La leggenda di Sakùntala is a three-act opera by Franco Alfano, who wrote his own libretto, basing his work on Kālidāsa's 5th-century BC drama Shakuntala.
La campana sommersa is an opera in four acts by Italian composer Ottorino Respighi. Its libretto is by Claudio Guastalla, based on the play Die versunkene Glocke by German author Gerhart Hauptmann. The opera's premiere was on 18 November 1927 in Hamburg, Germany. Respighi's regular publisher, Ricordi, was displeased by his choice of subject, and refused to publish the opera. This led to its being published by the German publisher Bote & Bock, and a German premiere.
Guglielmo Ratcliff is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play Wilhelm Ratcliff (1822) by Heinrich Heine. Mascagni had substantially finished the composition of Ratcliff before the success of his first opera, Cavalleria rusticana.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi Da Porto and Shakespeare's Romeo and Juliet. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
Lina Bruna Rasa was an Italian operatic dramatic soprano. She was particularly noted for her performances in the verismo repertoire and was a favourite of Pietro Mascagni who considered her the ideal Santuzza. Bruna Rasa created the roles of Atte in Mascagni's Nerone, Cecilia Sagredo in Franco Vittadini's La Sagredo and Saint Clare in Licinio Refice's 1926 oratorio, Trittico Francescano. She also sang the role of Tsaritsa Militrisa in the Italian premiere of Nikolai Rimsky-Korsakov's The Tale of Tsar Saltan.
Belfagor is an Italian-language opera by the composer Ottorino Respighi to a libretto by Claudio Guastalla (1880–1948) based on the comedy Belfagor of Ercole Luigi Morselli (1882–1921), itself loosely based on the novella Belfagor arcidiavolo by Niccolò Machiavelli. It was premiered in 1923 at La Scala in Milan, under the baton of Antonio Guarnieri, since Toscanini was unavailable. The cast featured Irish soprano Margaret Burke Sheridan as Candida, baritone Mariano Stabile as her lover Baldo, and tenor Francesco Merli as the titular Belfagor, an arcidiavolo (Archdemon) who tries to marry a human maiden while in disguise as a nobleman, using gifts of money to her father.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
Eliza, ou Le voyage aux glaciers du Mont St Bernard is an opéra comique in two acts by Luigi Cherubini with a French libretto by Jacques-Antoine de Révéroni Saint-Cyr. It was first performed at the Théâtre Feydeau, Paris on 13 December 1794.
La fiamma is an opera in three acts by Ottorino Respighi to a libretto by Claudio Guastalla based on Hans Wiers-Jenssen's 1908 play Anne Pedersdotter, The Witch. The plot is loosely based on the story of Anne Pedersdotter, a Norwegian woman who was accused of witchcraft and burnt at the stake in 1590. However, Respighi and Guastalla changed the setting of the opera to 7th century Ravenna. The melodramatic tale involves the illicit love of Silvana, the daughter of a witch, for her stepson Donello. When her husband Basilio dies of a heart attack, Silvana is accused of causing his death by witchcraft and is condemned to death. La fiamma premiered to considerable success on 23 January 1934 at the Teatro Reale dell'Opera in Rome in a performance conducted by Respighi himself. The production was directed by Alessandro Sanine with sets designed by Nicola Benois.
La romanziera e l'uomo nero is an 1831 one-act farsa with music by Gaetano Donizetti and an Italian libretto by Domenico Gilardoni, possibly based on the 1819 play La donna dei romanzi by Augusto Bon. Other suggested sources include L'homme noir (1820) by Eugene Scribe and Jean-Henri Dupin and Le coiffeur et le perruquier (1824) by Scribe, Édouard-Joseph-Ennemond Mazères and Charles Nombret Saint-Laurent.
Gloria is a tragic opera in three acts by Francesco Cilea with an Italian libretto by Arturo Colautti. A variation on the Romeo and Juliet story and set in 14th century Siena, the libretto is based on Victorien Sardou's 1874 play La Haine (Hatred). The opera premiered on 15 April 1907 at La Scala conducted by Arturo Toscanini with Solomiya Krushelnytska in the title role. Gloria was a failure at its premiere when it was withdrawn after two performances and fared little better in the 1932 revised version, although there have been two late 20th century revivals. It proved to be Cilea's last staged opera. In the 43 years following the premiere of Gloria he worked on two or three further operas which were never performed and continued to compose chamber and orchestral music.
Marie Victoire is a French-language opera in four acts by the composer Ottorino Respighi to a libretto by Edmond Guiraud (1879–1961) based on his French-language play of the same name, set in the French Revolution.
Claudio Guastalla was an Italian opera librettist.
Lucrezia is an opera in one act and three tableaux by Ottorino Respighi to a libretto by Claudio Guastalla, after Livy and William Shakespeare's The Rape of Lucrece, itself based heavily on Ovid's Fasti. Respighi died before finishing the work, which was therefore completed by his wife, Elsa Respighi, and by one of his pupils, Ennio Porrino. Lucrezia premiered on 24 February 1937 at the Teatro alla Scala in Milan, in a production directed by Mario Frigerio with sets designed by Pietro Aschieri. The première had a good reception.
Semirâma is an opera in three acts by Ottorino Respighi to a libretto by Alessandro Cerè based on Voltaire's 1748 play Sémiramis, the same subject used for Rossini's Semiramide. Semirâma premiered on 20 November 1910 at the Teatro Comunale di Bologna. The première obtained a great success, with several calls for the composer and the singers.
La bella dormente nel bosco is an opera in three acts by Ottorino Respighi to a libretto by Gian Bistolfi based on Charles Perrault's fairy tale "Sleeping Beauty".
Re Enzo is an opera in three acts by Ottorino Respighi to a libretto by Alberto Donini. Re Enzo premiered on 12 March 1905 at the Teatro del Corso in Bologna. The singers were amateurs selected in the world of the Bolognese students; among them, Rosina Giovannoni Zacchi as Lauretta and Ernesto Lavarello as Leonzio. Following the will of the composer, there was a single performance, which obtained a good success.
Maria Carbone was an Italian operatic soprano. She created the lead female roles in two of Gian Francesco Malipiero's operas: the title role in Ecuba and Cleopatra in Antonio e Cleopatra.
Nitocri is an opera in two acts composed by Saverio Mercadante to libretto by Apostolo Zeno adapted by Lodovico Piossasco Feys. The libretto is a fictionalised account of the Egyptian queen Nitocris. The opera premiered at the Teatro Regio in Turin on 26 December 1824.
