Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
"Rapper's Delight" is a 1979 hip hop track that serves as the debut single of American hip-hop trio the Sugarhill Gang, produced by Sylvia Robinson. Although it was shortly preceded by the Fatback Band's "King Tim III ", "Rapper's Delight" is credited for introducing hip hop music to a wide audience, reaching the top 40 in the United States, as well as the top three in the United Kingdom and number one in Canada. It was a prototype for various types of rap music. The track interpolates Chic's "Good Times", resulting in Chic's Nile Rodgers and Bernard Edwards threatening to sue Sugar Hill Records for copyright infringement; a settlement was reached that gave the two songwriting credits. It also interpolates Love De-Luxe's "Here Comes That Sound Again". The track was recorded in a single take. There are five mixes of the song.
Sylvia Robinson, known mononymously as Sylvia, was an American singer and record producer. Robinson achieved success as a performer on two R&B chart toppers: as half of Mickey & Sylvia with the 1957 single "Love Is Strange", and her solo record "Pillow Talk" in 1973. She later became known for her work as founder and CEO of the pioneering hip hop label Sugar Hill Records.
Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City. Its production was mainly handled by Q-Tip, with contributions from Skeff Anselm, Large Professor and the group's DJ, Ali Shaheed Muhammad. A culmination of the group's two previous albums, People's Instinctive Travels and the Paths of Rhythm and The Low End Theory, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positively-minded, and humorous lyrics.
Douglas Arthur Wimbish is an American bassist, primarily known for being a member of rock band Living Colour and funk/dub/hip hop collective Tackhead, and as a session musician with artists such as Sugarhill Gang, Grandmaster Flash and the Furious Five, The Rolling Stones, Mick Jagger, Depeche Mode, James Brown, Annie Lennox, Tarja Turunen, and Barrington Levy.
The Cold Crush Brothers are an American hip hop group that formed in 1978 in the Bronx, New York City. They were especially known for their memorable routines which included harmonies, melodies and stage-stomping performances. The Cold Crush Brothers still perform in the United States as of 2023. "A snapshot from hip-hop's 50th summer: A live mixtape"..
Melvin Glover, better known by his stage name Grandmaster Melle Mel or simply Melle Mel, is an American rapper who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five.
Whodini is an American hip hop group that was formed in 1982. The Brooklyn, New York–based trio consisted of vocalist and main lyricist Jalil Hutchins; co-vocalist John Fletcher, a.k.a. Ecstasy ; and turntable artist DJ Drew Carter, a.k.a. Grandmaster Dee.
"Flash Light" is a song by funk band Parliament, written by George Clinton, Bernie Worrell, and Bootsy Collins and released in January 28, 1978, on the album Funkentelechy Vs. the Placebo Syndrome. It was the first No. 1 R&B hit by any of the P-Funk groups and spent four months on the U.S. pop chart, peaking at No. 16.
A megamix is a remix containing multiple songs in rapid succession. It often features various artists. There may be only one verse or even just a brief chorus of each song used, sometimes in addition to samples of the same or other songs. It is common to use different samples to maintain and sometimes even ridicule the original. To unify the songs together smoothly, a single backing beat may be added as background throughout the megamix, although this is not a must. This backing beat is kept basic so as to simplify mixing and to not compete with the music. These mixes are usually several minutes long at minimum, going up to a half-hour or an hour, or even more sometimes.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, and Caribbean Americans starting in the Bronx, New York City. Pioneered from Black and Caribbean American street culture, that had been around for years prior to its more mainstream discovery.. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1978. The group's members were Grandmaster Flash, Kidd Creole, Keef Cowboy, Melle Mel, Scorpio, and Rahiem. The group's use of turntablism, breakbeat DJing, and conscious lyricism were significant in the early development of hip hop music.
The Message is the debut studio album by American hip hop group Grandmaster Flash and the Furious Five, released on October 3, 1982, by Sugar Hill Records. It features the influential title track and hip hop single "The Message".
"The Message" is a song by Grandmaster Flash and the Furious Five. It was released as a single by Sugar Hill Records on July 1, 1982, and was later featured on the group's debut studio album of the same name. The song was first written in 1980 by rappers Duke Bootee and Melle Mel in response to the 1980 New York City transit strike, which is mentioned in the song's lyrics.
Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein. They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons".
"The Adventures of Grandmaster Flash on the Wheels of Steel" is a single released by American disc jockey Grandmaster Flash in 1981. It is a live DJ mix recording of Flash scratching and mixing records from various groups using three turntables. The musician employed several DJ techniques in the recording, including crossfading, cutting, rubbing and backspins.
Joseph Robert Saddler, known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on. He also invented the slipmat.
"Apache" is a song written by Jerry Lordan and first recorded by Bert Weedon. Lordan played the song on ukulele for the Shadows while on tour and, liking the song, the group released their own version which topped the UK Singles Chart for five weeks in mid-1960. The Shadows' guitarist Hank Marvin developed the song's distinctive echo and vibrato sound. After hearing the Shadows' version, Danish guitarist Jørgen Ingmann released a cover of the song in November 1960 which peaked at number 2 on the Billboard Hot 100 in the US.
The Sugar Hill Records Story is a 1997 compilation album compiling singles released by the Sugar Hill Records label. It was released by Rhino Records who had purchased the North American rights to the labels catalogue in 1995. On its release, it received positive reviews from Vibe, Spin and AllMusic.
