Mark Howell

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Mark Howell is an American musician, composer, [1] ethnomusicologist, and music archaeologist.

Contents

Early life and education

Howell was born in Philadelphia, Mississippi in 1952 and moved to New York City in 1982. In 1996 Howell earned an M.F.A. in music composition at SUNY Stony Brook; and in 2004 a Ph.D. in ethnomusicology from the CUNY Graduate Centerwith a dissertation called "An Ethnoarchaeological Investigation of Highland Guatemalan Maya Dance-Plays."

Career

In 1983 he formed an avant-garde post-rock band called Better Than Death (BTD) with bass clarinetist Michael Lytle. In 1986 he collaborated with Etron Fou saxophonist, Bruno Meillier to form a Euro-American group called Zero Pop. They recorded, All the Big Mystics and Glows in the Dark. In between Zero Pop tours BTD recorded Swimman (1987), and followed that release with a U.S. tour. Between 1986 and 1994 Zero Pop toured Europe seven times and the United States three.

Bass clarinet musical instrument

The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B, but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare. Bass clarinets regularly perform in orchestras, wind ensembles/concert bands, occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular.

Howell played guitar on the Curlew record, North America, and met Martin Bisi, Rick Brown, Tom Cora, and Fred Frith. In 1989 he and Frith, Nick Didkovsky, and Rene Lussier formed the Fred Frith Guitar Quartet.In 1989 Howell formed a third band, Timber, with drummer, Rick Brown and bass player, Faye Hunter who was later replaced by Jenny Wade. Between 1989 and 1996 Timber made two U.S. tours and one in Europe. They released one CD, Parts and Labor, were included on Matador's LP and CD New York Eye and Ear Control, as well as on two of Elliott Sharp's State of the Union compilation CDs. Howell's involvement with the Fred Frith Guitar Quartet between 1989 and 1995, included five European tours, several U.S. performances and the recording of "The As Usual Dance Towards the Other Flight to What is Not," which was released on Frith's CD, Quartets. He also played with Frith, Didkovsky, Lussier, and others, at the Brooklyn Academy of Music performance of, "In Memory," in 1989.

Guitar fretted string instrument

The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.

Martin Bisi American musician

Martin Bisi is an American producer and songwriter. He is known for recording important records by Sonic Youth, Swans, John Zorn, Material, Bill Laswell, Helmet, Unsane, The Dresden Dolls, Cop Shoot Cop, White Zombie, Boredoms, Angels of Light, J.G. Thirlwell, and Herbie Hancock's Grammy-winning song "Rockit".

Tom Cora American cellist and composer

Thomas Henry Corra, better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and The Ex, and was a member of Curlew, Third Person and Skeleton Crew.

In addition to his band work, Howell has composed for Lynn Shapiro (at the American Dance Festival 1994), Amy Sue Rosen, Diane Torr, and Stephanie Artz. He was also commissioned by several ensembles including "North By South," (1993) for percussionist Kevin Norton, and "To the Heart," (1997) for the ten-piece mixed ensemble, New Ear. His composition scores were published by Frog Peak Music.

American Dance Festival non-profit organisation in the USA

The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.

Kevin Norton is an American percussionist and composer active in the New York City jazz and contemporary music scenes. He has performed and recorded with a diverse group of musicians, including Anthony Braxton, Paul Dunmall, Milt Hinton, Fred Frith, David Krakauer, Joëlle Léandre, Frode Gjerstad, Wilber Morris, James Emery, Bern Nix, and many others. In 1999, he founded Barking Hoop Recordings, a record label dedicated to releasing new and original music. Kevin Norton has also spent summers at camp Encore Coda in Maine teacher music theory classes and private percussion classes. The label has released 11 CDs to date, which feature Norton’s own groups as well as artists such as Anthony Braxton, Kevin O'Neil, Billy Stein, and the String Trio of New York.

Frog Peak Music is a composer's collective that produces and distributes experimental works, and functions as a home for its artists. It was co-founded in 1984 by Jody Diamond and Larry Polansky.

Howell has researched the music of Precolumbian America. He has presented papers and published books and journals on topics related to music archaeology. In 2006 he became the director of the Winterville Site, an archaeology park and museum in the Mississippi Delta.

Winterville Site Archaeological site in Washington County, Mississippi, United States

The Winterville Site is a major archaeological site in unincorporated Washington County, Mississippi, north of Greenville. It consists of major earthwork monuments, including more than twelve large platform mounds and cleared and filled plazas. It is the type site for the Winterville Phase of the Lower Yazoo Basin region of the Plaquemine Mississippian culture. Protected as a state park, it has been designated as a National Historic Landmark. In June 2015 the state authorized $300,000 to restore the mounds to their pre-Columbian condition and add walking trails to the park. The site also includes a museum.

Howell is a member of the duo called Inconvenient Music.

Select Discography

Select Publications

“Origin and Meaning of the Hopewell Panpipe.” In Flower World: Archaeology of the Americas. Mundo Florido Arqueomusicología de las Américas, I. Eds., Matthias Stöckli, Mark Howell and Arnd Adje Both. Ēkhō Verlag, Berlin (to be published in 2014).

“Music Evidence of Spanish, French, and English Encounters with Native Americans: The Similarities, Differences, and Consequences.” In Sound, Political Space and Political Condition: Exploring Soundscapes of Societies Under Change. Topoi—Excellence Cluster Publication. Eds., Ricardo Eichmann, Mark Howell, and Graeme Lawson, Berlin (to be published in 2013).

“The Concise ISGMA Handbook of Music Archaeological Practice.” Eds., Mark Howell, Graeme Lawson, and Stefan Hagel (to be on-line in 2013).

“An Organology of the Americas as Painted by John White and Other Artists.” In Flower World: Archaeology of the Americas. Mundo Florido Arqueomusicología de las Américas, I. Eds., Matthias Stöckli and Arnd Adje Both. Ēkhō Verlag, Berlin (2013), 155-168.

“Tzunam Bailes and the Role of Music Instruments in Precolumbian Highland Guatemala.” In Orient Archäologie Band 27 Studien zum Musikarchäologie VIII . Eds., Ricardo Eichmann, Fang Jianjun, and Lars-Christian Koch. Berlin (2013), 281-289. “Sonic-Iconic Examination of Adorno Rattles from the Mississippian-Era Lake George Site.” Music and Art 36 (2011:1-2), 231-244.

“A Hermeneutic Re-examination of Select Commentaries on Aztec Music.” In Orient Archäologie Band 25 Studien zum Musikarchäologie VII. Eds., Ellen Hickmann, Arnd Adje Both, Ricardo Eichmann, and Lars-Christian Koch. Berlin (2010), 213-225.

“Music Syncretism in the Postclassic K’iche’ Warrior Dance and the Colonial Period Baile de los Moros y Cristianos.” In Maya Worldviews at Conquest. Eds. Leslie G. Cecil and Timothy W. Pugh. University Press of Colorado, Boulder (2009), 279-297.

“Las transcripciones musicales del Baile Drama del Rabinal Achi.” Ethnomusicología en Guatemala, 66:165-167. “Concerning the Origin and Dissemination of the Mesoamerican Slit-Drum” Music and Art 28 (2003:1-2), 45-54. Enchanted Music. Alley Tracts, a Division of Autonomedia (2001).

“Locronots: An Automatic Drawing Technique.” in The Improvisor (1989).

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References

  1. Howell's analysis of La Salle Bells published by archaeology group by Debbie Burt Myers. The Neshoba Democrat 10 August 2008. Retrieved 18 August 2011.