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References
- ↑ The Artists Coalition of Trinidad and Tobago (ACTT).
- ↑ Alison Donnell, Sarah Lawson Welsh (eds), The Routledge Reader in Caribbean Literature, p. 349.
- 1 2 Stephen Voyce, Poetic Community: Avant-Garde activism and Cold War Culture, University of Toronto Press, 2013, pp. 158–159.
- ↑ Brathwaite, Edward Kamau (June 1978). "The Love Axe/L: Developing a Caribbean Aesthetic 1962-1974". Bim. 63: 181-192.
- 1 2 Helen Gilbert and Joanne Tompkins, Post-Colonial Drama: Theory, Practice, Politics, Routledge, 1996, p. 158.
- ↑ "Flying T&T flag high", Trinidad and Tobago Guardian , 27 June 2011.
- 1 2 Ruth Craggs and Claire Wintle (eds), Cultures of Decolonisation: Transnational productions and practices, 1945-70, Manchester University Press, 2016.
- ↑ Martin Banham (ed.), "Trinidad and Tobago", in The Cambridge Guide to Theatre, Cambridge University Press, 1995 edn, p. 1125.
- ↑ "Who's got history? Kamau Brathwaite's 'Gods of the Middle Passage'", The Free Library. 1994, University of Oklahoma. Retrieved 23 November 2017.
- ↑ Quoted in Anson Gonzalez, Bare Boards and a Passion – The Early Theatre of Trinidad and Tobago, 30 November 1973. Via Literatures in English at UWI, St Augustine.
- ↑ "Maxwell, Marina Ama Omowale" at WorldCat.
- ↑ "Writers' group honours Keens-Douglas", Trinidad and Tobago Newsday , 16 July 2006.
- ↑ "Local writer makes her way into Wikipedia". Trinidad and Tobago Guardian. 17 July 2011.
- ↑ West Indian Social Science Index, St. Augustine, 1974, p. 59.
- ↑ The 8th octave : a magical realism/real maravilloso novel. WorldCat. OCLC 870684536 . Retrieved 18 May 2022.
