Marvel Tales and Unusual Stories were two related American semi-professional science fiction magazines published in 1934 and 1935 by William L. Crawford. Crawford was a science fiction fan who believed that the pulp magazines of the time were too limited in what they would publish. In 1933, he distributed a flyer announcing Unusual Stories, and declaring that no taboos would prevent him from publishing worthwhile fiction. The flyer included a page from P. Schuyler Miller's "The Titan", which Miller had been unable to sell to the professional magazines because of its sexual content. A partial issue of Unusual Stories was distributed in early 1934, but Crawford then launched a new title, Marvel Tales, in May 1934. A total of five issues of Marvel Tales and three of Unusual Stories appeared over the next two years.
Fiction included work by well-known writers, including the first publication of Robert E. Howard's "The Garden of Fear"; a story by H. P. Lovecraft, "Celephaïs", that had previously only appeared in a literary magazine; and Clifford D. Simak's "The Creator", which had been rejected by professional markets because of its religious theme. By the start of 1936, Crawford had plans to expand his enterprise, including newsstand distribution for Marvel Tales and the publication of a series of pamphlets and hardcover books, but his finances were unequal to his ambitions, and no further issues of the magazines appeared.
The first science fiction (sf) magazine, Amazing Stories , was published in 1926, [1] and it was soon followed by the appearance of organized groups of science fiction fans, who contacted each other by mail, using the addresses published in the letter columns of the professional magazines. [2] [3] Amateur magazines, eventually known as fanzines, quickly followed. [2] William L. Crawford was an early science fiction fan, who, unusually, had enough money to acquire his own printing press. [4] [5] In late 1933, with the help of another fan, Lloyd Arthur Eshbach, Crawford prepared a flyer announcing a new magazine, to be titled Unusual Stories. [6] He intended to print fantasy and horror in addition to science fiction; sf historian Sam Moskowitz suggests that this was an attempt to broaden the potential subscription base for the magazine. [5] Crawford could not afford to pay for the stories, but offered contributors a lifetime subscription instead. [7]
In the flyer, which appeared in November 1933, [6] [8] Crawford complained that science fiction in the professional magazines was being stifled by publishing taboos, and asserted that no such taboos would apply to Unusual Stories. [9] The flyer listed the names of several well-known writers of the day, including H. P. Lovecraft, Clifford D. Simak, and Robert E. Howard, and also included a page from P. Schuyler Miller's story "The Titan", which Miller had been unable to publish because of its sexual content. [6] [9] Science fiction historian Mike Ashley speculates that the flyer may have influenced two editors of professional sf magazines: Desmond Hall, an assistant editor at Astounding Stories , where a "thought variant" policy was announced in the December 1933 issue, aimed at publishing more original stories; and Charles Hornig, who was shortly to become editor of Wonder Stories , where he instituted a "new policy" in the January 1934 issue which emphasized originality and barred stories that merely reworked well-worn ideas. [9] [10] [11] Crawford followed the flyer with the first issue of Unusual Stories, dated March 1934; it was mailed out in two parts, which when combined included one full story: "When the Waker Sleeps", by Cyril G. Wates. [9] [12] Not every subscriber received the second part of the issue. [5] It was apparent that more parts of the issue were planned, but they never appeared, and an incomplete story, "Tharda, Queen of the Vampires", by Richard Tooker, never saw full publication. [9] [12]
Two months later Crawford issued the first issue of Marvel Tales, dated May 1934. This included material that had been planned for Unusual Stories, so it seemed that this was the same magazine under a new title. [9] David H. Keller's "Binding Deluxe", which was horror, rather than sf, appeared, along with a story by H. P. Lovecraft, "Celephais", [6] [9] that had previously only been published in an amateur magazine edited by his wife, Sonia Greene. [13] A second issue of Marvel Tales, which Crawford printed with two different covers, appeared a couple of months later, dated July/August 1934, with the number of pages increased from 40 to 60. [9] [14] This featured stories by Frank Belknap Long and Manly Wade Wellman, along with Robert E. Howard's "The Garden of Fear", printed under the pseudonym "James Allison"; [9] this was the only publication of "The Garden of Fear" until Crawford reprinted it in an anthology in 1946. [15] Crawford also announced a story competition. [5] The third issue, dated Winter 1934, increased in size again, this time to 68 pages. "The Titan", by P. Schuyler Miller, which had been advertised in the original flyer for Unusual Stories, began serialization, and Robert Bloch's first published fiction, "Lilies", appeared, along with "The Golden Bough" by David H. Keller. [9] Four winners of the story competition were announced, though only two ever saw print: Crawford printed "The Elfin Lights" by W. Anders Drake (a pseudonym for Eshbach), and R. DeWitt Miller's submission, "The Shapes", appeared in Astounding Stories the following February. [5] [16]
Moskowitz considers the fourth issue, dated March/April 1935, to have finally reached the level of quality that Crawford had been aiming for, with fully professional artwork, layout, and presentation. The page count had been expanded again, to 108 pages. [5] The issue included "The Creator", by Clifford D. Simak, which Simak had been unable to sell elsewhere because of its religious content; [6] "The Doom That Came to Sarnath", another H. P. Lovecraft story reprinted from an amateur magazine; [17] "The Cathedral Crypt", by John Beynon Harris, later better known under the pseudonym John Wyndham; and two serial instalments: the second part of Miller's "The Titan", and part one of "The Nebula of Death", a novel by George Allan England that had been serialized in People's Favorite Magazine in 1918. [9] Crawford announced in this issue that Unusual Stories would reappear, and also announced plans to expand into book publishing, with the initial titles projected to be Mars Mountain by Eugene George Key, People of the Crater by Andrew North (a pseudonym for Andre Norton), and The Missing Link by Ralph Milne Farley, and a series of pamphlets containing short stories. [5] Two more issues of Unusual Stories duly appeared, a May/June 1935 issue that included poems by Forrest Ackerman and Donald Wollheim and a short story by P. Schuyler Miller, [12] and the final issue, dated Winter 1935, which included a short story by Robert Bloch, and a poem by Robert Lowndes. [12]
For the last issue of Marvel Tales, dated Summer 1935, Crawford increased the size from digest to pulp format. [note 1] Moskowitz describes the change as a step backwards: "the atmosphere of compact, balanced professionalism...was lost completely", [5] but praises the quality of the contents, singling out "Mars Colonizes" by Miles Breuer as one of Breuer's best stories. [5] The issue also included short stories by Carl Jacobi, Emil Petaja, and Ralph Milne Farley, and the next instalments of both the serials in progress, by England and Miller. There was also a non-fiction piece by Forrest Ackerman. [5] [20]
In 1936, Crawford announced in a fanzine, Fantasy Magazine, that he had obtained newsstand distribution for Marvel Tales, and gave details of his plans to convert it to a fully professional magazine. The next issue was to be 64 pages, priced at 15 cents, and would include stories by H. P. Lovecraft, E. E. Smith, Donald Wandrei, Murray Leinster, and others. Partial proofs were prepared, but the costs were too great for Crawford, and the issue never appeared. The proof copy included the final instalment of Miller's "The Titan", reprints of two round-robin stories (both titled The Challenge From Beyond ) by well-known authors that had previously appeared in Fantasy Magazine, H. P. Lovecraft's The Shadow Over Innsmouth , and several short stories, with artwork by Clay Ferguson and Frank Utpatel. Although the magazine never appeared, Crawford did manage to publish a hardcopy edition of The Shadow Over Innsmouth in 1936. [5] [21]
Crawford's ambition was to demonstrate that the existing professional sf magazines were limiting the field by turning down good stories that did not fit their idea of what was acceptable. Moskowitz considers that Crawford proved his case, but without the finances to support national distribution of his magazines, he was doomed to fail. [5] Science fiction historians Frank Parnell and Mike Ashley agree. Ashley describes Marvel Tales as "a worthwhile and exciting experiment that could have had a significant impact on the development of SF had it succeeded", and Crawford as a pioneer in his attempts to prove that science fiction need not adhere to the standard pulp formulas. [9] Parnell and Ashley consider that Crawford was "the man who made the greatest effort to bridge the gap between the amateur and professional magazines". [22]
Both Unusual Stories and Marvel Tales were published by Fantasy Publications of Everett, Pennsylvania, and edited by William L. Crawford. [12] [20] All were digest-sized except for the final issue of Marvel Tales, which was pulp-sized. [5] The first issue of Marvel Tales was 10 cents, and the rest of the run was 15 cents; the March 1934 issue of Unusual Stories was 20 cents, and the following two issues were 10 cents. The page count varied from 40 to 68 pages, except the March/April 1935 Marvel Tales, which was 108 pages, and the March 1934 issue of Unusual Stories, which was 16 pages. [8] [9] [14] The volume numbering ran from volume 1 number 1 through volume 1 number 5 for Marvel Tales; the first two issues of Unusual Stories were both volume 1 number 1, and the third and final issue was numbered volume 1 number 2. [12] [20]
The sequence in which the magazines were issued was as follows: [8] [14]
The second issue of Marvel Tales, dated July/August 1934, appeared in two variations, with the covers and paper quality differing, and the story titles slightly changed for each version. Other than that the contents of the issues were identical. [5] [14] A number of university libraries, as well as the New York Public Library and the Library of Congress, have holdings. [23] Six of those university libraries also have holdings of Unusual Stories. [24] In 1946, Crawford published an anthology, The Garden of Fear and Other Stories , with the contents drawn from Marvel Tales. [9] A facsimile edition of Marvel Tales appeared in 2012 as a single volume. [25]
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright's control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction.
The Magazine of Fantasy & Science Fiction is a U.S. fantasy and science fiction magazine first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single column format, which in the opinion of science fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".
Oriental Stories, later retitled The Magic Carpet Magazine, was an American pulp magazine published by Popular Fiction Co., and edited by Farnsworth Wright. It was launched in 1930 under the title Oriental Stories as a companion to Popular Fiction's Weird Tales, and carried stories with far eastern settings, including some fantasy. Contributors included Robert E. Howard, Frank Owen, and E. Hoffman Price. The magazine was not successful, and in 1932 publication was paused after the Summer issue.
Uncanny Tales was a Canadian science fiction pulp magazine edited by Melvin R. Colby that ran from November 1940 to September 1943. It was created in response to the wartime reduction of imports on British and American science-fiction pulp magazines. Initially it contained stories only from Canadian authors, with much of its contents supplied by Thomas P. Kelley, but within a few issues Colby began to obtain reprint rights to American stories from Donald A. Wollheim and Sam Moskowitz. Paper shortages eventually forced the magazine to shut down, and it is now extremely rare.
William Levi Crawford was an American publisher and editor.
Science-Fiction Plus was an American science fiction magazine published by Hugo Gernsback for seven issues in 1953. In 1926, Gernsback had launched Amazing Stories, the first science fiction magazine, but he had not been involved in the genre since 1936, when he sold Wonder Stories. Science-Fiction Plus was initially in slick format, meaning that it was large-size and printed on glossy paper. Gernsback had always believed in the educational power of science fiction, and he continued to advocate his views in the new magazine's editorials. The managing editor, Sam Moskowitz, had been a reader of the early pulp magazines, and published many writers who had been popular before World War II, such as Raymond Z. Gallun, Eando Binder, and Harry Bates. Combined with Gernsback's earnest editorials, the use of these early writers gave the magazine an anachronistic feel.
Analog Science Fiction and Fact is an American science fiction magazine published under various titles since 1930. Originally titled Astounding Stories of Super-Science, the first issue was dated January 1930, published by William Clayton, and edited by Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith. The new editor was F. Orlin Tremaine, who soon made Astounding the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's Legion of Space and John W. Campbell's "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Foundation series, A. E. van Vogt's Slan, and several novels and stories by Robert A. Heinlein. The period beginning with Campbell's editorship is often referred to as the Golden Age of Science Fiction.
Fantastic Story Quarterlywas a pulp science fiction magazine, published from 1950 to 1955 by Best Books, a subsidiary imprint of Standard Magazines, based in Kokomo, Indiana. The name was changed with the Summer 1951 issue to Fantastic Story Magazine. It was launched to reprint stories from the early years of the science fiction pulp magazines, and was initially intended to carry no new fiction, though in the end every issue contained at least one new story. It was sufficiently successful for Standard to launch Wonder Story Annual as a vehicle for more science fiction reprints, but the success did not last. In 1955 it was merged with Standard's Startling Stories. Original fiction in Fantastic Story included Gordon R. Dickson's first sale, "Trespass", and stories by Walter M. Miller and Richard Matheson.
Avon published three related magazines in the late 1940s and early 1950s, titled Avon Fantasy Reader, Avon Science Fiction Reader, and Avon Science Fiction and Fantasy Reader. These were digest size magazines which reprinted science fiction and fantasy literature by now well-known authors. They were edited by Donald A. Wollheim and published by Avon.
Amazing Stories Annual was a pulp magazine which published a single issue in July 1927. It was edited by Hugo Gernsback, and featured the first publication of The Master Mind of Mars, by Edgar Rice Burroughs, which had been rejected by several other magazines, perhaps because the plot included a satire on religious fundamentalism. The other stories in Amazing Stories Annual were reprints, including two stories by A. Merritt, and one by H.G. Wells. The magazine sold out, and its success led Gernsback to launch Amazing Stories Quarterly the following year.
Satellite Science Fiction was an American science-fiction magazine published from October 1956 to April 1959 by Leo Margulies' Renown Publications. Initially, Satellite was digest sized and ran a full-length novel in each issue with a handful of short stories accompanying it. The policy was intended to help it compete against paperbacks, which were taking a growing share of the market. Sam Merwin edited the first two issues; Margulies took over when Merwin left and then hired Frank Belknap Long for the February 1959 issue. That issue saw the format change to letter size, in the hope that the magazine would be more prominent on newsstands. The experiment was a failure and Margulies closed the magazine when the sales figures came in.
Fantasy was a British pulp science fiction magazine which published three issues in London between 1938 and 1939. The editor was T. Stanhope Sprigg; when the war started, he enlisted in the RAF and the magazine was closed down. The publisher, George Newnes Ltd, paid respectable rates, and as a result Sprigg was able to obtain some good quality material, including stories by John Wyndham, Eric Frank Russell, and John Russell Fearn.
Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine only saw a single issue. It is now extremely rare.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Amazing Stories Quarterly was a U.S. science fiction pulp magazine that was published between 1928 and 1934. It was launched by Hugo Gernsback as a companion to his Amazing Stories, the first science fiction magazine, which had begun publishing in April 1926. Amazing Stories had been successful enough for Gernsback to try a single issue of an Amazing Stories Annual in 1927, which had sold well, and he decided to follow it up with a quarterly magazine. The first issue of Amazing Stories Quarterly was dated Winter 1928 and carried a reprint of the 1899 version of H.G. Wells' When the Sleeper Wakes. Gernsback's policy of running a novel in each issue was popular with his readership, though the choice of Wells' novel was less so. Over the next five issues, only one more reprint appeared: Gernsback's own novel Ralph 124C 41+, in the Winter 1929 issue. Gernsback went bankrupt in early 1929, and lost control of both Amazing Stories and Amazing Stories Quarterly; associate editor T. O'Conor Sloane then took over as editor. The magazine began to run into financial difficulties in 1932, and the schedule became irregular; the last issue was dated Fall 1934.
Fantasy Book was a semi-professional American science fiction magazine that published eight issues between 1947 and 1951. The editor was William Crawford, and the publisher was Crawford's Fantasy Publishing Company, Inc. Crawford had problems distributing the magazine, and his budget limited the quality of the paper he could afford and the artwork he was able to buy, but he attracted submissions from some well-known writers, including Isaac Asimov, Frederik Pohl, A. E. van Vogt, Robert Bloch, and L. Ron Hubbard. The best-known story to appear in the magazine was Cordwainer Smith's first sale, "Scanners Live in Vain", which was later included in the first Science Fiction Hall of Fame anthology, and is now regarded as one of Smith's finest works. Jack Gaughan, later an award-winning science fiction artist, made his first professional sale to Fantasy Book, for the cover illustrating Smith's story.
Mind Magic was an American pulp magazine which published six issues in 1931. It focused on occult fantasy and non-fiction articles about occult topics. After four issues it changed its title to My Self, perhaps in order to broaden its appeal, but it ceased publication the following issue. Writers who appeared in its pages include Ralph Milne Farley, August Derleth, and Manly Wade Wellman.
Dime Mystery Magazine was an American pulp magazine that was published from 1932 to 1950. It was the first terror fiction pulp magazine, and was the instigator of a trend in pulp fiction that came to be called weird menace fiction, in which the protagonist struggles against something that appears to be supernatural, but ultimately can be explained in everyday terms. Initially Dime Mystery contained ordinary mystery stories, but with the October 1933 issue it began publishing terror fiction. The publisher, Harry Steeger, later said he was inspired to create the new genre by the Grand Guignol theater in Paris. In 1938 it returned to detective stories once again. The stories occasionally included science fiction elements, such as robots, and drugs that can alter the flow of time. In 1950 it briefly changed its title to 15 Mystery, but ceased publication at the end of that year.
Fantasy Book was an American fantasy magazine that was published from 1981 to 1987. The publisher, Dennis Mallonee, declared in the first issue, dated October 1981, that the magazine would include all types of fantasy: "High fantasy, light fantasy, heroic fantasy, horror stories, mystery stories, fairy stories, legends, fables, poems". Science fiction historian Mike Ashley suggests that the first issue, with a humorous cover showing a man shaking hands with a dragon in a sweatshirt, was positioning itself as a successor to Unknown, a highly regarded fantasy pulp magazine from forty years earlier. A variety of stories appeared in the first few issues: Ashley lists Al Sarrantonio's "The Return of Mad Santa", about a world in which Santa Claus has an evil side that occasionally breaks through, as a typical Unknown fantasy, and stories by C. Bruce Hunter, David Kaufman, and Eric G. Iverson as typically of other predecessor fantasy magazines—Weird Tales, Beyond Fantasy Fiction, or a literary fantasy magazine. Science fiction did occasionally appear, such as Lil and Kris Neville's story "Milk into Brandy". It also carried reprints of classic fantasies.