Martin Chuzzlewit (1994 TV series)

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Martin Chuzzlewit
Martin Chuzzlewit (TV series).jpg
Paul Scofield
Genre Costume drama
Based on Martin Chuzzlewit by Charles Dickens
Screenplay by David Lodge
Directed by Pedr James
Starring Paul Scofield
Ben Walden
John Mills
Tom Wilkinson
Pete Postlethwaite
Philip Franks
Joan Sims
Nicholas Smith
Sam Kelly
Elizabeth Spriggs
Julia Sawalha
Composer Geoffrey Burgon
Country of originUnited Kingdom
Original languageEnglish
No. of series1
No. of episodes6
Production
Executive producers Michael Wearing
Rebecca Eaton (WGBH Boston)
Producer Chris Parr
CinematographyJohn Kenway
Running time385 minutes
Production companies Pebble Mill Productions
WGBH Boston productions for BBC
Original release
Network BBC2
Release7 November (1994-11-07) 
12 December 1994 (1994-12-12)

Martin Chuzzlewit is a 1994 TV serial produced by the BBC, based on the 1844 novel by Charles Dickens, adapted by David Lodge and directed by Pedr James. [1] The music was composed by Geoffrey Burgon. [2]

Contents

Episode 1 was originally aired in an 85-minute time slot, while the remaining 5 episodes were 60 minutes in length. [3] [4] It was originally broadcast on BBC2 from 7 November to 12 December 1994. [3] [1] In the U.S., the series aired as 5 episodes on PBS's Masterpiece Theatre in 1995. [5]

Plot summary

Elderly, wealthy Martin Chuzzlewit is constantly hounded by his money-grubbing relations, a fact that depresses and embitters him. He adopts an orphan young woman, Mary Graham, whom he wants as a companion in his old age; she will be paid an annual allowance but will not benefit from his death. However, Martin disowns his grandson, also called Martin, after he falls in love with Mary. Young Martin decides to pursue a career as an architect, studying with hypocritical, dishonest architect Seth Pecksniff, who lives with his two daughters Charity and Mercy and good, kind-hearted apprentice Tom Pinch, whom he is exploiting as a servant. Martin forms a close friendship with Tom, but after he discovers Pecksniff's true character, he leaves for America, in the company of Mark Tapley (ostler of the local inn), to seek his fortune.

Pecksniff, who is a cousin of the Chuzzlewits, insinuates himself into Old Martin's company, taking him in as a guest, hoping for a generous legacy on the event of Martin's death. He also makes sexual advances towards Mary; she, who has also formed a special friendship with Tom, tells him of this and he, shocked, leaves the Pecksniff household for London, setting up home with his sister Ruth. Jonas Chuzzlewit, son of old Martin's estranged brother Anthony, marries Mercy Pecksniff – despite being twice her age and having previously shown more interest in Charity – and mistreats her. He also finds himself drawn into a fraudulent insurance scheme masterminded by Tigg Montague, and concocts a murderous plot in order to extricate himself from this. Meanwhile, Mr Chuffey, Anthony's senile clerk, goes into shock in the event of Anthony's sudden death and sleazy private nurse Sarah Gamp is hired to care for him.

Main cast

Critical reception

"The British cast is exemplary," observed The New York Times ; [6] while Variety opined, "Would-be adaptors, screenwriters and producers would profit by a study of Lodge's work on "Chuzzlewit". The adaptation's characters and plotline stick to Dickens' intentions, despite omissions, and the five-part dramatization does even more: It catches the original's blithe spirit." [7]

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References

  1. 1 2 "Martin Chuzzlewit". 12 December 1994. p. 94 via BBC Genome.
  2. "Martin Chuzzlewit Episode 1 (1994)". BFI. Archived from the original on 2 March 2017.
  3. 1 2 "BBC Two England - 7 November 1994 - BBC Genome". genome.ch.bbc.co.uk.
  4. "BBC Two England - 21 November 1994 - BBC Genome". genome.ch.bbc.co.uk.
  5. "TV Reviews : Dickens' 'Chuzzlewit' Grovels in Greed". Los Angeles Times. 25 March 1995.
  6. O'Connor, John J. (15 March 1995). "CRITic's NOTEBOOK; A Dickens Revival in Comparable Times". The New York Times.
  7. Scott, Tony (20 March 1995). "Martin Chuzzlewit". Variety.