Mark Rappaport | |
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 Rappaport on 2015 | |
| Born | January 15, 1942 New York City, New York, U.S. |
| Alma mater | Brooklyn College (BA) |
| Occupation(s) | Film director, film critic |
| Years active | 1966–present |
| Notable work |
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Mark Rappaport (born January 15, 1942, in New York City, United States) is an American independent/underground film director and film critic, who has been working since the 1960s.
Born and raised in Brighton Beach, New York, Rappaport graduated from Brooklyn College in 1964 with a B.A. in literature. In 2005, he moved to Paris, France, where he resides and works.
Starting in 1966, Rappaport directed a number of short films and six low-budget features, all made independently with low budgets. [1]
Rappaport’s first feature, Casual Relations (1974), was later described in The A.V. Club as “a formidable exercise in the narrative ambiguities that would dominate many of his films to come.” [2] The next several years brought Mozart in Love (1975), Local Color (1977), the Max Ophuls-influenced The Scenic Route (1978), and Imposters (1979). [3] Roger Ebert called the film “a witty and mannered exercise in style and social observation.” [4] Rappaport’s last narrative feature was Chain Letters (1985). [5]
In 1992, Rappaport began the second phase of his career, in which he moved from scripted narrative to the form of the video essay. The first of these was Rock Hudson's Home Movies , a documentary on Rock Hudson's homosexuality as seen through clips from his films. The same form was used for From the Journals of Jean Seberg (1995), in which actress Mary Beth Hurt spoke as Jean Seberg; [6] and The Silver Screen: Color Me Lavender (1997), narrated by Dan Butler. Because of this work, critic Matt Zoller Seitz called Rappaport "the father of the modern video essay." [7]
Starting in 2014, Rappaport turned to short video essays on film history, chronicling the careers of actors (Anita Ekberg, Marcel Dalio, Debra Paget, Chris Olsen, Conrad Veidt, Will Geer) and specific directors (Douglas Sirk, Max Ophuls, Sergei Eisenstein, Jacques Tati and Robert Bresson).
In May 2012, Rappaport filed a lawsuit against professor Ray Carney for refusing to return digital masters of his movies which the filmmaker had previously entrusted to Carney to transport to Paris. The suit was later dropped due to rising legal costs, and Rappaport started an online petition demanding that Carney return the masters. [8] [9] [10]
In 1994, Rappaport started contributing to the French film journal Trafic , created by Serge Daney two years earlier. Since then, he has published more than 40 pieces, and several collections, including The Moviegoer Who Knew Too Much (2013) and (F)au(x)tobiographies (2013). [11]
Rappaport has been noted by Roger Ebert, Jonathan Rosenbaum, Ray Carney, J. Hoberman, Dave Kehr, and Stuart Klawans. [12] [13] [14]
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Woody Allen, Spike Lee, Werner Herzog and Errol Morris, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America."
Casablanca is a 1942 American romantic drama film directed by Michael Curtiz and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a woman (Bergman) and helping her husband (Henreid), a Czechoslovak resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans. The screenplay is based on Everybody Comes to Rick's, an unproduced stage play by Murray Burnett and Joan Alison. The supporting cast features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson.
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
All That Heaven Allows is a 1955 American drama romance film directed by Douglas Sirk, produced by Ross Hunter, and adapted by Peg Fenwick from a novel by Edna L. Lee and Harry Lee. It stars Jane Wyman and Rock Hudson in a tale about the social complications that arise following the development of a romance between a well-to-do widow and a younger man, who owns a tree nursery. In 1995, the film was selected for preservation in the United States National Film Registry.
Douglas Sirk was a German film director best known for his work in Hollywood melodramas of the 1950s. However, he also directed comedies, westerns, and war films. Sirk started his career in Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis.
Breathless is a 1960 French New Wave crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
La dolce vita is a 1960 satirical comedy-drama film directed and co-written by Federico Fellini. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay, written by Fellini and three other screenwriters, can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.
Raymond Carney is an American scholar and critic, primarily known for his work as a film theorist, although he writes extensively on American art and literature as well. He is known for his study of the works of actor and director John Cassavetes. He teaches in the Film and Television department of the Boston University College of Communication at Boston University and has published several books on American art and film.
Gates of Heaven is a 1978 American independent documentary film produced, directed, and edited by Errol Morris about the pet cemetery business. It was made when Morris was unknown and did much to launch his career.
Written on the Wind is a 1956 American Southern Gothic melodrama film directed by Douglas Sirk and starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone. It follows the dysfunctional family members of a Texas oil dynasty, including the complicated relationships among its alcoholic heir: his wife, a former secretary for the family company, his childhood best friend, and his ruthless, self-destructive sister.
The Thief of Bagdad is a 1940 British Technicolor historical fantasy film, produced by Alexander Korda and directed by Michael Powell, Ludwig Berger and Tim Whelan, with additional contributions by William Cameron Menzies and Korda brothers Vincent and Zoltán. The film stars Indian-born teen actor Sabu, Conrad Veidt, John Justin, and June Duprez. It was released in the US and the UK by United Artists.
Magnificent Obsession is a 1954 American romantic drama film directed by Douglas Sirk starring Jane Wyman and Rock Hudson. It is a remake of the 1935 film by the same name, starring Irene Dunne and Robert Taylor. Both are based on the 1929 novel Magnificent Obsession by Lloyd C. Douglas.
Jean-Claude Lauzon was a Canadian filmmaker and screenwriter. Born to a working class family in Montreal, Quebec, Lauzon dropped out of high school and worked various jobs before studying film at the Université du Québec à Montréal. His two feature-length films, Night Zoo (1987) and Léolo (1992), established him as one of the most important Canadian directors of his generation. American film critic Roger Ebert wrote that "Lauzon is so motivated by his resentments and desires that everything he creates is pressed into the cause and filled with passion."
From the Journals of Jean Seberg is a 1995 video essay on the life of actress Jean Seberg. It is directed by film essayist Mark Rappaport.
Rock Hudson's Home Movies is a 1992 documentary by Mark Rappaport. It shows clips from Rock Hudson's films that could be interpreted as gay entendres.
Lola Montès is a 1955 historical romance film and the last completed film of German-born director Max Ophüls. Based on the novel La vie extraordinaire de Lola Montès by Cécil Saint-Laurent, the film depicts the life of Irish dancer and courtesan Lola Montez (1821–1861), portrayed by Martine Carol, and tells the story of the most famous of her many notorious affairs, those with Franz Liszt and Ludwig I of Bavaria. A co-production between France and West Germany, the dialogue is mostly in French and German, with a few English-language sequences. The most expensive European film produced up to its time, Lola Montès underperformed at the box office. However, it had an important artistic influence on the French New Wave cinema movement and continues to have many distinguished critical admirers. Heavily re-edited and shortened after its initial release for commercial reasons, it has been twice restored. It was released on DVD and Blu-ray in North America by The Criterion Collection in February 2010.
Ignatiy Igorevich Vishnevetsky is a Russian-American film critic, essayist, and columnist. He has worked as a staff film critic for The A.V. Club and written for Mubi.com and the Chicago Reader.
The Scenic Route is a 1978 American drama film written and directed by Mark Rappaport and starring Randy Danson, Marilyn Jones and Kevin Wade.
A video essay is an essay presented in the format of a video recording or short film rather than a conventional piece of writing; The form often overlaps with other forms of video entertainment on online platforms such as YouTube. A video essay allows an author to directly quote from film, video games, music, or other digital mediums, which is impossible with traditional writing. While many video essays are intended for entertainment, they can also have an academic or political purpose. This type of content is often described as educational entertainment.
Maximalist film or maximalist cinema is related to the art and philosophy of maximalism.
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