Author | Harlan Tarbell |
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Publisher |
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No. of books | 8 |
The Tarbell Course in Magic is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Harlan Tarbell, the remaining three volumes being added on later.[ citation needed ]
This magic volume series was originally designed as a correspondence course for budding magicians. Once they were collected and bound, the series has become an unparalleled reference standard for magicians. In its impact on the magic world, it is second perhaps in its influence on the art of magic only to Hoffman's Modern Magic, and many professional magicians have based their careers on the Tarbell Course.
The entire collection comprises more than one-hundred lessons in every aspect of magic including micromagic/close-up magic, escapology, mentalism and stage illusions. It is the most comprehensive literary work in magic history. The original five volumes contained sixty correspondence lessons with more than 3,000 illustrations.
In addition to teaching specific tricks, The Tarbell Course also teaches patter, marketing, the history of magic, ethics, advertising, routining, presentation, diction and elocution, magic theory, performance theory, acting, misdirection, timing and showmanship.
Volume 7 of the series was written by Harry Lorayne and compiled from contributions by other magicians; it is valued largely for its comprehensive index, subdivided by title, contributor, and properties, to the first seven volumes.
Volume 8 of the series was compiled and edited by Richard J. Kaufman and Steve Burton. It collected Tarbell's widely scattered and previously uncollected writings on magic, which Kaufman then fashioned into something resembling the first six volumes of the course. Since most of the book was written and illustrated by Tarbell, it is linked more closely to the rest of the course than Volume 7.
Publishers T. Grant Cooke and Walter A. Jordan hoped to produce a correspondence course in magic in the mid-1920s and approached Harlan Tarbell and Walter Baker to work on the project. Baker abandoned the project early on to concentrate on his performances. Tarbell was thus dropped from the project.
Cooke and Jordan then approached Harry Houdini to create the course. Houdini declined due to lack of time but recommended Tarbell. Ultimately, the publishers agreed and offered Tarbell $50,000 for the course.
The series sold 10,000 copies until Cooke and Jordan discontinued it in 1931. In 1941, Louis Tannen purchased the rights to the course and reworked the correspondence lessons into book form and ultimately added three additional volumes. [1]
D. Robbins and Co./ E-Z Magic purchased all rights from Tannens in 1962 and is the current publisher and distributor of the Tarbell Course in Magic. The Encyclopedia was also translated into the Korean and Japanese language.
The course was ultimately so successful that it became a textbook for magicians all over the world. A magician traveling in India offered to buy some of the secrets of a Hindu Fakir and was surprised to learn that they came from the Tarbell Course. In Africa, tribal medicine men asked that the volumes be sent in a plain brown wrapper to keep their followers from learning that their magic came from Chicago. [2]
From 2016 onward, Penguin Magic adapted the Tarbell Course for online video, with each trick and technique taught in order by magician Dan Harlan. It is released monthly, lesson-by-lesson. [3]
Volume 6
Volume 7
Volume 8 - (Tarbell's Graduate Course in Magic)
Sleight of hand refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini, Tony Slydini and Helder Guimarães.
Clayton Rawson was an American mystery writer, editor, and amateur magician. His four novels frequently invoke his great knowledge of stage magic and feature as their fictional detective The Great Merlini, a professional magician who runs a shop selling magic supplies. He also wrote four short stories in 1940 about a stage magician named Don Diavolo, who appears as a minor character in one of the novels featuring The Great Merlini. "Don Diavolo is a magician who perfects his tricks in a Greenwich Village basement where he is frequently visited by the harried Inspector Church of Homicide, either to arrest the Don for an impossible crime or to ask him to solve it."
Coin magic is the manipulating of coins to entertain audiences. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire.
Burling Hull was an inventive magician, self-styled "the Edison of magic," specializing in mentalism and sleight of hand effects. During the greater part of his life he lived in DeLand, Florida. His aliases and stage names included: "Volta the Great", "The Man with the Radar Mind", "The White Wizard," and "Gideon ('Gid') Dayn."
Harry Bouton Blackstone Jr. was an American stage magician, author, and television performer. He is estimated to have pulled 80,000 rabbits from his sleeves and hats.
Street magic falls into two genres; traditional street performance and guerrilla magic.
Max Malini was a magician who at his peak performed for several US Presidents and at Buckingham Palace, receiving gifts from monarchs across Europe and Asia. Many magicians hold him in high esteem for his skill and bold accomplishments.
Alexander Herrmann was a French magician, better known as Herrmann the Great. He was married to magician Adelaide Herrmann, known as the Queen of Magic.
A thumb tip is a magician's prop designed to fit over and appear to be the magician's thumb used for vanishing, producing, or switching small objects. A classic effect is to have a silk handkerchief or other small object pressed into the top of the left fist. After pushing it well in with the right thumb, the left fist is opened to show the silk has disappeared. Alternatively, a lit cigarette, liquid, salt or other small objects can be made to disappear in a similar manner.
This is a glossary of conjuring terms used by magicians.
The hat-trick is a classic magic trick where a performer will produce an object out of an apparently empty top hat.
Close-up magic is magic performed in an intimate setting usually no more than 3 meters from one's audience and is usually performed while sitting at a table.
Platform magic is magic that is done for larger audiences than close-up magic and for smaller audiences than stage magic. It is more intimate than stage magic because it does not require expensive, large-scale stage equipment and can thus be performed closer to the audience and without a stage. Many of the tricks performed by platform magicians are sufficiently angle-sensitive as to make them impossible to perform as micromagic. Most working magicians are parlor/platform magicians.
The Bamberg Magical Dynasty were a Dutch family of magicians. Six generations of Dutch magicians were named Bamberg. The Bambergs were an upper middle-class unorthodox Jewish family. The oldest sons were also magicians and carried on the tradition. This tradition was not always exclusive to just the oldest son; Theo Bamberg's two younger brothers were also magicians. Three Bambergs were court magicians entertaining the royal family. This chain was unbroken for 165 years, from the 18th to the 20th centuries.
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.
Modern Magic by Professor Hoffmann is a treatise in book form, first published in 1876, detailing the apparatus, methods and tricks used by the magicians and conjurors of that era. Hoffmann was considered to be one of the greatest authorities on the theory and practice of magic, despite his own limited professional experience as a magician.
TV's 50 Greatest Magic Tricks is a one-off list show that was produced by Objective Productions for Channel 5. The programme counts down the fifty greatest magic tricks – The Magic Bullet by Penn & Teller is the illusion at number one. The show was presented by the British actress Fay Ripley, and was directed by Helen Albon. TV's 50 Greatest Magic Tricks was first broadcast on Channel 5 on 31 December 2011. The list of magic tricks features set pieces, stunts and rabbit-out-of-the-hat tricks. Contributors to the programme included Penn & Teller, Paul Daniels and Dynamo. Two tricks by the British magician Pete Firman featured in the list, with his Goldfish Trick in the top ten.
50 Greatest Magic Tricks is a one-off list show that was produced by Objective Productions for Channel 4. The programme counted down the fifty greatest magic tricks, as voted for by members of The Magic Circle. The illusion at number one was Death Saw by David Copperfield. The show was presented by British comedy duo Adam and Joe, who also wrote and narrated the programme. The show was first broadcast on Channel 4 on 6 May 2002.