Author | Mark Wilson |
---|---|
Illustrator | Julia Laughlin; Manny Katz |
Cover artist | Weaver Lilly; Tony Schmidt |
Country | USA |
Language | English |
Subject | Magic |
Genre | Non-fiction |
Publisher | Courage Books: Running Press Book Publishers |
Publication date | 1975 |
Pages | 472 pages |
ISBN | 0-89471-623-9 |
OCLC | 17805952 |
793.8 19 | |
LC Class | GV1547.W763 1988 |
Mark Wilson's Complete Course in Magic is a book on magic written by magician Mark Wilson. [1] [2] The book is a popular reference for magicians and has been in print since its first issue in 1975.
The book is organized into sections; each devoted to a particular topic, as follows:
Wilson's exposition on the basics of misdirection.
Course Coordinator: Larry Anderson
Assistant Course Coordinator: Don Wayne [3]
The main body of the book comprises tricks (Wilson's term) and prerequisite techniques and skills required to perform them. The key elements are illustrated with line drawings and explained in detail in the accompanying text.
Each trick is divided into logical sub-sections:
The section on card effects is divided into classes of tricks; each class contains multiple individual techniques and tricks, as follows:
As with Card Magic, the section on money effects is divided into classes of tricks; each class comprises multiple individual techniques and tricks, as follows:
The section on rope effects is not divided, but comprises multiple individual techniques and tricks.
This section comprises multiple individual techniques and tricks.
This section comprises multiple individual techniques and tricks, mainly with household objects readily at hand.
This section comprises multiple individual techniques and tricks.
This section comprises multiple individual techniques and tricks of the kind which the magician might bet he can do something the spectator cannot: "I'll bet you."
This section comprises multiple individual techniques and tricks, requiring apparatus which can be constructed as build-it-yourself projects.
This section comprises multiple individual techniques and tricks, requiring compressible balls as props.
This section comprises multiple individual techniques and tricks with incompressible balls.
Perhaps the first illusions performed; definitely the first recorded in writing (in ancient Egypt). This section comprises multiple individual techniques and tricks.
"In magical terms an "Illusion" is any trick or effect involving a human being." (p. 435) This section comprises multiple individual illusions, according to the quoted definition.
Wilson and co-authors' parting words of encouragement to their readers and students.
Sleight of hand refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini, Tony Slydini and Helder Guimarães.
In theatrical magic, misdirection is a form of deception in which the performer draws audience attention to one thing to distract it from another. Managing audience attention is the aim of all theater, and the foremost requirement of all magic acts. Whether the magic is of a "pocket trick" variety or a large stage production, misdirection is the central secret. The term describes either the effect or the sleight of hand or patter that creates it.
Card manipulation is the branch of magic that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used in magical performances, especially in close-up, parlor, and street magic. Some of the most recognized names in this field include Dai Vernon, Tony Slydini, Ed Marlo, S.W. Erdnase, Richard Turner, John Scarne, and Ricky Jay. Before becoming world-famous for his escapes, Houdini billed himself as "The King of Cards". Among the more well-known card tricks relying on card manipulation are Ambitious Card, and Three-card Monte, a common street hustle also known as Find the Lady.
Coin magic is the manipulating of coins to entertain audiences. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire.
A trick deck usually refers to a deck of playing cards that has been altered in some way to allow magicians to perform certain card tricks where sleight of hand would be too difficult or impractical.
The Ambitious Card, or Elevator Card, is a magic effect in which a playing card seems to return to the top of the deck after being placed elsewhere in the middle of the deck. This is a classic effect in card magic and serves as a study subject for students of magic. Most performing card magicians will have developed their own personal Ambitious Card routine.
Street magic falls into two genres; traditional street performance and guerrilla magic.
Bottom dealing or base dealing is a sleight of hand technique in which the bottom card from a deck of playing cards is dealt instead of the top card. It is used by magicians as a type of card illusion, and by card sharps and mechanics, and as a method of cheating in poker or other card games.
This is a glossary of conjuring terms used by magicians.
The Magician's Palm is a method for hiding a playing card, in which the card is placed in the hand lengthwise, the hand is curled inward slightly, and the card is thus retained in the hand. It is important with this palm that you do not have one's thumb sticking out as if "hitchhiking" as this is a "tell" or sign that a card is being palmed.
Coin manipulation is the art of manipulating coins in skillful flourishes, usually on or around the hands. Although not always considered coin magic, the tricks are sometimes used in magic shows. The difficulty of the trick ranges greatly, from some that take a few minutes to accomplish, to much more complex ones that can take months, even years, to master. One of the best-known tricks is the relatively advanced coin walk.
Joshua Jay is a magician, author, and lecturer. He has performed in over 100 countries, and he was awarded the top prize at the World Magic Seminar in 1998. He fooled Penn and Teller on their hit show, Fool Us, and he holds a Guinness World Record for card tricks. Jay has done magic on numerous television shows, most recently Good Morning America and The Today Show. Most recently, in January 2018, Joshua was recognized by the Society of American Magicians with their highest proclamation, for his contribution to the art of magic. Joshua attended Ohio State University and currently resides in New York City.
James "Mark" Wilson was an American magician and author, who was widely credited as the first major television magician and in the process establishing the viability of illusion shows as a television format.
Close-up magic is magic performed in an intimate setting usually no more than 3 meters from one's audience and is usually performed while sitting at a table.
The Tarbell Course in Magic is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Dr. Harlan Tarbell, the remaining three volumes being added on later.
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.
The art form of card flourishing, commonly referred to as cardistry, grew out of simple flourishes used in close-up magic by magicians in the 1990s to early 2000s. Chris Kenner's notable two-handed Sybil cut from his 1992 publication Totally Out of Control has carried great influence and gave birth to a series of advanced flourishes which today represents the foundation of the performance art. Sleight of hand pioneers Dan and Dave Buck popularized cardistry on the world stage with their instructional DVD releases from 2004 and 2007. Journalist Kevin Pang of Vanity Fair characterized the art of card flourishing as, "It's yo-yo tricks performed by cardsharps with the street cred of a Parkour video. There's a name for it: cardistry."