Location | Portland, Oregon, U.S. |
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Type | Art Museum |
Website | www |
The Dr Martin Luther King Jr School Museum of Contemporary Art (KSMoCA), formerly the King School Museum of Contemporary Art, [1] is a contemporary art museum and a social practice art project at the Dr Martin Luther King Jr Elementary School, part of Portland Public Schools in Portland, Oregon. [2] KSMoCA was founded by artists and Portland State University professors Lisa Jarrett and Harrell Fletcher in 2014. [3] At KSMoCA, elementary school students interact with contemporary art and living artists on an everyday basis through exhibitions, workshops, lecture series, one-on-one mentorships, and other KSMoCA programs. [4] [5] Students get an opportunity to learn how a real art museum functions from the inside and are encouraged to actively co-create its activities by participating in different initiatives within the museum. [6] Students create works with artists, curate exhibitions, organize art fairs, design posters, write press releases, etc. [7]
International Art Fair took place at KSMoCA in 2017. [8] KSMoCA has a permanent collection of contemporary art housed in the school's hallways and a gallery with rotating exhibitions curated by students. [9] In 2015, students curated Postcards from America, an exhibition featuring photographs from Magnum Photos. [10]
The Dr Martin Luther King Jr Elementary School is located in the King neighborhood, a historically African American neighborhood in Northeast Portland, and has a diverse student body with the third highest percentage of Black students among Portland public elementary schools. [11] To better reflect the diverse student community and provide students with positive images of professionals who come from similar diverse backgrounds, KSMoCA prioritizes working with artists of color. [12] [13]
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
The Pacific Northwest College of Art (PNCA) is an art school of Willamette University and is located in Portland, Oregon. Established in 1909, the art school grants Bachelor of Fine Arts degrees and graduate degrees including the Master of Fine Arts (MFA) and Master of Arts (MA) degrees. It has an enrollment of about 500 students. The college merged with Willamette University in 2021.
Oregon Center for Contemporary Art is an art center in Portland, Oregon. It is home to the Portland Biennial since 2010, continuing in the tradition of the Portland Art Museum's ended Oregon Biennial.
Harrell Fletcher is an American social practice and relational aesthetics artist and professor, living in Portland, Oregon.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
The Society of Illustrators (SoI) is a professional society based in New York City. It was founded in 1901 to promote the art of illustration and, since 1959, has held an annual exhibition.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
The KW Institute for Contemporary Art is a contemporary art institution located in Auguststraße 69 in Berlin-Mitte, Germany. Klaus Biesenbach was the founding director of KW; the current director is Krist Gruijthuijsen.
Barbara Anne Astman is a Canadian artist who has recruited instant camera technology, colour xerography, and digital scanners to explore her inner thoughts.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Eric Yahnker is a contemporary artist born in 1976 in Torrance, California. His humorous, meticulously rendered graphite and colored pencil drawings and elaborate process pieces examine pop culture and politics. His work is represented by Ambach & Rice in Los Angeles, where he was included in an exhibition with Erwin Wurm and Raymond Pettibon in 2010.
Mathaf: Arab Museum of Modern Art is a museum in Doha, Qatar with over 9,000 objects. Established in 2010, it is considered a major cultural attraction in the country.
The Oregon Jewish Museum and Center for Holocaust Education is the largest museum dedicated to the documented and visual history of the Jews of Oregon, United States. The Museum is dedicated to the preservation, research, and exhibition of art, archival materials, and artifacts of the Jews and Judaism in Oregon.
Analia Saban is a contemporary conceptual artist who was born in Buenos Aires, Argentina, but is currently living in Los Angeles, California, United States. Her work takes traditional artistic media such as drawing, painting and sculpture and pushes their limits as a scientific experimentation with art making. Because of her pushing the limits with different forms of art, Saban has taken the line that separated the different art forms and merged them together.
Gia Maisha Hamilton is an applied anthropologist who employs methodology to investigate land, labor and cultural production while examining social connectivity within institutions and communities. As a model builder, Hamilton co-founded an independent African centered school, Little Maroons in 2006; later, she opened a creative incubator space- Gris Gris Lab in 2009 and designed and led the Joan Mitchell Center artist residency program in New Orleans as a consultant from 2011- 2013 and director from 2013-2018.
Robert Mars is a contemporary American artist known for his Futurelics Popforms celebrating icons of the Golden Era of the 1950s and 1960s.
Pamela Phatsimo Sunstrum is a visual artist. Her practice includes drawing, painting, installation, and animation. Her work has been featured in numerous exhibitions, including the GTA21 Triennial Exhibition at the Museum of Contemporary Art in Toronto, Canada; The Bronx Museum in New York, USA; The Wiels Contemporary Art Centre in Brussels, Belgium; Museum der Moderne Salzburg, Kunsthaus Zürich, Germany; The Showroom in London, England; and the Zeitz Museum of Contemporary Art Africa in Johannesburg, South Africa.
Eric National Mack is an American painter, multi-media installation artist, and sculptor, based in New York City.
Troy Montes-Michie is an American interdisciplinary painter and collage artist.
Didier William is a mixed-media painter originally from Port-au-Prince, Haiti. His work incorporates traditions in oil painting, acrylic, collage and printmaking to comment on intersections of identity and culture.