Marian Pastor Roces is an art critic and curator based in Manila. Roces started writing art criticism in 1974 and since then she has penned numerous articles about traditional arts, museology, cultural theory, and politics. Her most recent book Gathering: Political Writing on Art and Culture [1] (2019) is an anthology of her writings since the 1970s. [2] Starting with her articles penned in the era of Ferdinand Marcos, "Roces has argued that art, culture, and politics are inseparable." [3]
Roces acted as the director and curator of several museums, including Museo Ng Kalinangang Pilipino (Museum of Philippine Humanities), [4] Museum of a History of Ideas at University of the Philippines, [5] Yuchengco Museum, [6] Museo Marino, [7] and Museum of Contemporary Art and Design in Manila, [8] among others. In the 1990s, she worked to create a global inventory of cultural heritage artefacts of the Philippines, which are in private and museum collections outside of the Philippines. [9]
Marian Pastor Roces has several books, including Fabrics of life (1985) and Sinaunang Habi: Philippine Ancestral Weave (1991) [10] about her long-term research on textile traditions in Southeast Asia, as well as Puntóng Batangan: katwiran at dilà dine sa Batangas City (2006) about the oral language of Batangas Tagalog.
She contributed to numerous publications, including Sinaunang habi: Philippine ancestral weave (1991); Espiritu Santi: The Strange Life and Even Stranger Legacy of Santiago Bose (2003); Over Here: International Perspectives on Art and Culture (2004); Philippines. Art, Identity and Post-colonial Discourse (2008); The Biennial Reader: An Anthology on Large-Scale Perennial Exhibitions of Contemporary Art (2010); Philippines: an archipelago of exchange (2013); and InFlux: Contemporary Art in Asia (2013). Her writings appeared in many exhibition catalogues such as Piglas: Art At The Crossroads (1986); The Sensuous Eye (1987); Ex-change: Manila-Berlin (1988); Contemporary Art in Asia: Traditions/Tensions (1996); Simryn Gill: Body Politic (1997); Text & Subtext: Contemporary Art and Asian Woman (2000); Zero-in: private art, public lives (2002); Site + Sight: Translating Cultures (2003); Science Fictions (2003); and Ctrl+P (No.5) (2007), among others. [11]
Published in 2019, her most recent book is titled Gathering: Political Writing on Art and Culture. This publication features a selection of her writings ranging from a 1974 article about photography to a 2018 keynote lecture about the intersection of conceptual art and authoritarianism in the Philippines. The title of the book refers to a 1991 article where she creates a dialogue between her theoretical writing that draws on an exhibition and a discussion of artworks by Beth Jackson, past curator at Griffith University Art Museum, Brisbane. [12]
Gilda Cordero-Fernando was a Filipino writer, publisher, visual artist, fashion designer, theater producer, and social activist known for writing and publishing numerous works exploring Filipino culture, for her influence as a mentor and supporter of many of the Philippines cultural workers, and for her prominent "colorful presence in the Philippine literary scene."
Ambeth R. Ocampo is a Filipino public historian, academic, cultural administrator, journalist, author, and independent curator. He is best known for his definitive writings about Philippines' national hero José Rizal and on topics in Philippine history and Philippine art through Looking Back, his bi-weekly editorial page column in the Philippine Daily Inquirer.
Doña Marcela Mariño de Agoncillo was a Filipina who was the principal seamstress of the first and official flag of the Philippines, gaining her the title of "The Mother of the Philippine Flag."
Pablo Sebero Antonio, Sr. was a Filipino architect. A pioneer of modern Philippine architecture, he was recognized in some quarters as the foremost Filipino modernist architect of his time. The rank and title of National Artist of the Philippines was conferred on him by President Ferdinand Marcos in 1976.
RCBC Plaza is an office skyscraper complex located in Makati, Philippines. It is home to the offices of the Rizal Commercial Banking Corporation (RCBC) and is composed of two buildings: the taller RCBC Plaza Yuchengco Tower and the smaller RCBC Plaza Tower 2. The taller tower stands at 192 meters (630 ft) from the ground to its architectural top, and is currently the 8th tallest complete building in Makati, and is the 16th-tallest building in the Philippines, while the shorter tower stands at 170 meters (560 ft). At the time of its completion, the complex, as a whole, was considered by its developers to be the largest and most modern office development in the country.
In general, Filipinology or Philippineology or more formally known as Philippine studies refers to: "the study of the Philippines and its people".
Marcel Antonio is a Filipino painter. Considered one of the most promising young talents in Philippine contemporary art while still attending the University of the Philippines' College of Fine Arts in the late 1980s, he launched a solo show and thereafter dropped out of the college to continue to produce collections of his distinctly narrative as well as pseudo-narrative figurative paintings influenced by modernism and 1980s postmodernism. Since then, Antonio produced enough sold-out works to be quickly counted as one of the Philippines' young painters most proficient in the magic realist sort of post-expressionism in the country.
Lucrecia Roces Kasilag was a Filipino composer and pianist. She is particularly known for incorporating indigenous Filipino instruments into orchestral productions.
Jaime del Carmen Laya, better known as Jimmy Laya is a Filipino banker, accountant, and cultural administrator who served as the first Secretary of the Department of Budget and Management of the Republic of the Philippines, serving from 1978 to 1981. He was also the 5th governor of the Central Bank of the Philippines from 1981 to 1984 and later served as the Minister of Education, Culture and Sports from 1984 until 1986. His terms in civil service, covered two significant points in Philippine history, the election that made former President Ferdinand Marcos have his third term and the assassination of the late Senator Benigno S. Aquino Jr. that stimulated the People Power Revolution of 1986.
Anton Del Castillo is a multi-awarded and critically acclaimed Filipino visual artist known for the stunning craftsmanship and meticulous design of his artworks that meditate on critiques of modernism and contemporary life. His production of iconic and playful art objects such as sculptures produced in steel and paintings that resemble Byzantine icons, aside from other projects, have earned him recognition not only as an artist but as a master artisan and craftsman.
Anita Magsaysay-Ho was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. She was the only female member of the "Thirteen Moderns," a standing group of Filipino modernist artists, and in 1958 was chosen by a panel of experts as one of the six major painters of the country's history. The most famous work of Magsaysay-Ho are subject to the beauty of Filipino women dealing with everyday issues. Collections of her artwork can be found in museums around the Philippines.
Jenifer K. Wofford is an American contemporary artist and art educator based in San Francisco, California, United States. Known for her contributions to Filipino-American visual art, Wofford's work often addresses hybridity, authenticity and global culture, frequently from an ironic, humorous perspective. Wofford collaborates with artists Reanne Estrada and Eliza Barrios as the artist group Mail Order Brides/M.O.B. She was also the curator of Galleon Trade, an international art exchange among California, Mexico and the Philippines.
Ringo S. Bunoan is a Filipino artist, curator, research and writer based in Manila, Philippines. She is known for her conceptual approach, working across media in installation, sound, video, bookworks and writing. She earned her bachelor's degree in Art History from the University of the Philippines, Dillman. Her works have been shown in galleries, museums and alternative art spaces in Manila, across Asia and the Pacific and USA, including Center for Contemporary Photography, Melbourne, 4th Gwangju Biennale, Singapore Art Museum, Busan Biennale Sea Art Festival, Asian Art Museum, Walter McBean Galleries in San Francisco and REDCAT Gallery in Los Angeles, and Campbelltown Arts Centre, Sydney.
Alice V. Guillermo was a Filipino art historian, critic, academic, and author.
Jigger Cruz is a Filipino painter.
Patrick Duarte Flores (Iloilo,1969) is a Filipino curator, critic, and professor. Born in the Philippines, he received degrees in humanities, art history, and Philippine studies at the University of the Philippines Diliman. He is a professor of Art Studies in the Department of Art Studies at the University of the Philippines and curator of the Vargas Museum in Manila. He was also a curator of the Arts Division, Philippine National Museum and curator of the Philippine Pavilion at the Venice Biennale in 2015. He was the artistic director of the 2019 Singapore Biennale.
Fu Yabing Masalon Dulo, commonly referred to as Fu Yabing, was a Filipino textile master weaver and dyer, credited with preserving the Blaan traditional mabal tabih art of ikat weaving and dyeing. At the time of her death, she was one of only two surviving master designers of the mabal tabih art of the indigenous Blaan people of southern Mindanao in the Philippines.
Martin Jesus Imperial Tadeo Tinio Jr., more popularly known as Sonny Tinio, was a Filipino antiquarian, art historian, interior designer, architect, author, and cultural worker. He was best known for chronicling the history of Philippine colonial architecture and Philippine antiquities in various publications in both the Philippines and overseas.
Santiago Albano Pilar more popularly known as Jak Pilar, was a Filipino art historian, curator, and author. He was best known for chronicling Philippine art centered on the 19th and the 20th century in numerous publications in both the Philippines and overseas.
Darna is a character created for comic books in 1950. As an empowering figure in Filipino popular culture, she has since transcended comics and has appeared in a variety of media platforms, including film, television, theater, and ballet. Notably, she originally appeared when the Philippines was striving to recover from World War II, and she came to represent the nation's desire to return to the simpler days.