A sari is a women's garment from the Indian subcontinent, that consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole (shawl), sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is form of ethnic wear in India, Sri Lanka, Nepal, Bangladesh and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
Jamdani is a fine muslin textile produced for centuries in South Rupshi of Narayanganj district in Bangladesh on the bank of Shitalakhwa river.
Paithani is a variety of sari, named after the Paithan town in Aurangabad district from state of Maharashtra in India where the sari was first made by hand. Present day Yeola town in Nashik, Maharashtra is the largest manufacturer of Paithani.
A Banarasi sari is a sari made in Varanasi, an ancient city which is also called Benares (Banaras). The saris are among the finest saris in India and are known for their gold and silver brocade or zari, fine silk and opulent embroidery. The saris are made of finely woven silk and are decorated with intricate designs, and, because of these engravings, are relatively heavy.
Silk In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu in the place in where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.
Brocade is a class of richly decorative shuttle-woven fabrics, often made in coloured silks and sometimes with gold and silver threads. The name, related to the same root as the word "broccoli", comes from Italian broccato meaning "embossed cloth", originally past participle of the verb broccare "to stud, set with nails", from brocco, "small nail", from Latin broccus, "projecting, pointed".
Pupul Jayakar was an Indian cultural activist and writer, best known for her work on the revival of traditional and village arts, handlooms, and handicrafts in post-independence India. According to The New York Times, she was known as "India's 'czarina of culture'", and founded arts festivals that promoted Indian arts in France, Japan, and the United States. She was a friend and biographer to both the Nehru-Gandhi family and J Krishnamurti. Jayakar had a close relationship with three prime ministers: Jawaharlal Nehru, his daughter Indira Gandhi and her son Rajiv Gandhi, and she was a close friend of Indira Gandhi. She served as cultural adviser to the latter two, confirming her preeminence in cultural matters.
A Sambalpuri sari is a traditional handwoven bandha (ikat) sari wherein the warp and the weft are tie-dyed before weaving. It is produced in the Sambalpur, Balangir, Bargarh, Boudh and Sonepur districts of Odisha, India. The sari is a traditional female garment in the Indian subcontinent consisting of a strip of unstitched cloth ranging from four to nine meters in length that is draped over the body in various styles.
Neeta Lulla is an Indian costume designer and fashion stylist who has worked on over 300 films. She has been designing wedding dresses since 1985. She is famed for designing costumes in Jagadeka Veerudu Athiloka Sundari, Khuda Gawah, and Devdas.
The Kanchipuram silk sari is a type of silk sari made in the Kanchipuram region in Tamil Nadu, India. These saris are worn as bridal & special occasion saris by most women in Tamil Nadu, Kerala, Karnataka & Andhra Pradesh. It has been recognized as a Geographical indication by the Government of India in 2005–2006.
Baluchari Sari is a type of sari, a garment worn by women in Bangladesh and Indian states of West Bengal, Tripura and Assam. This particular type of sari originated in West Bengal and is known for depictions of mythological scenes on the anchal of the sari. It used to be produced in Murshidabad but presently Bishnupur and its surrounding areas of West Bengal are the only place where authentic Baluchari saris are produced. It takes approximately one week to produce one such sari. In 2011, the Baluchari Sari was granted the status of Geographical Indication for West Bengal in India.
The boteh, is an almond or pine cone-shaped motif in ornament with a sharp-curved upper end. Though of Persian origin, it is very common and called buta in India, Azerbaijan, Turkey and other countries of the Near East. Via Kashmir shawls it spread to Europe at least in 19th century, where patterns using it are known since 1960s as paisleys, as Paisley, Renfrewshire in Scotland was a major centre making them.
Handloom saris are a traditional textile art of Bangladesh and India. The production of handloom saris is important for economic development in rural India.
Habaspuri is a cotton-based traditional handloom textiles of Odisha, India. Habaspuri sari is a major product of this textile. The Bhulia weavers of Chicheguda, Kalahandi district, Odisha are originally attributed for weaving of the Habaspuri fabric. For its uniqueness in weaving, design and production, it has been identified as one of the 14 Geographical Indications of Odisha.
Odisha Ikat, is a kind of ikat known as Bandhakala and Bandha, a resist dyeing technique, originating from Indian state of Odisha. Traditionally known as "Bandhakala"', "Bandha", '"Bandha of Odisha", it is a geographically tagged product of Odisha since 2007. It is made through a process of tie-dyeing the warp and weft threads to create the design on the loom prior to weaving. It is unlike any other ikat woven in the rest of the country because of its design process, which has been called "poetry on the loom". This design is in vogue only at the western and eastern regions of Odisha; similar designs are produced by community groups called the Bhulia, Kostha Asani, and Patara. The fabric gives a striking curvilinear appearance. Saris made out of this fabric feature bands of brocade in the borders and also at the ends, called anchal or pallu. Its forms are purposefully feathered, giving the edges a "hazy and fragile" appearance. There are different kinds of bandha saris made in Odisha, notably Khandua, Sambalpuri, Pasapali, Kataki and Manibandhi.
National Institute of Fashion Technology (NIFT) is an autonomous institute offering courses in fashion, technology, and management. Its head office is located in New Delhi, India.
Suraiya Hasan Bose was an Indian textile conservator, textile designer, and manufacturer, who worked to preserve traditional Indian textile art and techniques. She worked with the Indian Cottage Industries Emporium, as well as the Indian Handloom and Handicrafts Export Corporation, later establishing her own textile manufacturing unit to create traditional Indian textiles. Her designs have been exhibited in the Victoria and Albert Museum.
Nelly Homi Sethna was an Indian weaver, textile designer, researcher, writer and a crafts activist. She worked on the crossroads of Scandinavian modernism and Indian crafts tradition, which shaped her guiding philosophy. Her close association with Kamaladevi Chattopadhyay played an important role in the revival and promotion of traditional Indian crafts.
