The Cannon Group, Inc. was an American group of companies, including Cannon Films, which produced films from 1967 to 1994. The extensive group also owned, amongst others, a large international cinema chain and a video film company that invested heavily in the video market, buying the international video rights to several classic film libraries. Some of their best known films include Joe (1970), Runaway Train (1985) and Street Smart (1987), all of which were Oscar-nominated.
Breakin' is a 1984 American breakdancing-themed musical film directed by Joel Silberg and written by Charles Parker and Allen DeBevoise based on a story by Parker, DeBevoise and Gerald Scaife about dancer Alysha Williams.
Breakin' 2: Electric Boogaloo is a 1984 American dance musical film directed by Sam Firstenberg. It is a sequel to the 1984 breakdancing film Breakin'. Electric Boogaloo was released seven months after its predecessor by TriStar Pictures. In some international locations the film was released under the title Breakdance 2: Electric Boogaloo. Another sequel, Rappin' was made but had an unconnected plot and different lead characters – only Ice-T features in all three films.
The Australian New Wave was an era of resurgence in the worldwide popularity of the Australian cinema, particularly in the United States. It began in the early 1970s and lasted until the mid-late 1980s. The era also marked the emergence of Ozploitation, a film genre characterised by the exploitation of colloquial Australian culture.
Michael Joseph Stephen Dudikoff Jr. is an American actor. Born in New York City, his family later moved to Los Angeles. Dudikoff did different jobs to pay for his education, during this time he became a model. This led him to do acting auditions. He played supporting roles in films and television shows, until he got his break as the lead in the martial arts action film American Ninja (1985).
Richard Franklin was an Australian film director.
Doris Young Siew Keen is a Singaporean director, producer, writer and actress. Given the stage name Marrie Lee, she was best known for her role as Cleopatra Wong in the late 1970s.
Mark David Rosenthal is an American screenwriter and film director. He is also the long-time writing partner of Lawrence Konner. The writing team work together on the films The Legend of Billie Jean, The Jewel of the Nile, Superman IV: The Quest for Peace, and Star Trek VI: The Undiscovered Country, as well as the screenplays for Mona Lisa Smile, Flicka, and Mercury Rising.
Ozploitation films are exploitation films – a category of low-budget horror, comedy, sexploitation and action films – made in Australia after the introduction of the R rating in 1971. The year also marked the beginnings of the Australian New Wave movement, and the Ozploitation style peaked within the same time frame.
Turkey Shoot is a 1982 Australian dystopian action film directed by Brian Trenchard-Smith. Its ensemble cast—an eclectic mix of international stars, Australian soap opera veterans and character actors—is led by Steve Railsback, Olivia Hussey, Michael Craig, Noel Ferrier, Carmen Duncan, Roger Ward and Lynda Stoner. The film marks the first of three directorial collaborations between Trenchard-Smith and producer Antony I. Ginnane—the others being The Siege of Firebase Gloria (1989) and Arctic Blast (2010)—although the director had previously made promotional reels and trailers for Ginnane's earlier films.
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! is a 2008 documentary film about the Australian New Wave of 1970s and 1980s low-budget cinema. The film was written and directed by Mark Hartley, who interviewed over eighty Australian, American and British actors, directors, screenwriters and producers, including Quentin Tarantino, Brian Trenchard-Smith, Jamie Lee Curtis, Dennis Hopper, George Lazenby, George Miller, Barry Humphries, Stacy Keach, John Seale and Roger Ward.
Patrick is a 1978 Australian science fiction horror film directed by Richard Franklin and written by Everett De Roche. The film popularised Ozploitation films in other territories. A remake was released in 2013.
American Grindhouse is a 2010 documentary directed and produced by Elijah Drenner. The film made its world premiere at the South by Southwest film festival in Austin, Texas on March 13, 2010.
Electric boogaloo may refer to:
Antony I. "Tony" Ginnane is an Australian film producer, best known for his work in the exploitation genre. He was head of the Screen Producers Association of Australia from 2008 to 2011.
Dark Age is a 1987 Australian horror adventure film directed by Arch Nicholson, produced by Antony I. Ginnane and starring John Jarratt, Nikki Coghill, and Max Phipps. In the film, an Australian park ranger is tasked with hunting a legendary, 25-foot crocodile that appears to have a spiritual connection with the local Aboriginals. The film was released on July 10, 1987.
Electric Boogaloo: The Wild, Untold Story of Cannon Films is a 2014 Australian-American documentary film written and directed by Mark Hartley. It tells the story of cousins Menahem Golan and Yoram Globus who headed The Cannon Group. Those interviewed lay tribute to the brash, unconventional immigrant filmmakers who gave young actors a chance and give unflinching anecdotes of both the hits and the low budget and often crass films created.
Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.
The Go-Go Boys: The Inside Story of Cannon Films is a 2014 documentary film, produced and directed by Hilla Medalia and written by Medalia and Daniel Sivan.
Girl at the Window is a 2022 Australian thriller film directed by Mark Hartley and produced by Antony I. Ginnane who had previously collaborated on Patrick (2013).
