Master of the Burgundian Prelates

Last updated

Crucifixion, from the missal of Richard Chambellan; MS BnF Lat.879, f. 105v Missel de Richard Chambellan - BNF Lat879 f105v (crucifixion).jpg
Crucifixion, from the missal of Richard Chambellan; MS BnF Lat.879, f. 105v
St Catherine of Siena, from the Book of Hours of Philibert Pillot; Autun, Bibliotheque Municipale, MS 269, f. 170v Katherina virgo felix Heures a l'usage d'Autun Philibert Pillot, ms. 269, f. 170v Bibliotheque Municipale, Autun.jpg
St Catherine of Siena, from the Book of Hours of Philibert Pillot; Autun, Bibliothèque Municipale, MS 269, f. 170v
Pontifical of Antoine de Chalon; Autun, Bibliotheque municipale, MS 129, f. 1r Pontifical d'Antoine de Chalon - BM Autun Ms129 f1.jpg
Pontifical of Antoine de Chalon; Autun, Bibliothèque municipale, MS 129, f. 1r

The Master of the Burgundian Prelates was an anonymous master illuminator active in Burgundy between 1470 and 1490. He owes his name to several works commissioned from him by Burgundian bishops and abbots.

Contents

Style

The art historian Nicole Reynaud isolated his style from four liturgical manuscripts for which he produced illuminations commissioned by four Burgundian bishops or abbots or of Burgundian origin: a missal for Ferry de Clugny, Bishop of Tournai and canon of Autun, a pontifical for Antoine de Chalon  [ fr ], Bishop of Autun, a breviary for Jean III d'Amboise  [ fr ], Bishop of Langres, and a missal for Richard Chambellan, Abbot of Saint-Étienne de Dijon. These sponsors, as well as the use of location of his books of hours, serve to identify this artist as a Burgundian. He may also have painted murals in the Chapelle Dorée of Autun Cathedral. His style is far removed from the Flemish illumination of the time. His characters are still and rectilinear, his colours dark and often enhanced with gold. His compositions are static and the illuminator has little interest in narrative or drama, but his style is well-adapted to devotional images such as crucifixions. [1] [2]

Possible identification

Several of the painter's motifs are found in the paintings of Josse Lieferinxe, an artist from Hainaut based in Avignon, who is known to have worked in the workshop of Jean Changenet  [ fr ] – a Langrois artist from a large family of Burgundian artists – and may have left Burgundy after the death of Charles the Bold in 1477. According to Nicole Reynaud, the Master of the Burgundian Prelates may be a member of Changenet's family, perhaps his brother Pierre, who stayed in Burgundy. [1]

Works attributed to the Master

Fourteen manuscripts were originally attributed to the Master by Nicole Reynaud, and others have been attributed to him since. Among the manuscripts thought to be by him are:

  • A detached leaf of the above. Autun, Musée Rolin, MS SE 127. [4]

Footnotes

  1. 1 2 Didier, Dominique (1976). "Le Maître des Prélats bourguignons". Bulletin Monumental (in French). 134 (4): 349–350. Retrieved 1 November 2023.
  2. Hourihane, Colum P., ed. (2012). The Grove Encyclopedia of Medieval Art and Architecture. Volume 1. Oxford: Oxford University Press. p. 465. ISBN   9780195395365 . Retrieved 1 November 2023.
  3. "Autun, BM, S 151 (129)". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 2 November 2023.
  4. "Autun, Musée Rolin, inv. SE 127". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 2 November 2023.
  5. "Autun, BM, 269". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 4 November 2023.
  6. "Book of hours: use of Rome: manuscript, [ca. 1485]". HOLLIS. Harvard College. Retrieved 3 November 2023.
  7. "Dijon, AM, lay. 5,72 (B 18)". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 4 November 2023.
  8. "Dijon, BM, 2555". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 4 November 2023.
  9. "Dijon, BM, 3765". Initiale Catalogue de manuscrits enluminés (in French). Institut de recherche et d'histoire des textes du Centre national de la recherche scientifique, Section des manuscrits enluminés. Retrieved 4 November 2023.
  10. "Detailed record for Harley 3181". Catalogue of Illuminated Manuscripts. British Library. Retrieved 3 November 2023.
  11. "Detailed record for Sloane 2419". Catalogue of Illuminated Manuscripts. British Library. Retrieved 3 November 2023.
  12. "MS 154. Tabourot-Bernard Hours. Burgundian, c. 1480-1490". McGill University Library. Retrieved 5 November 2023.
  13. "Book of hours". The Morgan Library & Museum. Retrieved 4 November 2023.
  14. "Latin 879". BnF Archives et manuscrits (in French). Bibliothèque nationale de France. Retrieved 2 November 2023.
  15. "Breviary, use of Autun: [manuscript]". Huntington Digital Library. The Huntington Library. Retrieved 2 November 2023.

Related Research Articles

Froissarts <i>Chronicles</i> History of the Hundred Years War

Froissart's Chronicles are a prose history of the Hundred Years' War written in the 14th century by Jean Froissart. The Chronicles open with the events leading up to the deposition of Edward II in 1327, and cover the period up to 1400, recounting events in western Europe, mainly in England, France, Scotland, the Low Countries and the Iberian Peninsula, although at times also mentioning other countries and regions such as Italy, Germany, Ireland, the Balkans, Cyprus, Turkey and North Africa.

Reginald of Bar was bishop of Metz from 1302.

<span class="mw-page-title-main">Dunois Master</span> French painter

The Dunois Master, also called Chief Associate of the Bedford Master was a French manuscript illuminator believed to have been active between about 1430 and about 1465. His name comes from a book of hours made for Jean de Dunois now in the British Library. He worked in association with the Bedford Master, in whose workshop he seems to have served; scholars consider him to be the most talented of the Bedford Master's assistants. He is usually assumed to have taken over the workshop when the Bedford Master ceased to be active, or to have set up his own with some of the artists. His style is characterized by soft modeling of forms, and a fondness for pale colors and shell gold.

<span class="mw-page-title-main">Bibliothèque municipale de Besançon</span> Municipal library in Besançon, France

Bibliothèque municipale de Besançon or Besançon municipal library is located in Eastern France. It is the first public library that was built in Besançon.

Jules Leroy was a French priest and researcher in the domains of Syriac, Coptic and Ethiopian manuscripts, art and architecture.

Michel Soymié was a French scholar and author working in the field of Chinese popular religion and literature. As a professor at the École Pratique des Hautes Études (EPHE) in Paris he directed a research group working on the Dunhuang manuscripts collected in China by the Paul Pelliot expedition of 1906-1908 which eventually evolved into the Centre de recherche Civilisation chinoise. He was responsible for publishing the collaborative catalogue of the Pelliot Dunhuang manuscripts.

<span class="mw-page-title-main">Bordeaux municipal library</span> Central library of Bordeaux, France

Bordeaux municipal library is the central library of Bordeaux, situated in the Mériadeck neighbourhood and linked to nine smaller libraries. It has noteworthy collections and rare documents which earn it a French government designation of classée (‘listed’), meaning it is a library of national significance.

Geneviève Hasenohr is a French philologist and prolific scholar of medieval and Renaissance French literature. She has authored or contributed to more than forty books, written at least fifty academic articles and reviews, and prepared numerous scholarly editions.

<span class="mw-page-title-main">Institut National d'Histoire de l'Art</span>

The Institut National d'Histoire de l'Art, commonly abbreviated INHA, is a French research institute, created and governed by Decree No. 2001-621, and situated in Paris. The Institute develops scientific activity and contributes to international cooperation in most fields of art history and heritage by exercising research, training and knowledge-diffusion.

Jean-Michel Nectoux is a French musicologist, particularly noted as an expert on the life and music of Gabriel Fauré. He has published many books on Fauré and other French composers, and has been responsible for major exhibitions in Paris.

<span class="mw-page-title-main">Frédéric Barbier (historian)</span> French historian and research director (1952–2023)

Frédéric Barbier was a French historian and research director at Centre national de la recherche scientifique. Barbier was born on 27 August 1952, and died on 28 May 2023, at the age of 70.

The Master of Robert Gaguin was an anonymous painter, active in Paris around 1485–1500. He was so named by Nicole Reynaud after a manuscript of Robert Gaguin's translation of Julius Caesar's De Bello Gallico, offered by the translator to Charles VIII, king of France. He belongs to a circle of French artists, whose art follows the style of the Master François.

Gilbert Ouy was a French historian, palaeographer and librarian.

<span class="mw-page-title-main">Gundohinus Gospels</span>

The Gundohinus Gospels is an illuminated Gospel Book of 754–755 named after its scribe Gundohinus. It contains one of the earliest figures in a Frankish manuscript and is now in the town library in Autun. It is often held as an example of the new Frankish-papal alliance's opposition to Byzantine iconoclasm.

<span class="mw-page-title-main">Bibliothèque universitaire des langues et civilisations</span>

The Bibliothèque universitaire des langues et civilisations (BULAC) is a major academic library located in Paris Rive Gauche and which has been open to the public since its 2011 opening. The library has a scope that includes all languages and civilisations that are not those of the Western World. It provides more than one million documents written in all languages, formed from the former collections of more than 20 libraries.

<span class="mw-page-title-main">Master of Jean Rolin II</span>

The Master of Jean Rolin II, also known as Rolin Master and Missel de Jean Rolin, was an anonymous artist who worked in Paris as a book illuminator for wealthy people including members of the court of Charles VII. The name comes from the work he did for Jean Rolin II, who was the cardinal-bishop of Autun. His work is part of the increase in specialized book production seen in Paris as a response to the growing commissions from lay people and the University of Paris. From 1445 to 1465 he worked in Paris together with other anonymous artists on books that included the Book ofHours of Simon de Varie. Spencer published an account of his style in 1963.

<i>Fontevraud Gradual</i>

The Fontevraud Gradual is an antiphonary or gradual of the mid-13th century, owned by Eleanor of Brittany, abbess of Fontevraud Abbey, and bequeathed to the abbey on her death. It contains Gregorian chant as well as three early polyphonic pieces. It is also noted for its miniatures in the form of historiated initials.

<span class="mw-page-title-main">Cartulary of Mont-Saint-Michel</span>

The Cartulary of Mont-Saint-Michel is a collection of illuminated manuscript charters from Mont-Saint-Michel Abbey in Normandy. It was begun in the mid-12th century in the abbey's scriptorium, but more documents were added up to the 14th century. It is currently kept in the ancient collection of the Bibliothèque Intercommunale, Avranches.

Jean-Pierre Drège is a French sinologist, specialising in the study of ancient books and the history of libraries, in particular Chinese manuscripts and Dunhuangology. He has been working for years in the study of the Dunhuang manuscripts.

The Institut des mondes africains (IMAF) is a French academic mixed and interdisciplinary research unit for African studies, in which the national research organisation CNRS, three other French national academic research institutions and two universities collaborate. They are the Institut de recherche pour le développement, the École pratique des hautes études (EPHE), the École des hautes études en sciences sociales and the Aix-Marseille University and the Pantheon-Sorbonne University.