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Mary Kerr | |
|---|---|
| Born | Winnipeg, Manitoba, Canada |
| Known for | Scenography |
| Honours |
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| Website | Official website |
Mary Kerr is a Canadian production, costume, and set designer, known for her work in theatre, dance, opera, film, television, and exhibition design.
As a production designer, she has created for such companies as The Paris Opera Ballet, The National Ballet of Canada, The Canadian Opera Company, The Royal Winnipeg Ballet, The New Zealand Opera, The Danny Grossman Dance Company, The Shaw and the Stratford Festivals. She was Production Designer for the 1994 Opening and Closing Ceremonies of the Commonwealth Games in Victoria. [1]
Mary Kerr was born in Winnipeg, Manitoba. Kerr earned a Bachelor of Fine Arts from the University of Manitoba in sculpture and English Literature. She went on to graduate studies at the University of Waterloo and the University of Toronto's Centre for Medieval Studies. [2]
After completing her master’s degree, Kerr began her career in theatre set and costume design in Toronto. She became known for her unusual design work, and her career expanded to include ballet, opera, film, exhibitions, and TV series.
Kerr has designed over 300 productions in her prolific career. She has designed for The Danny Grossman Dance Company, Paris Opera Ballet, Royal Winnipeg Ballet, National Ballet of Canada, Stratford Festival, Canadian Opera Company, New Zealand Opera, Vancouver Opera, Pacific Opera Company, Banff Opera Festival and Guelph Spring Festival. [2]
Kerr has collaboratively designed several exhibitions and theatre productions in tandem with Indigenous communities and artists. The 1994 Commonwealth Games Opening Ceremony featured the oldest creation legend of the Kwakwaka’wakw on the west coast of British Columbia: The Legend of Kawadilikala [3]
Other collaborations include: In the Land of the Spirits, the first Indigenous ballet produced by the Canadian Native Arts Society (at the Opera of the National Arts Centre) and Copper Thunderbird, the life story of the Ojibway shaman painter Norval Morrisseau at the National Arts Centre [2]
Kerr began her career in film and television designing costumes for The Tommy Hunter Show, a weekly one-hour variety show for the CBC (1978-80) [2] . Kerr worked as the production designer/art director on the following feature films: Nothing Personal (1980), and Double Negative (also released as Deadly Companion) (1980) Designed sets and costumes for multiple Sharon, Lois and Bram tours and their video: Sharon Lois and Bram sing A-Z (1992) and live production films of The Big Top Ballet (Royal Winnipeg Ballet), [2] The Tin Soldier Ballet (Ottawa ballet, 1992) and the Party (National Ballet of Canada ). [2] Kerr was production designer for The Toy Castle (2000-2003), an internationally syndicated children’s series which won a Gemini Award for best children’s programming in 2003.
Kerr has designed for World Expos and Opening Ceremonies including:
1967: Expo 67, Montreal, Canada [4]
1986: Expo 86, Vancouver, BC: The Canadian Pavilion: Kerr designed and co-produced the First Theatre and Production: The Goose and Beaver show discuss Canada [3]
1994: the Opening and Closing Ceremonies of the 1994 Commonwealth Games in Victoria, British Columbia. Kerr was the production designer for the opening and Closing Ceremonies [3]
The Prague Quadrennial: Kerr has represented Canada at five Prague Quadrennials (1983 [3] , 1999 [1] , 2003, [5] 2007 [1] , 2019 [6] )
1997: Elected to The Royal Canadian Academy of Arts (RCAA) [7]
2010: Elected as a Fellow of the Royal Society of Canada [8]
2020: Awarded the Canada Council for the Arts Molson Prize for contributions to the development of a Canadian Culture [9]
| Year | Category | Production | Production Location |
|---|---|---|---|
| 1984 | Costume Design | In the Jungle of Cities | Toronto Free Theatre (Toronto, Ontario) |
| 1986 | Costume Design | The Desert Song | The Shaw Festival (Niagara-on-the-Lake, Ontario) |
| 1988 | Costume Design | Nothing Sacred | Canadian Stage (Toronto, Ontario) |
| 1984 | Set Design | In the Jungle of the Cities | Toronto Free Theatre (Toronto, Ontario) |
| 1986 | Set Design | The Desert Song | The Shaw Festival (Niagara-on-the-Lake, Ontario) |
| 1988 | Set Design | Nothing Sacred | Canadian Stage (Toronto, Ontario) |
| Year | Category | Production | Production Location |
|---|---|---|---|
| 1989 | Outstanding Set and Costume Design [10] | Nothing sacred (#2) | Canadian Stage (Toronto, Ontario) |
| 2000 | Outstanding Costume design [11] | Into the Woods | The Citadel Theatre (Edmonton, Alberta) |
| Year | Category | Production | Production Location |
|---|---|---|---|
| 1989 | Costume Design | The Big Top Ballet | The Royal Winnipeg Ballet (Winnipeg, Manitoba) |
| 1994 | Costume Design | The Tin Soldier | National Arts Center (Ottawa, Ontario) |
| 2003 | Best Children’s Show | The Toy Castle | The Royal Winnipeg Ballet (Winnipeg, Manitoba) |