Marc Ongley (born 13 December 1952) is an Australian classical and jazz guitarist, composer, and teacher. He lived in the United Kingdom from 1991 to 2019. Born in Maitland, New South Wales, he became the first Australian to be awarded the Licentiate of the Trinity College of Music, London (LTCL) and the Fellowship of the Trinity College of Music London (FTCL), in 1974 and 1977 respectively. [1] The Sydney Morning Herald described Ongley as "one of Australia's finest classical guitarists". [2] Ongley studied with the renowned Australian music educator Don Andrews and famous classical guitarists Alirio Diaz and Turibio Santos, students of Andrés Segovia. He recorded and released several classical and jazz albums throughout the 1980s and 1990s. More recently, Ongley released albums in the genres of blues and rock.
Marc Ongley started his career as a rock guitarist in the band Maya, from Newcastle, New South Wales. [3] The group was an opening act for the Beach Boys at two concerts during their 1970 tour of Australia. [4] Maya finished fourth in Hoadley's Battle of the Sounds in 1970 at the Capitol Theatre, Sydney.
Ongley's first transcription for solo guitar was published in 1973 by J. Albert and Son, an interpretation of Ludwig van Beethoven's "Für Elise". [5]
In 1979 Ongley performed for the Australian High Commissioner, Gordon Freeth, at Australia House, London, playing the piece "Cello Suite No.1" by Johann Sebastian Bach. [6] His first public professional performance in the UK took place on 6 September 1981 at the Wigmore Hall, London. [7] This concert received attention in the Australian press. The Sydney Morning Herald noted that "Australia, with a few exceptions such as John Williams, is not known for its classical guitarists" and therefore it was a "high honour" for Ongley to perform at the Wigmore Hall. [2]
In 1993 Ongley collaborated with British trumpeter Steve Waterman and bass player Laurence Cottle to release his first jazz record, Song for Ros, recorded at Abbey Road Studios on 24 April 1993. Gramophone reviewed the record, writing that "Ongley is a young...guitarist who plays clean, inventive lines with gentle good taste and minimum amplification". The review went on to recognize "Ongley's most welcome new talent". [8] The 1994 edition of The Penguin Guide to Jazz on CD rated the album 3 stars, describing Ongley as "a decent writer in a romantic vein. The title piece and 'My Funny Valentine' are both nice performances, but he's probably at his best in a medium tempo...Respectably produced as well". [9]
Ongley gained a Licentiate (1974) and Fellowship (1977) in the discipline of music, awarded in Sydney by an international examiner from the Trinity College of Music, London. He studied with Don Andrews and two renowned students of Andrés Segovia: Alirio Diaz and Turibio Santos. [6]
| Title | Year | Release type |
|---|---|---|
| Cantabile for Strings | 1974 | Single |
| The Marc Ongley Jazz Quartet ‘A Day at Abbey Road, Pt.2’ | 1993 | EP |
| Guitar Recital | 1998 | Album |
| Gentle Rain | 1998 | Album |
| Moonlight Sonata | 2000 | Album |
| When I’m Sixty-Four | 2000 | Single |
| Symphony No.1 in C Major ‘Alpha’ | 2002 | Single |
| String Quartet No.1 in C Major ‘Spifire’ | 2002 | Single |
| Guitar Recital 2 | 2002 | Album |
| You Are the Sunshine of My Life | 2002 | Album |
| The Awakening | 2008 | Album |
| Where I Could Not Follow | 2013 | Single |
| Summer Song | 2013 | Single |
| When Two Worlds Meet (feat. George Golla) | 2013 | Single |
| The Marc Ongley Jazz Quartet ‘A Day at Abbey Road’ | 2013 | EP |
| The Girl from Ipanema | 2014 | Album |
| Twenty First Century Blues | 2014 | Album |
| New Guitar Concerto 2018 - Concerto pour Laube | 2018 | Single |
| My Music For Classical Guitar | 2018 | Album |
| My Latin and Swing Tunes | 2018 | Album |
| Lullaby for Jess | 2018 | Single |
| Till There Was You | 2019 | Single |
| Symphony No.2 in F Major ‘Spring’ | 2020 | Single |
| Ten Thousand Miles | 2021 | Album |
| How High the Moon | 2022 | Album |
| Swing Along | 2022 | Album |
| Solaris | 2022 | Album |
| African Adventure | 2022 | Album |
| Autumn in the Valley | 2022 | Album |
| In a Musical Moment | 2022 | Album |
| Touches of Spain | 2022 | Album |
| Purple | 2023 | Album |
| Steel Spring | 2023 | Album |
| My Duets for Guitar and Other Stringed Instruments | 2023 | Album |
| Pure | 2023 | Album |
| My Jazz Ballads | 2023 | Album |
| My Music for Flute and Guitar | 2023 | Album |
| Train Ride | 2023 | Album |
| July | 2023 | Album |
| Free Falling | 2023 | Album |
| Native American | 2023 | Album |
| Inner Space | 2023 | Album |
| Nylon String Blues | 2023 | Album |
| Me and My Guitar | 2023 | Album |
| Romance | 2023 | Album |
| Ninety Five Degrees | 2023 | Album |
| Summer Rise | 2023 | Album |
| Waves in the Sand | 2023 | Album |
| Classic Improvisations | 2024 | Album |
| Classic Improvisations, Pt. 2 | 2024 | Album |
| Sailing | 2024 | Album |
| An Intimate Space | 2024 | Album |
| In the Live Room | 2024 | Album |
| Merci Beaucoup | 2024 | Album |
| I Wonder | 2024 | Album |
| Mosaic | 2024 | Album |
| In the Positive | 2024 | Album |
| Rainbow | 2024 | Album |
| Más España | 2024 | Album |
| Festa de Rua | 2024 | Album |
| Nineteen Sixty Eight | 2024 | Album |
| Feliz | 2024 | Album |
| Espana | 2024 | Album |
| Shades of Django | 2024 | Album |
| Contemporary Classical Classical Improvisations | 2024 | Album |
| My Jazz Waltzes | 2024 | Album |
| Inspiration from Brazil | 2024 | Album |
| The Old Bridge | 2024 | Album |
| Electric October | 2024 | Album |
| Chasing the Rainbow | 2024 | Album |
| Majestic Sunset | 2024 | Album |
| Canzone | 2024 | Album |
| C’est 12 | 2024 | Album |
| Diversão | 2024 | Album |
| Spring in the Valley | 2024 | Album |
| Acoustic Journey | 2024 | Album |
| Blues 72 | 2024 | Album |
| Mysterious Island | 2024 | Album |
| Just for Johnny | 2024 | Album |
| Out of Somewhere | 2024 | Album |
| In the Mid Distance | 2025 | Album |
| Weekend Chill | 2025 | Album |
| Solitude | 2025 | Album |
| The Church | 2025 | Album |
| Molto Bella | 2025 | Album |
| Singing Octaves | 2025 | Album |
| Ad Libitum | 2025 | Album |
| Le doux reve | 2025 | Album |
| Latin Afternoon | 2025 | Album |
| Down by the Lake | 2025 | Album |
| Atmospheric | 2025 | Album |
| 100 Times Over | 2025 | Album |
| Symphony No. 3 in Bb Major ‘The Jazz’, Symphony No. 4 in D Minor ‘Winter’ | 2025 | Album |
| Sextet in D Major - Quintet in F Major | 2025 | Album |
| Expo 88 | 2025 | Album |
| Delightful Jazz Duets | 2025 | Album |
| Musings | 2025 | Album |
| Electric Pursuit | 2025 | Album |
| Luz do Dia | 2025 | Album |
| Steel on Wood | 2025 | Album |
| Up Close | 2025 | Album |
| Just Solo | 2025 | Album |
| In the Middle | 2025 | Album |
| Unaltered | 2025 | Album |
| Sunny Blue | 2025 | Album |
| A Lovely Journey | 2025 | Album |
| La Dolce Notte | 2025 | Album |
| Up Jumped Summer | 2025 | Album |