Martha Pearson Smith

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Martha Pearson Smith
MARTHA PEARSON SMITH A woman of the century (page 677 crop).jpg
BornMartha Ann Pearson
September 29, 1836
North Conway, New Hampshire, U.S.
Died1912
Spokane, Washington
Pen name
  • Mattie May
  • Mattie
  • May
Nickname"Mattie"
Occupation
  • poet
  • musician
  • songwriter
Spouse
Edson Rollins Smith
(m. 1859;died 1900)
Children3 sons

Martha Pearson Smith (pen names, Mattie May, May, Mattie; [1] September 29, 1836 - 1912) was an American poet and musician of the long nineteenth century. [2] She made significant contributions in secular and sacred verse. One of her best songs was "Jennie and I", which was set to music by Prof. T. M. Towne. [3] She was a champion of the cause of temperance and did much to advance the movement in Minnesota. [4]

Contents

Early life and education

Martha ("Mattie") Ann Pearson was born in North Conway, New Hampshire, September 29, 1836. [5] Her parents were John Milton Pearon (1810-1887) and Laura Abigail (Emery) Pearson (1815-1853). [5] Her paternal grandmother was related to Nathaniel Hawthorne. Her ancestry runs back to the Smithfield martyr. Her ancestors included the Gilmans, who came from England in the ship Diligent, in 1638, and settled in Hingham, Massachusetts. Many of the most noted men and women of New England were members of her family in past generations. [2]

Her early life was passed amid the quiet and healthful scenes of the White Mountains. Her family removed to Meredith, New Hampshire, and when she was seven years old, they made their home in Boston, Massachusetts, for four years, [4] where she studied. Her mother, who had been a successful teacher, personally superintended the education of her family. The young Martha was able to read when she was only four years old, and before she was seven years old had read Milton's Paradise Lost , Hervey's Meditations and other classical works. [2]

The Pearson family for generations had been a musical one. Her grandfather, John Pearson, was a singer and composer of both words and music that were sung in the Congregational Church in Newburyport, Massachusetts. He was a fine performer on several instruments, and from him, Martha inherited her strong love and talent for music. She studied music and even ventured to compose airs, when she was six years old. Among her published songs are "Under the Lilies Sleeping" and "Go, Forget Me." She had many musical compositions in manuscript, and some of her temperance songs are published in the temperance section of Woman in Sacred Song . Some of her verses were set to music by Prof. Towne. [6]

When she was yet a child, her family moved to Cincinnati, Ohio, and afterward to Covington, Kentucky, [4] where she attended school for a number of years. Her teacher trained her in composition, for which she early showed a strong talent. She attended a young ladies' seminary in Covington, and at the age of sixteen years published in the local papers several serial stories over the pen name "Mattie May". Some of her poems appeared when she was eleven years old. At the age of ten, she began to write a book founded on the Maine Liquor Law. [6]

During the cholera epidemic in Covington, she was mildly sick, and her parents, imagining her a victim of the disease, hurried her to bed, bathed her head, and instructed her to keep quiet. Shortly after, her mother entered her room and was amazed to see Martha sitting up in bed, with flushed face, writing as fast as she could a poem entitled "The Song of the Pestilence", which she was not allowed to finish. [6]

Career

For a number of years, she taught school in Kentucky. [7] She lived in the state until 1857, when she removed to Minnesota. [7]

Smith was engaged in charitable work. Her first years in Minnesota were troublesome ones, as the Dakota people were warring with the pioneers. Smith and her children were sent to Vermont for some months, until the warring ended. She was a voluminous writer, but most of her best work was never published. [6] She became a professional partner of Eva Munson Smith, supporting the sale of the latter's book, Woman in Sacred Song. [8]

Personal life

On November 3, 1859, she married Edson Rollins Smith (1836-1900), [5] a banker and mill-owner, of Le Sueur, Minnesota, [7] who served as a state senator. Their family consisted of three sons: [6] [5]

Martha Ann Pearson Smith died in Spokane, Washington, 1912. [5]

Selected works

"There Is Coming A Solemn Day" (1880) There Is Coming A Solemn Day (1880).png
"There Is Coming A Solemn Day" (1880)

Lyrics [9] [10]

  • "A child's psalm"
  • "Always ready"
  • "Captain 'No'"
  • "Entire consecration"
  • "Invocation"
  • "Is rum to be king?"
  • "Little children, pray"
  • "Pray without easing"
  • "When we are old enough to vote"
  • "Why?"
  • "Beautiful Star of Bethlehem"
  • "Come, Join the Famous Army"
  • "Go Forth, Go Forth to Battle"
  • "In the Morning Early"
  • "The Last Command"
  • "The Lord’s Harvest Field Standeth"
  • "O Glorious Land"
  • "Ready, Savior, I Would Be"
  • "The Tempter Watcheth Every Hour"
  • "Though I Am a Little Child"
  • "When Little Children Let Sinful Thoughts Glow"

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<i>Woman in Sacred Song</i>

Woman in Sacred Song : a library of hymns, religious poems, and sacred music, by woman is an illustrated book of 880 quarto pages compiled by Eva Munson Smith with preface by Frances E. Willard, first published in 1885 in Boston by D. Lothrop & Company. It contains hymns and nearly 3,000 devotional, missionary, temperance, and miscellaneous poems, the work of about 820 women in the preceding 340 years. There are brief biographies and musical settings, as well as 140 pieces of music.

References

  1. Marshall 1985, p. 146.
  2. 1 2 3 Willard & Livermore 1893, p. 667.
  3. Smith 1888, p. 632.
  4. 1 2 3 Moulton 1889, p. 471.
  5. 1 2 3 4 5 "Martha Ann "Mattie" Pearson 29 September 1836 – 1912 • M1Z6-38B". ident.familysearch.org. Retrieved 5 January 2022.
  6. 1 2 3 4 5 Willard & Livermore 1893, p. 668.
  7. 1 2 3 Dickey 1892, p. 323.
  8. Housh 1886, p. 420.
  9. "Martha Pearson Smith". www.hymntime.com. Retrieved 6 February 2021.
  10. Smith 1888, p. xxii.

Attribution

Bibliography