In 1990, Ninotchka was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It has been listed as one of the greatest films of all time by Empire in 2008[2] and Time in 2011.[3]
Count Alexis Rakonin (Gregory Gaye), a White Russiannobleman reduced to employment as a waiter in the hotel where the trio are staying, overhears details of their mission and informs the former Russian Grand Duchess Swana (Ina Claire) that her court jewels are to be sold by the three men. Swana's debonair paramour, Count Léon d'Algout (Melvyn Douglas) offers to help retrieve the jewelry before it is sold.
In their hotel suite, Iranoff, Buljanoff and Kopalski negotiate with Mercier (Edwin Maxwell) a prominent Parisian jeweler, when Léon interrupts the meeting. He explains that the jewels were seized illegally by the Soviet government and a petition has been filed preventing their sale or removal. Mercier withdraws his offer to purchase the jewelry until the lawsuit is settled.
The amiable, charming and cunning Léon treats the three Russians to an extravagant lunch, gets them drunk and easily wins their friendship and confidence. He sends a telegram to Moscow in their name suggesting a compromise.
Moscow, angered by the telegram, then sends Nina Ivanovna "Ninotchka" Yakushova (Greta Garbo), a special envoy whose goal is to win the lawsuit, complete the jewelry sale and return with the three renegade Russians. Ninotchka is methodical, rigid and stern, chastising Iranoff, Buljanoff and Kopalski for failing to complete their mission.
Ninotchka and Léon first meet on the street near the hotel, their identities unknown to one another. He flirts, but she is uninterested. Intrigued, Léon follows her to the Eiffel Tower and shows her his home through a telescope. Ninotchka tells him he might be an interesting subject of study and suggests they go to his apartment. Léon, fascinated by Ninotchka, continues to flirt and he soon falls in love with her. They kiss, but are interrupted by a phone call from Buljanoff. Both then realize they are each other's adversaries over the jewelry and Ninotchka promptly leaves Léon's apartment, despite his protestations.
The next day, Léon follows Ninotchka to a bistro where she again rebuffs him; but after valiant attempts at making her laugh, Léon finally breaks down her resistance and she falls in love with him. While attending to the various legal matters over the lawsuit, Ninotchka gradually becomes seduced by the west. At a dinner date with Léon where she unexpectedly meets Swana face-to-face (her rival for the jewelry and for Léon's affections), Ninotchka consumes champagne for the first time and quickly becomes intoxicated. The following afternoon, a hungover Ninotchka is awakened by Swana and discovers Rakonin has stolen the jewelry during the night. Swana tells Ninotchka that she will return the jewels and drop the litigation if Ninotchka returns to Moscow immediately so that Swana can have Léon to herself. Ninotchka reluctantly agrees to Swana's proposal and after completing the sale of the jewelry to Mercier, she and Iranoff, Buljanoff and Kopalski fly back to Moscow. Later that evening, Léon visits Swana and confesses his love for Ninotchka. Swana then informs Léon that Ninotchka has already left for Moscow. He attempts to follow her but is denied a Russian visa, because of his nobility.
Sometime later in Moscow, Ninotchka invites her three comrades to dinner at her communal apartment and they nostalgically recall their time in Paris. After dinner, Ninotchka finally receives a letter from Léon, but it has been completely censored by the authorities, and she is devastated.
More time passes; while in Constantinople to sell furs, Iranoff, Buljanoff and Kopalski once again run afoul of their superiors. Against her wishes, Ninotchka is again sent by Commissar Razinin (Bela Lugosi) to investigate the situation and retrieve the trio.
After Ninotchka arrives in Constantinople, Iranoff, Buljanoff and Kopalski inform her that they have opened a restaurant and will not be returning to the Soviet Union. When Ninotchka asks them who is responsible for this idea, Buljanoff points to the balcony where Léon is standing. Léon explains that he was barred from entering Russia to win Ninotchka back, so he and the three Russians conspired to get her to leave the country. He asks her to stay with him and she happily agrees.
The final shot in the film is of Kopalski carrying a protest sign complaining that Iranoff and Buljanoff are unfair, because his name does not illuminate on the electric sign in front of their new restaurant.
Cast
Ninotchka trailer
Greta Garbo as Nina Ivanovna "Ninotchka" Yakushova
The movie was released in late 1939, shortly after the outbreak of World War II in Europe, where it became a great success. It was, however, banned in the Soviet Union and its satellites. Despite that, it went on to make $2,279,000 worldwide. USA: $1,187,000. International: $1,092,000. Profit: $138,000.[4]
In a play on the famous "Garbo Talks!" ad campaign used for her "talkie" debut in Anna Christie (1930), Ninotchka was marketed with the catchphrase "Garbo Laughs!", commenting on Garbo's largely somber and melancholy image (though Garbo laughs several times in many of her previous pictures).
Reception
Greta Garbo as Nina Ivanovna "Ninotchka" Yakushova and Melvyn Douglas as Count Léon d'Algout
The comedy, through Mr. Douglas's debonair performance and those of Ina Claire as the duchess and Sig Ruman, Felix Bressart and Alexander Granach as the unholy three emissaries; through Mr. Lubitsch's facile direction; and through the cleverly written script of Walter Reisch, Charles Brackett and Billy Wilder, has come off brilliantly. Stalin, we repeat, won't like it; but, unless your tastes hew too closely to the party line, we think you will, immensely.[5]
Ninotchka is based on a three-sentence story idea by Melchior Lengyel that made its debut at a poolside conference in 1937, when a suitable comedy vehicle for Garbo was being sought by MGM: “Russian girl saturated with Bolshevist ideals goes to fearful, capitalistic, monopolistic Paris. She meets romance and has an uproarious good time. Capitalism not so bad, after all.”[12][13][14]
Revival
An attempt by MGM to re-release Ninotchka later during World War II was suppressed on the grounds that the Soviets were then allies of the West. The film was re-released after the war ended.[15]
MGM had scheduled Madame Curie as Garbo's next film, but pleased with the success of Ninotchka, the studio quickly decided to team Garbo and Douglas in another romantic comedy. Two-Faced Woman (1941) was the result and Garbo received the worst reviews of her entire career. It turned out to be her final film and Greer Garson eventually starred in Madame Curie.
The Japanese filmmaker Akira Kurosawa cited Ninotchka as one of his favorite films.[16][17]
Nazi GermanReich Minister of PropagandaJoseph Goebbels remarked in his meeting notes on June 9, 1940 that "The German press should go and see the excellent American anti-Soviet film Ninotchka." He would later tell multiple German actors that he thought it was one of the best films he had ever seen.[18] During the 1948 Italian general election the US State Department encouraged film distributors to show the film as a means of countering the increasingly popular Italian Communist Party.[19]
Cultural Influences
"Colonel Ninotchka" was a character in the 1980s women's professional wrestling promotion, Gorgeous Ladies of Wrestling.
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↑ As quoted in Boelcke, Willi A. The Secret Conferences of Dr. Goebbels: October 1939-March 1943, edited by Willi A. Boelcke; trans. Ewald Osers. London: Weidenfeld and Nicolson, 1970.
↑ Shaw, Peter; Shaw, Tony (2007). Hollywood's Cold War. Edinburgh University Press. p.26.
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