.
Clarence Leon Brown was an American film director.
Douglas Graham Shearer was a Canadian American pioneering sound designer and recording director who played a key role in the advancement of sound technology for motion pictures. The elder brother of actress Norma Shearer, he won seven Academy Awards for his work. In 2008, he was inducted into Canada's Walk of Fame.
Samuel Goldwyn, also known as Samuel Goldfish, was a Polish-born American film producer and pioneer in the American film industry, who produced Hollywood’s first major-motion picture. He was best known for being the founding contributor and executive of several motion picture studios in Hollywood. He was awarded the 1973 Golden Globe Cecil B. DeMille Award, the Irving G. Thalberg Memorial Award (1947) and the Jean Hersholt Humanitarian Award (1958).
Goldwyn Pictures Corporation was an American motion picture production company that operated from 1916 to 1924 when it was merged with two other production companies to form the major studio, Metro-Goldwyn-Mayer. It was founded on November 19, 1916, by Samuel Goldfish, an executive at Lasky's Feature Play Company, and Broadway producer brothers Edgar and Archibald Selwyn, using an amalgamation of both last names to name the company.
Julius "Jules" Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.
James Neil Hamilton was an American stage, film and television actor, best remembered for his role as Commissioner Gordon on the Batman TV series of the 1960s, having first played a character by that name in 1928's Three Week-Ends. During his motion picture career, which spanned more than a half century, Hamilton performed in over 260 productions in the silent and sound eras.
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Bobby Vernon was an American comedic actor in silent films. He later became a writer and comedy supervisor at Paramount for W. C. Fields and Bing Crosby, when the sound era arrived. Blue-eyed with medium brown hair, he stood five feet and two-and-a-half inches, making him perfect for juvenile comedy roles. His comedies were popular with children.
Leon Shamroy, A.S.C. was an American film cinematographer known for his work in 20th Century Fox motion pictures shot in Technicolor. He and Charles Lang share the record for most Oscar nominations for Cinematography. During his half-century career, he gained 18 nominations with 4 wins, sharing the record for wins with Joseph Ruttenberg.
Hunt Stromberg was a film producer during Hollywood's Golden Age. In a prolific 30-year career beginning in 1921, Stromberg produced, wrote, and directed some of Hollywood's most profitable and enduring films, including The Thin Man series, the Nelson Eddy/Jeanette MacDonald operettas, The Women, and The Great Ziegfeld, which won the Academy Award for Best Picture of 1936.
The Thirteenth Chair is a 1929 American mystery film directed by Tod Browning. The picture is based on a 1916 play of the same name by Bayard Veiller. It stars Conrad Nagel, Leila Hyams and Margaret Wycherly.
Charros, gauchos y manolas is a Spanish-language musical produced by Hollywood Spanish Pictures in 1930 and directed by Xavier Cugat.
María del Pilar Margarita Casajuana Martínez, known professionally as Maria Alba, was a Spanish-American film actress.
Motion Picture was an American monthly fan magazine about film, published from 1911 to 1977. It was lastly published by Macfadden Publications.
Vicente Padula was an Argentine film actor. Padula moved to the United States, and appeared regularly in Hollywood films. He also made films in Mexico. Padula was a friend of the Argentine film star Carlos Gardel and appeared in several of his American films including Suburban Melody (1933) which was one of the highest-grossing film in their native Argentina that year.
Howard J. Green was an American screenwriter who worked in film and television. He was the first president of the Screen Writers Guild and a founder of the subsequent Writers Guild of America, West.