Marimekko Corporation is a Finnish textiles, clothing, and home furnishings company founded by Viljo and Armi Ratia in Helsinki in 1951. Marimekko made important contributions to fashion in the 1960s. It is particularly noted for its brightly colored printed fabrics and simple styles, used both in women's garments and in home furnishings.
Hiroshi Awatsuji, was a Japanese textile designer. After World War II, he produced numerous innovative designs which inspired the beginning of a new era. His works are characterized by the use of vivid colors and daring compositions which combine Japanese traditional arts and Western textile design.
Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon or otherwise adorned. Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts.
Vuokko Hillevi Lilian Eskolin-Nurmesniemi is a Finnish textile designer. She is best known for her work as one of the two leading designers of the Marimekko company. Her signature striped Jokapoika shirt helped to make the company's name.
Maija Sofia Isola was a Finnish designer of printed textiles, and the creator of over 500 patterns, including Unikko ("Poppy"). The bold, colourful prints she created as the head designer of Marimekko made the Finnish company famous in the 1960s. She also had a successful career as a visual artist.
Undisputedly the most famous textile designer... at Marimekko
Marianne Straub OBE was one of the leading commercial designers of textiles in Britain in the period from the 1940s to 1960s. She said her overriding aim was: "to design things which people could afford. ... To remain a handweaver did not seem satisfactory in this age of mass-production".
Désirée Lucienne Lisbeth Dulcie Day OBE RDI FCSD was one of the most influential British textile designers of the 1950s and 1960s. Day drew on inspiration from other arts to develop a new style of abstract pattern-making in post-war British textiles, known as 'Contemporary' design. She was also active in other fields, such as wallpapers, ceramics and carpets.
Ruth Marie Reeves (1892–1966) was an American painter, Art Deco textile designer and expert on Indian handicrafts.
Sue Timney is a British interior, product and textile designer. She has worked in Britain, USA, Europe and Japan and in 1980 co-founded Timney-Fowler, an interior product company.
Georgina von Etzdorf (RDI) is a British textile designer whose eponymous fashion label was renowned for its luxurious velvet scarves and clothing accessories.
EQ Nicholson was a British painter and textile designer.
Carpets and rugs have been handmade in Sweden for centuries, taking on many different forms and functions over the course of time. Rugs woven in the traditional Oriental manner, especially in the Ottoman Empire and points east, were originally brought to Sweden over trade routes as early as the early Middle Ages. In the centuries that followed, Swedish rug-makers often infused their works with themes and motifs traditionally found in Oriental rugs. Eventually, Swedish rug-makers would begin to use Oriental rug-making techniques, but themes and motifs more consistent with the artistic and cultural heritage of Sweden. By the early modern periods, rugs had long been an important avenue of art – especially folk art – in Swedish culture. By the beginning of the twentieth century, the craft was seen as being an important artistic and cultural practice throughout Sweden, and designers began to make rugs that had a broad international appeal. Swedish rugs from the mid-twentieth century remain among the most desirable and sought after in the rug world.
Tibor Reich ATI FSIA, FRSA was a British textile designer. His company, Tibor Ltd., produced designs featured in projects including the Festival of Britain, Concorde, HMY Britannia, Coventry Cathedral, Clarence House and the Queen Elizabeth 2. Reich was awarded a Design Council Award in 1957 and a medal from The Textile Institute in 1973.
Neisha Crosland is a British-born, London-based textile designer, who works in the fields of furnishing fabric, wallpaper and interiors products. Her designs have featured in the ranges of British brands such as Osborne & Little and John Lewis. Internationally, her work is also recognised and she has a collection for Hankyu department stores in Japan.
Isabel Tisdall was a British-based textile designer, who influenced domestic and commercial interior design through Tamesa Fabrics, which she founded in 1964, and via her work with Edinburgh Weavers from the mid 1950s. Prior to that, she had a successful career as a fashion stylist, including a period as fashion editor of Vogue.
Marion Victoria Dorn also known as Marion Dorn Kauffer was a textile designer primarily in the form of wall hangings, carpeting and rugs, however she is also known to have produced wallpaper, graphics, and illustrations. Known for her significant contributions to modern British interiors in particular for her 'sculpted' carpets, she contributed to some of the best-known interiors of the time including the Savoy Hotel, Claridges, the Orion and the Queen Mary. In the late 1930s and early 1940s she created moquette fabric designs for use in London Transport passenger vehicles.
Ilonka Karasz, was a Hungarian-American designer, interior decorator, painter and illustrator known for avant-garde industrial design and for her many New Yorker magazine covers.
Mabel Phyllis Barron was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’
Gudrun Stig Aagaard was a Danish textile artist who specialized in printed fabrics. She opened her own workshop in 1928, pioneering printed textile designs in Denmark. She initially produced classical patterns but later adopted a more abstract approach in her creations for L.F. Foght. For over 50 years, she collaborated with Haandarbejdets Fremme.
Audrey Levy is a British artist and textile designer.
