March of Progress

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The original March of Progress illustration from Early Man (1965) with spread extended (top) and folded (bottom) The March of Progress.jpg
The original March of Progress illustration from Early Man (1965) with spread extended (top) and folded (bottom)

The March of Progress, [1] [2] [3] originally titled The Road to Homo Sapiens, is an illustration that presents 25 million years of human evolution. It was created for the Early Man volume of the Life Nature Library , published in 1965, and drawn by the artist Rudolph Zallinger.

Contents

It has been viewed as a picture of the discredited theory, orthogenesis, that evolution is progressive. [4] As such, it has been widely parodied and imitated to create images of progress of other kinds.

The picture of progress in evolution was anticipated by Thomas Henry Huxley's 1863 Evidence as to Man's Place in Nature .

Illustration

Context

The illustration is part of a section of text and images commissioned by Time-Life Books for the Early Man volume (1965) of the Life Nature Library , by F. Clark Howell. [5]

The illustration is a foldout entitled "The Road to Homo Sapiens". It shows a sequence of figures, drawn by natural history painter and muralist Rudolph Zallinger (1919–1995). [5] The 15 human evolutionary forebears are lined up as if they were marching in a parade from left to right. The first two sentences of the caption read "What were the stages of man's long march from apelike ancestors to sapiens? Beginning at right and progressing across four more pages are milestones of primate and human evolution as scientists know them today, pieced together from the fragmentary fossil evidence." [5]

Sequence of species

The 15 primate figures in Zallinger's image, from left to right, are listed below. The datings follow the original graphic and may no longer reflect current scientific opinion.

Intention

Contrary to appearances and some complaints, the original 1965 text of "The Road to Homo Sapiens" reveals an understanding of the fact that a linear presentation of a sequence of primate species, all in the direct line of human ancestors, would not be a correct interpretation. For example, the fourth of Zallinger's figures (Oreopithecus) is said to be "a likely side branch on man's family tree". Only the next figure (Ramapithecus) is described as "now thought by some experts to be the oldest of man's ancestors in a direct line" (something no longer considered likely). That implies that the first four primates are not to be considered actual human ancestors. Likewise, the seventh figure (Paranthropus) is said to be "an evolutionary dead end". [5] In addition, the colored stripes, across the top of the figure, which indicate the age and duration of the various lineages clearly imply that there is no evidence of direct continuity between extinct and extant lineages and also, multiple lineages of the figured hominids occurred contemporaneously at several points in the history of the group.

Reception

One of many versions of the progressionist meme: Astronomy Evolution 2 by Giuseppe Donatiello, 2016 Astronomy Evolution 2 (27458655072).jpg
One of many versions of the progressionist meme: Astronomy Evolution 2 by Giuseppe Donatiello, 2016
Anti-war mural, Tehran, 2007 Evolution on a wall.jpg
Anti-war mural, Tehran, 2007

The image has frequently been copied, modified, and parodied. It has been criticized as "unintentionally and wrongly" implying that "evolution is progressive". [4] The image has been described as having a "visual logic" of linear progression. [1] The Lancet called it "proverbial, much quoted or adapted, familiar to multitudes who have never seen its original version or heard of its maker". [2] The image has become better-known than the science behind it. [3]

With regard to the way the illustration has been interpreted, the anthropologist and author of the section, F. Clark Howell, remarked: [6]

The artist didn't intend to reduce the evolution of man to a linear sequence, but it was read that way by viewers. ... The graphic overwhelmed the text. It was so powerful and emotional. [6]

Stephen Jay Gould (1941–2002) condemned the iconology of the image in several pages of his 1989 book, Wonderful Life , reproducing several advertisements and political cartoons that make use of the illustration to make their various points. In a chapter, "The Iconography of an Expectation", he asserted that [7]

The march of progress is the canonical representation of evolution – the one picture immediately grasped and viscerally understood by all. ... The straitjacket of linear advance goes beyond iconography to the definition of evolution: the word itself becomes a synonym for progress. ... [But] life is a copiously branching bush, continually pruned by the grim reaper of extinction, not a ladder of predictable progress. [7]

The intelligent design advocate Jonathan Wells wrote in Icons of Evolution: Science or Myth? (2002), "Although it is widely used to show that we are just animals, and that our very existence is a mere accident, the ultimate icon goes far beyond the evidence." [8] The book likens a selection of evolution theory textbook topics to the cover illustration thus qualified.

A German protest banner in Stuttgart, 2010. The caption below the image reads "We will not allow ourselves to be made into monkeys!" Protestplakat S21 am Bauzaun - 89.jpg
A German protest banner in Stuttgart, 2010. The caption below the image reads "We will not allow ourselves to be made into monkeys!"

Riley Black, writing for Scientific American , argues that the idea of a "march of progress", as depicted in the 1965 Time-Life illustration, dates back to the medieval great chain of being and the 19th century idea of the "missing link" in the fossil record. In her view, to understand life and evolution, "step one involves casting out types of imagery which constrain rather than enlighten." [9] Writing in Wired , Black added that "There is perhaps no other illustration that is as immediately recognizable as representing evolution, but the tragedy of this is that it conveys a view of life that does not resemble our present understanding of life's history." [10]

Parodies and adaptations

The March of Progress has often been imitated, parodied, or adapted for commercial or political purposes. The logo for the Leakey Foundation and the National Museums of Kenya features a small silhouette of the March of Progress image itself. [11] The cover of the 1972 Doors album Full Circle references the March of Progress, as does the 1985 Supertramp album Brother Where You Bound , while the soundtrack CD for the 1992 movie Encino Man shows an ape evolving into a skateboarder. [11] The December 2005 issue of The Economist depicts hominids progressing up a flight of stairs to transform into a woman in a black dress holding a glass of champagne to illustrate "The Story of Man". [12] British rapper, Digga D, adapted a version of the image for the cover of his third mixtape, Noughty by Nature. [13] https://yume.wiki/2kki/Events#March_of_Progress The game Yume 2kki also has an "Event" which takes place in an area called "Chess World," the Event starts off by walking through a corridor similar to another location in the game, after the corridor ends, you are taken to a singular room with a throne, sitting on this throne will then teleport you to the Event.

Predecessors

The frontispiece to Thomas Henry Huxley's 1863 Evidence as to Man's Place in Nature was intended simply to compare the skeletons of apes and humans, but unintentionally created a durable meme of supposed "monkey-to-man" progress. Huxley - Mans Place in Nature.jpg
The frontispiece to Thomas Henry Huxley's 1863 Evidence as to Man's Place in Nature was intended simply to compare the skeletons of apes and humans, but unintentionally created a durable meme of supposed "monkey-to-man" progress.

Thomas Henry Huxley's frontispiece to his 1863 book Evidence as to Man's Place in Nature was intended simply to compare the skeletons of apes and humans, but its unintentional left-to-right progressionist sequence has according to the historian Jennifer Tucker "become an iconic and instantly recognizable visual shorthand for evolution". [4]

"Evolution" in 1889 edition of Mark Twain's A Connecticut Yankee in King Arthur's Court Connecticut yankee evolution.jpg
"Evolution" in 1889 edition of Mark Twain's A Connecticut Yankee in King Arthur's Court

An illustration, with the caption "Evolution", showing two sequences of four images, each illustrating a gradual transformation of an animal into a human, appeared in the 1889 edition [14] of Mark Twain's A Connecticut Yankee in King Arthur's Court .

See also

Related Research Articles

<i>Ardipithecus</i> Extinct genus of hominins

Ardipithecus is a genus of an extinct hominine that lived during the Late Miocene and Early Pliocene epochs in the Afar Depression, Ethiopia. Originally described as one of the earliest ancestors of humans after they diverged from the chimpanzees, the relation of this genus to human ancestors and whether it is a hominin is now a matter of debate. Two fossil species are described in the literature: A. ramidus, which lived about 4.4 million years ago during the early Pliocene, and A. kadabba, dated to approximately 5.6 million years ago. Initial behavioral analysis indicated that Ardipithecus could be very similar to chimpanzees, however more recent analysis based on canine size and lack of canine sexual dimorphism indicates that Ardipithecus was characterised by reduced aggression, and that they more closely resemble bonobos.

<span class="mw-page-title-main">Human evolution</span> Evolutionary process leading to anatomically modern humans

Human evolution is the evolutionary process within the history of primates that led to the emergence of Homo sapiens as a distinct species of the hominid family that includes all the great apes. This process involved the gradual development of traits such as human bipedalism, dexterity, and complex language, as well as interbreeding with other hominins, indicating that human evolution was not linear but weblike. The study of the origins of humans, variously known by the terms anthropogeny, anthropogenesis, or anthropogony, involves several scientific disciplines, including physical and evolutionary anthropology, paleontology, and genetics.

<span class="mw-page-title-main">Homininae</span> Subfamily of mammals

Homininae, also called "African hominids" or "African apes", is a subfamily of Hominidae. It includes two tribes, with their extant as well as extinct species: 1) the tribe Hominini ―and 2) the tribe Gorillini (gorillas). Alternatively, the genus Pan is sometimes considered to belong to its own third tribe, Panini. Homininae comprises all hominids that arose after orangutans split from the line of great apes. The Homininae cladogram has three main branches, which lead to gorillas and to humans and chimpanzees. There are two living species of Panina and two living species of gorillas, but only one extant human species. Traces of extinct Homo species, including Homo floresiensis have been found with dates as recent as 40,000 years ago. Organisms in this subfamily are described as hominine or hominines.

<i>Orrorin</i> Postulated early hominin discovered in Kenya

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<i>Australopithecus</i> Genus of hominin ancestral to modern humans

Australopithecus is a genus of early hominins that existed in Africa during the Pliocene and Early Pleistocene. The genera Homo, Paranthropus, and Kenyanthropus evolved from some Australopithecus species. Australopithecus is a member of the subtribe Australopithecina, which sometimes also includes Ardipithecus, though the term "australopithecine" is sometimes used to refer only to members of Australopithecus. Species include A. garhi, A. africanus, A. sediba, A. afarensis, A. anamensis, A. bahrelghazali and A. deyiremeda. Debate exists as to whether some Australopithecus species should be reclassified into new genera, or if Paranthropus and Kenyanthropus are synonymous with Australopithecus, in part because of the taxonomic inconsistency.

<span class="mw-page-title-main">Ape</span> Branch of primates

Apes are a clade of Old World simians native to sub-Saharan Africa and Southeast Asia, which together with its sister group Cercopithecidae form the catarrhine clade, cladistically making them monkeys. Apes do not have tails due to a mutation of the TBXT gene. In traditional and non-scientific use, the term ape can include tailless primates taxonomically considered Cercopithecidae, and is thus not equivalent to the scientific taxon Hominoidea. There are two extant branches of the superfamily Hominoidea: the gibbons, or lesser apes; and the hominids, or great apes.

<i>Homo</i> Genus of hominins that includes humans and their closest extinct relatives

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<span class="mw-page-title-main">Hominini</span> Tribe of mammals

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Human evolutionary genetics studies how one human genome differs from another human genome, the evolutionary past that gave rise to the human genome, and its current effects. Differences between genomes have anthropological, medical, historical and forensic implications and applications. Genetic data can provide important insights into human evolution.

<span class="mw-page-title-main">Hominidae</span> Family of primates

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<i>Graecopithecus</i> Extinct genus of hominids

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<span class="mw-page-title-main">Evolution of primates</span> Origin and diversification of primates through geologic time

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<span class="mw-page-title-main">Engis 2</span> Neanderthal fossil discovered in the early 19th-century in modern day Belgium

Engis 2 refers to part of an assemblage, discovered in 1829 by Dutch physician and naturalist Philippe-Charles Schmerling in the lower of the Schmerling Caves. The pieces that make up Engis 2 are a partially preserved calvaria (cranium) and associated fragments of an upper and a lower jaw, a maxillary bone and an upper incisor tooth of a two to three year old Neanderthal child. The Schmerling Caves are situated just north of the Belgian municipality Engis, whence the name of this group. In 1833 Schmerling described and publicized the find, which included animal bones and stone tools. Recognizing their old age, he associated them with the "Ethiopian Type" of the diluvial period. Although it was not recognized as such until 1936, the publication represents the first scientific description of a Neanderthal fossil.

References

  1. 1 2 Shelley, Cameron (1 January 2001). "Aspects of visual argument: A study of the March of Progress". Informal Logic. 21 (2). University of Windsor Leddy Library. doi: 10.22329/il.v21i2.2239 . ISSN   0824-2577.
  2. 1 2 Lubbock, Tom (2008). "Art and evolution". The Lancet . 372: S14–S20. doi:10.1016/s0140-6736(08)61876-0. ISSN   0140-6736. S2CID   54266427.
  3. 1 2 Feteris, Eveline T.; Groarke, Leo; Plug, Jose (2011). "Strategic maneuvering with visual arguments in political cartoons: A pragma-dialectical analysis of the use of topoi that are based on common cultural heritage". In Feteris, Eveline T.; Garssen, Bart; Snoek Henkeamns, A. Francisca (eds.). Keeping in Touch With Pragma-Dialectics: in Honor of Frans H. Van Eemeren. John Benjamins Publishing. pp. 67–69. ISBN   978-9027211811.
  4. 1 2 3 4 Tucker, Jennifer (28 October 2012). "What our most famous evolutionary cartoon gets wrong". The Boston Globe . Retrieved 29 December 2017.
  5. 1 2 3 4 Howell, F. Clark and the Editors of Time-Life Books (1965), Early Man, New York: TIME-LIFE Books, pp. 41–45.
  6. 1 2 Barringer, David (2006) "Raining on Evolution’s Parade"; I.D. Magazine , March/April 2006.
  7. 1 2 Gould, Stephen Jay (1989), Wonderful Life: The Burgess Shale and the Nature of History. W.W. Norton & Company, pp 30–36.
  8. Wells, Jonathan (2000). Icons of Evolution: Science or Myth? . Regnery Publishing. p. 211.
  9. Black, Riley (3 December 2010). "Breaking our link to the 'March of Progress'". Scientific American . Retrieved 23 May 2018.
  10. Black, Riley (11 April 2009). "The March of Progress has Deep Roots". Wired . Retrieved 23 May 2018.
  11. 1 2 Barringer (2006), Op. cit.
  12. "The Story of Man". The Economist . 20 December 2005. Retrieved 23 May 2018.
  13. Nast, C. (2022, April 28). Digga D: Noughty By Nature. Pitchfork. https://pitchfork.com/reviews/albums/digga-d-noughty-by-nature/
  14. Project Gutenberg text, search for second appearance of the word "crusher." Title page image shows "New York: Charles L. Webster & Company. 1889.

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