Maria Hupfield (born 1975) is a Canadian artist. [1] She is an Anishinaabe, specifically an Ojibwe and a member of the Wasauksing First Nation, located in Ontario, Canada. [2] Hupfield works in a variety of media, including video and performance. Her performance practice references Anishinaabeg oral history and feminist performance history.
Hupfield grew up in Parry Sound, Ontario. She holds a BA in art history with a minor in native studies from the University of Toronto, and received an MFA from York University. [3]
The One Who Keeps On Giving, a 2017 solo exhibition of her work at The Power Plant in Toronto was called a "triumphal homecoming" by Murray Whyte of the Toronto Star. [4] Other solo exhibitions include East Wind Brings a New Day at the MacKenzie Art Gallery, Regina (2015) [5] and Strange Customs Prevail at Art Gallery of Southwestern Manitoba in 2011 and Galerie l'UQAM in Montreal in 2017. [6]
Hupfield is the founder of 7th Generation Image Makers, an arts and mural program for Native youth in downtown Toronto. [7] She is co-owner of Native Art Department International, with her partner Jason Lujan. From 2007 to 2011 she was Assistant Professor in Visual Art and Material Practice at Emily Carr University of Art and Design. [8] She is the 2014 recipient of the Joan Mitchell Foundation Painting and Sculpture Grant. [9] In 2018, Hupfield was awarded the Hnatyshyn Foundation prize for outstanding achievement by a Canadian mid-career artist. [10]
Hupfield is currently an Assistant Professor of Indigenous Digital Arts and Performance and a Canadian Research Chair in Transdisciplinary Indigenous Arts at the University of Toronto Missuaga. [11]
Rebecca Belmore is a Canadian interdisciplinary Anishinaabekwe artist who is notable for politically conscious and socially aware performance and installation work. She is Ojibwe and a member of Obishikokaang. Belmore currently lives in Toronto, Ontario.
The Power Plant Contemporary Art Gallery is a Canadian public art gallery located at Harbourfront Centre in the heart of Toronto, Ontario, Canada. The Gallery is a registered Canadian charitable organization.
Bonnie Devine is a Serpent River Ojibwa installation artist, performance artist, sculptor, curator, and writer from Serpent River First Nation, who lives and works in Toronto, Ontario. She is currently an associate professor at OCAD University and the founding chair of its Indigenous Visual Cultural Program.
Shary Boyle is a contemporary Canadian visual artist working in the mediums of sculpture, drawing, painting and performance art. She lives and works in Toronto.
Ursula Johnson is a multidisciplinary Mi’kmaq artist based in Halifax, Nova Scotia, Canada. Her work combines the Mi’kmaq tradition of basket weaving with sculpture, installation, and performance art. In all its manifestations her work operates as didactic intervention, seeking to both confront and educate her viewers about issues of identity, colonial history, tradition, and cultural practice. In 2017, she won the Sobey Art Award.
Nicole Collins is a contemporary Canadian artist whose work, which takes the form of painting, performance, video, and sound, explores the effect of time, accumulation, force and heat on visceral materials. She currently teaches at OCAD University.
Edward Poitras is a Métis artist based in Saskatchewan. His work, mixed-media sculptures and installations, explores the themes of history, treaties, colonialism, and life both in urban spaces and nature.
Michelle LaVallee is a Canadian curator, artist, and educator. She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario. She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
Tania Willard is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator, known for mixing traditional Indigenous arts practices with contemporary ideas. Willard is from the Secwepemc nation, of the British Columbia interior, Canada.
The Hnatyshyn Foundation Visual Arts Awards, the Award for Outstanding Achievement as an Artist and the Award for Curatorial Excellence in Contemporary Art are two annual arts awards of $25,000 and $10,000 that recognize mid-career Canadian visual artists and curators. The Hnatyshyn Foundation is a private charity established by Ray Hnatyshyn, Canada’s 24th Governor General.
Laakkuluk Williamson Bathory or Laakkuluk, is a Kalaaleq performance artist, spoken word poet, actor, storyteller and writer based in Iqaluit, Nunavut. She is known for performing uaajeerneq, a Greenlandic mask dance that involves storytelling and centers three elements: fear, humour and sexuality. Bathory describes uaajeerneq as both a political and cultural act and an idiosyncratic art form.
Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher who predominantly explores areas of art by Indigenous peoples. She is the executive director and chief curator at the Forge Project in New York.
Native Art Department International (NADI) is a Toronto-based collaborative project of wife-and-husband pair of artists Maria Hupfield (b. 1975) and Jason Lujan (b. 1971). Together they curate group exhibitions in which they sometimes show and for which they often make work together. They see this as a way to counter the pigeonholing of contemporary art by Native Americans and people of First Nations descent. Artforum critic Gabrielle Moser has also written about the duo's "commitment to artistic camaraderie, decolonial politics, and non-competition."
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Skeena Reece is a Canadian First Nations artist whose multi-disciplinary practice includes such genres as performance art, "sacred clowning," songwriting, and video art. Reece is of Cree, Tsimshian, Gitksan, and Métis descent.
Siku Allooloo is an Inuk/Haitian Taíno writer, artist, facilitator and land-based educator from Denendeh, Northwest Territories and Pond Inlet, Nunavut in Canada. Allooloo's works incorporates the legacies of resistance to settler colonialism, and revitalization of Indigenous communities. Through her writing, visual art, and activism, Allooloo fights against colonial violence on indigenous women. She won Briarpatch magazine's 2016 creative nonfiction contest with the piece titled "Living Death".
Amy Malbeuf is a Canadian-Métis visual artist, educator, and cultural tattoo practitioner born in Rich Lake, Alberta.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Tʼuyʼtʼtanat-Cease Wyss is a Skwxwú7mesh (Squamish), Stó꞉lō, Kānaka Maoli (Hawaiian), Irish-Métis, and Swiss multi-media artist, ethnobotanist, independent curator, educator, activist, and small business owner based in Vancouver, British Columbia. Tʼuyʼtʼtanat is Wyss's ancestral name, which means “woman who travels by canoe to gather medicines for all people.” Wyss's interdisciplinary practice encompasses aspects of visual art, fiber arts, ethnobotany, storytelling, and community education, among other interdisciplinary approaches, and she has been working with new media, performance, and interdisciplinary arts for more than 30 years. As a Coast Salish weaver, Wyss works with wool and cedar and uses indigenous plants in the dyeing process. Wyss also engages with beekeeping and gardening practices as part of community-led initiatives and as a way to explore aspects of land remediation - the ability of plants to remediate soil that has been contaminated with colonial toxins.
Aleesa Cohene is a Canadian visual artist based in Los Angeles.