Mass surveillance in popular culture

Last updated

Mass surveillance in popular culture is a common theme. There are numerous novels, nonfiction books, films, TV shows, and video games, all taking a critical view of surveillance. Some well known examples include George Orwell's novel Nineteen Eighty-Four (1948), Peter Jackson's film adaptations of The Lord of the Rings (2001–2003), and Christopher Nolan's film The Dark Knight (2008). However, there are also a few novels that are optimistic about surveillance.

Contents

Critical of mass surveillance

Cover of Nineteen Eighty-Four, as published in the Soviet Union Nineteen Eighty-Four cover Soviet 1984.jpg
Cover of Nineteen Eighty-Four, as published in the Soviet Union

Novels and novellas

Nonfiction books

Films and videos

TV shows

Video games

Optimistic about mass surveillance

Related Research Articles

Big Brother (<i>Nineteen Eighty-Four</i>) Literary character and symbol

Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.

<span class="mw-page-title-main">Surveillance</span> Monitoring something for the purposes of influencing, protecting, or suppressing it

Surveillance is the monitoring of behavior, many activities, or information for the purpose of information gathering, influencing, managing, or directing. This can include observation from a distance by means of electronic equipment, such as closed-circuit television (CCTV), or interception of electronically transmitted information like Internet traffic. It can also include simple technical methods, such as human intelligence gathering and postal interception.

In the dystopian novel Nineteen Eighty-Four, thoughtcrime is the offense of thinking in ways not approved by the ruling Ingsoc party. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.

<i>Orwellian</i> Pertaining to a dystopia like in George Orwells fiction

Orwellian is an adjective describing a situation, idea, or societal condition that George Orwell identified as being destructive to the welfare of a free and open society. It denotes an attitude and a brutal policy of draconian control by propaganda, surveillance, disinformation, denial of truth (doublethink), and manipulation of the past, including the "unperson"—a person whose past existence is expunged from the public record and memory, practised by modern repressive governments. Often, this includes the circumstances depicted in his novels, particularly Nineteen Eighty-Four, despite the narrative depicting a society in which only governmental employees are under repressive scrutiny, but political doublespeak is criticized throughout his work, such as in Politics and the English Language.

<span class="mw-page-title-main">Panopticon</span> Prison design

The panopticon is a design of institutional building with an inbuilt system of control, originated by the English philosopher and social theorist Jeremy Bentham in the 18th century. The concept is to allow all prisoners of an institution to be observed by a single corrections officer, without the inmates knowing whether or not they are being watched.

Telescreens are two-way video devices that appear in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.

<span class="mw-page-title-main">Mass surveillance</span> Intricate surveillance of an entire or a substantial fraction of a population

Mass surveillance is the intricate surveillance of an entire or a substantial fraction of a population in order to monitor that group of citizens. The surveillance is often carried out by local and federal governments or governmental organizations, but it may also be carried out by corporations. Depending on each nation's laws and judicial systems, the legality of and the permission required to engage in mass surveillance varies. It is the single most indicative distinguishing trait of totalitarian regimes. It is often distinguished from targeted surveillance.

The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four. The fictional book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the fictional Goldstein's book is read by the protagonist, Winston Smith, after a supposed friend, O'Brien, provided one copy to him. Winston had recalled that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."

<i>Nineteen Eighty-Four</i> (British TV programme) British TV series or programme

Nineteen Eighty-Four is a British television adaptation of the 1949 novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. It starred Peter Cushing, Yvonne Mitchell, Donald Pleasence and André Morell.

In the dystopian novel Nineteen Eighty-Four (1949) by George Orwell, the Two Minutes Hate is the daily period during which members of the Outer and Inner Party of Oceania must watch a film depicting Emmanuel Goldstein, the principal enemy of the state, and his followers, the Brotherhood, and loudly voice their hatred for the enemy and then their love for Big Brother.

<span class="mw-page-title-main">Thought Police</span> Secret police of Oceania in the novel Nineteen Eighty-Four

In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime. Using criminal psychology and omnipresent surveillance the Thinkpol monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and of the régime of Big Brother.

References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.

<span class="mw-page-title-main">Electric Eye (song)</span> 1982 promotional single by Judas Priest

"Electric Eye" is the second song on English heavy metal band Judas Priest’s 1982 album Screaming for Vengeance. It has become a staple at concerts, usually played as the first song. AllMusic critic Steve Huey called the song a classic.

George Orwell's 1949 dystopian political novel Nineteen Eighty-Four, has been adapted for the cinema, radio, television, theatre, opera and ballet.

<span class="mw-page-title-main">Emmanuel Goldstein</span> Character in George Orwells novel Nineteen Eighty-Four

In the dystopian novel Nineteen Eighty-Four, by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.

<span class="mw-page-title-main">Dystopia</span> Community or society that is undesirable or frightening

A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and vice versa.

<i>Nineteen Eighty-Four</i> 1949 novel by George Orwell

Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.

<span class="mw-page-title-main">Mass surveillance in India</span>

Mass surveillance is the pervasive surveillance of an entire or a substantial fraction of a population. Mass surveillance in India includes Surveillance, Telephone tapping, Open-source intelligence, Lawful interception, and surveillance under Indian Telegraph Act, 1885.

The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.

The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.

References

  1. Welcome to the Machine: Science, Surveillance, and the Culture of Control (archived), Derrick Jensen with George Draffan, Chelsea Green Publishing Company, 2004, 296 pages, ISBN   1-931498-52-0.
  2. Vijay K. Bhatia; Christoph A. Hafner; Lindsay Miller & Anne Wagner (January 2012). Transparency, Power, and Control: Perspectives on Legal Communication. Ashgate Publishing. p. 175. ISBN   978-1-4094-3284-5. Archived from the original on 2013-12-20. Retrieved 2014-01-30.
  3. Nick Street (17 January 2008). "The End of Privacy". Orlando Weekly. Retrieved 19 September 2013.
  4. "What Bush and Batman Have in Common", Andrew Klavan, Wall Street Journal, 25 July 2008. Retrieved 19 September 2013.
  5. "The Last Enemy", TV series, script by Peter Berry, BBC television and Masterpiece Contemporary (PBS), 5 October to 2 November 2008 on PBS. Retrieved 12 September 2010.
  6. 1 2 Person of Interest TV series (2011−), creator Jonathan Nolan, CBS, Internet Movie Database. Retrieved 19 September 2013.