Jean Dominique Antony Metzinger was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907, Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works.
Daniel Buren is a French conceptual artist, painter, and sculptor. He has won numerous awards including the Golden Lion for best pavilion at the Venice Biennale (1986), the International Award for best artist in Stuttgart (1991) and the prestigious Premium Imperiale for painting in Tokyo in 2007. He has created several world-famous installations, including "Les Deux Plateaux"(1985) in the Cour d'honneur of the Palais-Royal, and the Observatory of the Light in Fondation Louis Vuitton. He is one of the most active and recognised artists on the international scene, and his work has been welcomed by the most important institutions and sites around the world.
Fabrice Hybert, also known by the pseudonym Fabrice Hyber, is a French plastic artist born on 12 July 1961 in Luçon (Vendée). At 56, he was elected to the Academy of Fine Arts on April 25, 2018.
Xavier Noiret-Thomé is a French painter.
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzalès (1847-1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
Louis de Silvestre, also known as Louis de Silvestre the Younger, was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. He is sometimes called "the Younger" to distinguish him from his older brother Louis Silvestre the Elder, drawing-master to the Dauphin.
Fernand Toupin was a Québécois abstract painter best known as a first-generation member of the avant-garde movement known as Les Plasticiens. Like other members of the group, his shaped paintings drew upon the tradition of geometric abstraction, and he cited Mondrian as a forerunner. In 1959, Toupin began working with a more lyrical, though abstract, way of painting. The last decade of his career saw his return to geometric abstraction. Like Jean-Paul Mousseau, Toupin created works which lay outside the standard boundaries of art such as his stage sets for ballets.
Ximena Armas is a Chilean painter.
Henri-Pierre Picou was a French painter. His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.
Evelyne Axell was a Belgian Pop painter. She is best known for her psychedelic, erotic paintings of female nudes and self-portraits on plexiglas that blend the hedonistic and Pop impulses of the 1960s. Elements of the 1960s—the Vietnam War, the Black Panthers movement, and the sexual liberation of women affected her work.
Olivier Masmonteil is a French artist. He studied at the École des Beaux-Arts de Bordeaux from 1996 to 1999. As a painter, Olivier Masmonteil dedicates his work exclusively to landscapes. While offering a variety of treatment, the paintings of Olivier Masmonteil assume a thematic unity which the landscape is both the substance and form, subject and object, the content and container. Globetrotter artist, he has started a second world tour in Asia and South America.
Joseph Csaky was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor. Csaky was one of the first sculptors in Paris to apply the principles of pictorial Cubism to his art. A pioneer of modern sculpture, Csaky is among the most important sculptors of the early 20th century. He was an active member of the Section d'Or group between 1911 and 1914, and closely associated with Crystal Cubism, Purism, De Stijl, Abstract art, and Art Deco throughout the 1920s and 1930s.
Jean Messagier was a French painter, sculptor, printmaker and poet. Jean Messagier had his first solo exhibition in Paris at Galerie Arc-en-Ciel in 1947. From 1945 to 1949 the artist worked under the influence of Pablo Picasso, André Masson, Paul Klee and François Desnoyer, his professor at École nationale supérieure des arts décoratifs in Paris. Messagier again was revealed to the public at an exhibition organized by Charles Estienne at the Galerie de Babylone in 1952, entitled "La Nouvelle École de Paris". The following year, Messagier deliberately broke away from his expressionistic form of Post-Cubism; his inspirations now focused on Jean Fautrier and Pierre Tal-Coat to develop a personal vision in which he renders "light...approached abstractly." Jean Messagier is often associated with Lyrical abstraction, Tachisme, Nuagisme, Art informel and paysagisme abstrait, though the artist himself had never accepted any labels, and had always refused the distinction between abstraction and figuration. From 1962 until the year of his death Jean Messagier exhibited in France and abroad, taking part in some major international events as a representative of new trends in French painting.
The Société Normande de Peinture Moderne, also known as Société de Peinture Moderne, or alternatively, Normand Society of Modern Painting, was a collective of eminent painters, sculptors, poets, musicians and critics associated with Post-Impressionism, Fauvism, Cubism and Orphism. The Société Normande de la Peinture Moderne was a diverse collection of avant-garde artists; in part a subgrouping of the Cubist movement, evolving alongside the so-called Salon Cubist group, first independently then in tandem with the core group of Cubists that emerged at the Salon d'Automne and Salon des Indépendants between 1909 and 1911. Historically, the two groups merged in 1912, at the Section d'Or exhibition, but documents from the period prior to 1912 indicate the merging occurred earlier and in a more convoluted manner.
Tania Mouraud is a contemporary French video artist and photographer.
Woman with Black Glove is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, Woman with Black Glove represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes.
The Galerie Barbazanges was an art gallery in Paris that exhibited contemporary art between 1911 and 1928. The building was owned by a wealthy fashion designer, Paul Poiret, and the gallery was used for Poiret's "Salon d'Antin" exhibitions. The gallery showed the work of avant-garde artists such as Picasso, Modigliani, Gauguin, Matisse, Chagall, and Dufy.
Carmen Lydia Đurić, known by her artist name Hessie, was a Cuban textile artist who lived in France from 1962 until her death. Her creative work was mainly focused on embroidery using fabrics, although she also used the technique of collage with waste materials.
Philippe Pasqua is a French contemporary artist, known for his paintings, sculptures and drawings. Self-taught and (solitary), he is best known for his paintings of Vanitas and considered one of the major artists of his generation.
The Society of Modern Women Artists was created in Paris in 1930 as an association for modern women artists. They organized an annual salon from 1931 to 1938. Through these exhibitions they showed modern works of art by French and international women artists, to establish the presence of women in art and to gain recognition from the general public. FAM's exhibitions are considered "a significant force towards putting women artists on a more equal footing" with male artists in France.
