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The Matsuyama Declaration [1] [2] [3] [4] was announced in September 1999, reviewing the prospect of world haiku in the 21st century, and the shape that the haiku must then take. The declaration was first drafted by the Coordination Council of Matsuyama (headed by Gania Nishimura) in Matsuyama, Ehime on July 18, 1999. The declaration was officially announced at the Shimanami Kaido 99 International Haiku Convention [5] on September 12, 1999. The proceeding of the convention was covered live on the internet to the entire world by the Shiki team in the Matsuyama Information Handling Chamber, and was also broadcast on BS Forum “Declaration of Haiku Innovation” on October 2, 1999.
“The Matsuyama Declaration: An Annotated Analysis,” by Michael Dylan Welch, appeared on the Graceguts website in 2016, offering detailed responses and analysis of the document’s points of view as a road-map for international haiku in the 21st century.
The Matsuyama Declaration consists of the following 7 parts:
The Matsuyama Declaration was made by the following people:
Haiku is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a kireji, or "cutting word", 17 on in a 5, 7, 5 pattern, and a kigo, or seasonal reference. Similar poems that do not adhere to these rules are generally classified as senryū.
Tanka is a genre of classical Japanese poetry and one of the major genres of Japanese literature.
Ehime Prefecture is a prefecture of Japan located on the island of Shikoku. Ehime Prefecture has a population of 1,342,011 and has a geographic area of 5,676 km2. Ehime Prefecture borders Kagawa Prefecture to the northeast, Tokushima Prefecture to the east, and Kōchi Prefecture to the southeast.
Masaoka Shiki, pen-name of Masaoka Noboru, was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry, credited with writing nearly 20,000 stanzas during his short life. He also wrote on reform of tanka poetry.
Kigo is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
Yves Jean Bonnefoy was a French poet and art historian. He also published a number of translations, most notably the plays of William Shakespeare which are considered among the best in French. He was professor at the Collège de France from 1981 to 1993 and is the author of several works on art, art history, and artists including Miró and Giacometti, and a monograph on Paris-based Iranian artist Farhad Ostovani. The Encyclopædia Britannica states that Bonnefoy was ″perhaps the most important French poet of the latter half of the 20th century.″
Matsuyama is the capital city of Ehime Prefecture on the island of Shikoku in Japan and also Shikoku's largest city. As of 1 October 2022, the city had an estimated population of 505,948 in 243541 households and a population density of 1200 persons per km². The total area of the city is 429.35 square kilometres (165.77 sq mi).
Haikai may refer in both Japanese and English to haikai no renga (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of [Matsuo] Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū, haiga, and haibun. However, haikai does not include orthodox renga or waka.
Cor Van den Heuvel is an American haiku poet, editor and archivist.
Jean-Jacques Origas (1937–2003) was a French academic with expertise in Japanese literature and art. He was a Japanologist, best known more for giving his knowledge to his students rather than for publishing books.
A haiku in English is an English-language poem written in the Japanese poetry style known as haiku, which correlates the two languages. The degree to which haiku in English resemble classic Japanese haiku varies, but many of these poems draw on short, concise wording and a reference to the seasons.
James Michael Kacian is an American haiku poet, editor, publisher, and public speaker. He has lived in London, Nashville, Bridgton (Maine) and now resides in Winchester, Virginia.
Kyoshi Takahama was a Japanese poet active during the Shōwa period of Japan. His real name was Takahama Kiyoshi (高浜清); Kyoshi was a pen name given to him by his mentor, Masaoka Shiki.
Gania Nishimura is a Japanese poet and an international civil servant.
Kurita Chodō, was a Japanese poet of the Edo period (1600–1867), regarded as a leading figure in poetry world in Matsuyama former Iyo Province.
Hototogisu is a Japanese literary magazine focusing primarily on haiku. Founded in 1897, it was responsible for the spread of modern haiku among the Japanese public and is now Japan's most prestigious and long-lived haiku periodical.
The Masaoka Shiki International Haiku Awards, named after the founder of modern Japanese haiku, were established on the principles set forth in the Matsuyama Declaration, adopted at the Shimanamikaido '99 Haiku Convention in Matsuyama held in September 1999. The establishment of this award attracts people's attention to Masaoka Shiki as a globally recognized poet and to haiku as a short form of world poetry.
Kawahigashi Hekigotō, birth name Kawahigashi Heigorō, was a Japanese poet and modern pioneer of the haiku form.
Nakamura Kusatao was a Japanese haiku poet.