The cups and balls is a performance of magic with innumerable adaptations. Street gambling variations performed by conmen were known as Bunco Booths. A typical cups and balls routine includes many of the most fundamental effects of magic: the balls can vanish, appear, transpose, reappear and transform. Basic skills, such as misdirection, manual dexterity, sleight of hand, and audience management are also essential to most cups and balls routines. As a result, mastery of the cups and balls is considered by many as the litmus test of a magician's skill with gimmick style tricks. Magician John Mulholland wrote that Harry Houdini had expressed the opinion that no one could be considered an accomplished magician until he had mastered the cups and balls. Professor Hoffman called the cups and balls "the groundwork of all legerdemain".
Sleight of hand refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini, Tony Slydini, Helder Guimarães and Tom Mullica.
In theatrical magic, misdirection is a form of deception in which the performer draws audience attention to one thing to distract it from another. Managing audience attention is the aim of all theater, and the foremost requirement of all magic acts. Whether the magic is of a "pocket trick" variety or a large stage production, misdirection is the central secret. The term describes either the effect or the sleight of hand or patter that creates it.
Card manipulation is the branch of magic that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used in magical performances, especially in close-up, parlor, and street magic. Some of the most recognized names in this field include Dai Vernon, Tony Slydini, Ed Marlo, S.W. Erdnase, Richard Turner, John Scarne, Ricky Jay and René Lavand. Before becoming world-famous for his escapes, Houdini billed himself as "The King of Cards". Among the more well-known card tricks relying on card manipulation are Ambitious Card, and Three-card Monte, a common street hustle also known as Find the Lady.
A trick deck is a deck of playing cards that has been altered in some way to allow magicians to perform certain card tricks where sleight of hand would be too difficult or impractical.
Mentalism is a performing art in which its practitioners, known as mentalists, appear to demonstrate highly developed mental or intuitive abilities. Performances may appear to include hypnosis, telepathy, clairvoyance, divination, precognition, psychokinesis, mediumship, mind control, memory feats, deduction, and rapid mathematics. Mentalists perform a theatrical act that includes special effects that may appear to employ psychic or supernatural forces but that are actually achieved by "ordinary conjuring means", natural human abilities, and an in-depth understanding of key principles from human psychology or other behavioral sciences.
Tony Slydini, simply known as Slydini, was a world-renowned magician. His mastery, expertise, originality and innovative approach to close-up artistry magic, earned him a legendary reputation in the magic world. He traveled the world performing for the public as well as performing and lecturing fellow magicians. As a result, he served as an inspiration to generations of well-known magicians, celebrities and entertainers, including Doug Henning, Dick Cavett, Bill Bixby, Ricky Jay, David Copperfield and countless others. Although he was best known as a master of close-up artistry, he continually demonstrated an extraordinary performing ability and during his lifetime was responsible for a long series of books, films and publications highlighting his mastery of the magical crafts. For his work, he received the highest honors that his profession could bestow, including both the coveted Masters Fellowship Award and Performing Fellowship Award from the Academy of Magical Arts. During his lifetime, Tony Slydini was inducted into the Society of American Magicians Hall of Fame as a Living Legend.
Billet reading, or the envelope trick, is a mentalist effect in which a performer pretends to use clairvoyance to read messages on folded papers or inside sealed envelopes. It is a widely performed "standard" of the mentalist craft since the middle of the 19th century. Billet is the French term for note or letter, referring to the rectangular shape of the paper.
Multiplying billiard balls is a magic routine that is popular with both amateur and advanced conjurors but still rarely seen. As its name implies, the magician uses sleight of hand to manipulate a number of billiard balls, giving the impression that he is making them appear and vanish at his command.
A thumb tip is a magician's prop designed to fit over and appear to be the magician's thumb used for vanishing, producing, or switching small objects. A classic effect is to have a silk handkerchief or other small object pressed into the top of the left fist. After pushing it well in with the right thumb, the left fist is opened to show the silk has disappeared. Alternatively, a lit cigarette, liquid, salt, or other small objects can be made to disappear in a similar manner.
This is a glossary of conjuring terms used by magicians.
The hat-trick is a classic magic trick where a performer will produce an object out of an apparently empty top hat.
Brother John Charles Hamman S.M. was a close-up magician and Marianist Brother. The tricks he invented are still an integral part of many close-up magician's repertoire. Hamman was world-renowned in the magic community. His initial interest in the art started as a child. As he recuperated from polio, he spent hours learning, practicing and inventing card tricks and other magic involving sleight-of-hand. In many cases, he "reinvented" classic maneuvers or streamlined them. He was a member of the International Brotherhood of Magicians, the Catholic Magicians' Guild and the Society of American Magicians.
The Tarbell Course in Magic is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Harlan Tarbell, the remaining three volumes being added on later.
Platform magic is magic that is done for larger audiences than close-up magic and for smaller audiences than stage magic. It is more intimate than stage magic because it does not require expensive, large-scale stage equipment and can thus be performed closer to the audience and without a stage. Many of the tricks performed by platform magicians are sufficiently angle-sensitive as to make them impossible to perform as micromagic. Most working magicians are parlor/platform magicians.
Children's magic is a specialized aspect of parlor magic and is meant to entertain children. It is typically performed at birthday parties, churches, preschools, elementary schools, Sunday Schools or libraries. It is often the only type of magic most Westerners experience other than that seen on television. This type of magic is usually comedic in nature.
Chink-a-chink is a simple close-up magic coin trick in which a variety of small objects, usually four, appear to magically transport themselves from location to location when covered by the performer's hands, until the items end up gathered together in the same place. Variations, especially the Sympathetic Coins also known as Coins-n-Cards, have been performed since the 1800s. Popular modern variations are Shadow Coins and Matrix. A variation using playing cards as the objects is known as Sympathetic Aces.
Magic, which encompasses the subgenres of illusion, stage magic, and close-up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.
Teleportation is the theoretical transfer of matter and/or energy from one point to another without traversing the physical space between them. It is a common subject in science fiction and fantasy literature, film, video games, and television. In some situations, teleporting is presented as time traveling across space.
